Feb 10

Crones Belong in “SPACE”


Presented by Central Square Theater
The Brit d’Arbeloff Women in Science Production
A Catalyst Collaborative@MIT Production
By L M Feldman
Directed by Larissa Lury
Created by L M Feldman and Larissa Lury

January 30 – February 23, 2025
Central Square Theater
450 Massachusetts Avenue
Cambridge, MA 02139

Critique by Kitty Drexel

CAMBRIDGE, Mass. — There is no way Central Square Theater could have predicted the exact sequencing of events following the presidential inauguration on January 20, but, because its art is based in the sciences, it must have had an inkling that SPACE by LM Feldman and Larissa Lury would be topical. It’s Black History Month and the White House is stripping women and minorities of equity and inclusion opportunities to favor the most bleached, tantrum-fueled presidential idiocrasy oligarchy since Reagan allowed his hate and other mucuses to trickle down and stop up our national funding pipelines. But I digress. SPACE is a good show about badass astronauts who defied the odds to kick ass up and down U.S. history.   

SPACE is told in two parts and recognizes time as an a-linear construct. The story bounces through the years like a racquetball on a closed court. Part One integrates the stories of the U.S. aviation’s best and brightest pilots yesterday and today: Bessie Coleman & Irene Leverton (Valencia Proctor), Jerri Sloan & Christina Hernandez (Monica Risi), Hazel Ying Lee, Wally Funk & Ivy Rieker (Hui Ying Wen), Jackie Cochran & Gene Nora Stumbough, Jasmin Moghbeli & Jean Hixson (Mitra Sharif), Mae Jemison & Jane Hart (Kaili Y Turner), Sally Ride & Geraldyn Cobb (MK Tuomanen), and the male scientists and male politicians who stop them because they don’t believe vaginas belong in space (all played by Barlow Adamson who utilizes a grand JFK accent à la Abbott Vaughn Meader). We watch these heroic women go from the 1940s Women’s Airforce Service Pilots to lobbying Congress to allow women in the space race. We watch them undergo physical, mental and cultural tests to prove their space-worthiness. They do everything right and still can’t touch the cosmos because of military gatekeeping.

Click it. Sally Ride wasn’t sorry. You won’t be either.

Continue reading

Oct 01

Where’er the Surge May Sweep: “Ada and the Engine”

Mishy Jacobson in Ada and the Engine. Photo: Nile Scott Studios.

Presented by Central Square Theater
Brit d’Arbeloff Women in Science Production
A Catalyst Collaborative@MIT Production
Written by Lauren Gunderson
Directed by Debra Wise
Choreography by Judith Chaffee
Featuring Kortney Adams, Diego Arciniegas, Mishy Jacobsen, and John Hardin

The online playbill

September 22 to October 23, 2022
Central Square Theater
450 Massachusetts Avenue
Cambridge, MA

Critique by Kitty Drexel

CAMBRIDGE, Mass. — Lauren Gunderson’s Ada and the Engine at Central Square Theater is not either’s best work. Central Square Theater has produced better shows and produced better shows by Gunderson. Gunderson has written better plays.

Ada and the Engine is problematic, and the script has problems. It reorganizes the life of English mathematician Augusta “Ada” King, Countess of Lovelace to tell a unique story about the intersection of computational science and gender roles. It approximates Ada Lovelace’s life to continue the discussion about the uphill battle women face in STEM.  Continue reading