Sep 10

For the Punks, By the Punks: “The Arsonists”

Left to right: Julia Trueblood. Stephanie Charlton, and Kim Carrell

Praxis Stage presents The Arsonists
Written by Max Frisch
Translated by Alistair Beaton
Directed by Bob Scanlan
Costume Design by Maureen Festa
Lighting Design by Kevin Fulton
Sound Design by Mackenzie Adamick
Dramaturgy by Michael Anderson 

The Band:
Guitar and Music Director: David Kurimsky
Vocals/Arrangements: Miss Mary Mac
Guitar: Malachi Connolly  
Percussion and Backing Vocals: Benedict Dawn-Cross
Saw: Leigh Calabrese

Sept. 5 – 15, 2024
Chelsea Theatre Works
189 Winnisimmet Street
Chelsea, MA 02150

Critique by Kitty Drexel

CHELSEA, Mass. — The Arsonists is about fascists. This production is decisively, unquestionably anti-fascist (and vehemently anti-MAGA). Gird your loins and buy your tickets accordingly. 

Praxis Stage presents Alistair Beaton’s translation of Max Frisch’s The Arsonists, a morality play with a hero who learns no moral. Beaton’s updates Frisch’s original work (previously The Fire Raisers, 1953) with 21st-century language and modern references. Praxis expounds upon Beaton’s work by adding references to the Trump presidency and America’s other political chicaneries. The keen updates appeal to the modern audience member. We can laugh at the absurdity of the play while mourning the state of our political stage.     Continue reading

Apr 15

Uncle Barney Wasn’t Particular: “The Birthday Party”

The cast. Photo credit: Nile Scott Studios.

Presented by Praxis Stage
By Harold Pinter
Directed by James Wilkinson

April 11- 28, 2024
Chelsea Theatre Works
189 Winnisimmet Street
Chelsea, MA 02150

Article by Kitty Drexel

CHELSEA, Mass. — Praxis Stage did everything right. It collected a great cast; it hired James Wilkinson to direct. Pinter’s The Birthday Party is an absurd play, but it’s tight. Sometimes, even when all the elements of success are there, you still fall short. 

Meg (Sharon Mason) and Petey (Paul Valley) run a boarding house in a sleepy seaside town. Despite being on a prestigious list of boarding houses, they have only one tenant, Stanley (Zair Silva). Lulu (Darya Denisova) arrives to taunt Stanley and deliver a package for Meg. All is well until Meg & Petey receive two new guests, Goldberg (Daniel Boudreau) and McCann (Kevin Paquette).  Continue reading

Jun 29

New Medium, Classic Story: FPTC’s “Long Day’s Journey Into Night”

Long Day’s Journey Into Night, a Virtual Staged Reading from dayenne walters on Vimeo.

Presented by Fort Point Theatre Channel
Written by Eugene O’Neill
Directed by Audrey Seraphin
Music Composed by Akili Jamal Haynes

Virtual Staged Reading, June 23-26, 2020
Tickets on http://vimeo.com/ondemand/longdaysjourney
$10 for a 24-hour rental
FPTC on Twitter: @fortpointtc

Critique by Kitty Drexel

ZOOM — Theatre created in corona-times is theatre that can be preserved for future generations. Those generations will look back on our work and express amazement at the simplicity of our tech and the universality of the human condition. Fancypants stage technology can embellish a performance, but it isn’t necessary when the foundational elements of a performance are of superior quality. Fort Point Theatre Channel’s Zoom reading of Eugene O’Neill’s Long Day’s Journey Into Night captures both the rigidity of Zoom’s limitations while highlighting the subtle creativity of Fort Point Theatre Channel’s artists. Continue reading