Oct 04

Hurt Me, Daddy: “Dracula: A Feminist Revenge Fantasy, Really”

Sara Jones plays Renfield (left); shown with Maria Hendricks as Dr. Van Helsing (middle) and Lisa San Pascual as Mina Harker (right). Photo by Gillian Mariner Gordon.

Presented by The Umbrella Stage Company 
Based on the novel by Bram Stoker
By Kate Hamill
Directed by Michelle Aguillon
Original Music Compositions by Valerie Forgione
Intimacy Direction by Kayleigh Kane 
Fight Direction by Sarah Flanagan

Sept. 30 – Oct. 23, 2022
The Umbrella Arts Center
40 Stow Street
Concord, MA 01742

Critique by Kitty Drexel

CONTENT WARNINGS: This play contains sexual situations, violence, and death by suicide. It may not be appropriate for persons under 16 years old.

This production uses strobe light effects and fog effects.

CONCORD, Mass. — Do heteros know they’re supposed to like their partners? Dracula: A Feminist Revenge Fantasy, Really is yet another retelling of a classic gothic romance novel in which men treat their female partners terribly; their behavior is belittling, lacks respect, and reeks of contempt. It’s no wonder playwright Kate Hamill rewrote it with a snappy, violent finale. 

Dracula: A Feminist Revenge Fantasy, Really spins the novel by Bram Stoker for a modern audience of thinking minds. Mina Harker (Lisa San Pascual) expects a baby any day now, but her husband Jonathan (Joseph Jude) must assist Count Dracula (Dustin Teuber) with land acquisition. Mina’s best friend Lucy Westenra (Gabrielle Hatcher) can’t contain her glee at marrying Dr. George Seward (Dominic Carter) but fears she must for George’s sake.

Renfield (Sara Jones) can’t remember what happened to her husband. Drusilla (Emily Sheeran) and Marilla (Bowen Huang) hunger. Dracula: A Feminist Revenge Fantasy, Really is not told in letters, thankfully. Continue reading

Nov 02

“Thirsty” Not Worth the Right Swipe

Photo by Haris Lefteri

Photo by Haris Lefteri; pictured: Adjovi A. Koene

Presented by Ya Bird? Productions
By Greg Hovanesian
Directed by Haris Lefteri

October 30, 2016
The Rockwell
255 Elm Street
Somerville, MA
Ya Bird? Productions on Facebook

Review by Travis Manni

(Somerville, MA) I love a show with a holiday theme to get me in the right kind of festive mood. And what better way to let the Halloween spirit possess me than going to see Thirsty, a show about online dating and vampires. Continue reading

Feb 22

Short, Sweet, and Gory: “La Zombiata”


Presented by WholeTone Opera
Opera by Jillian Flexner
Based on the opera by Giuseppe Verdi and Francesco Maria Piave.
Stage Director: J. Deschene
Music Director: Ian Garvie

February 12 – 14, 2016
Davis Square Theater
Somerville, MA
WholeTone Opera on Facebook

Review by Craig Idlebrook

(Somerville, MA) The few times I’ve been to an opera, I noted that if you took out a lot of the notes people sang, you would end up with a bloody, sexy tale. Being that I’m generally inclined for a bloody, sexy tale over a lot of notes, I daydreamed of a streamlined opera that didn’t take itself so seriously. (Have you gathered I don’t usually like opera?) Continue reading

Oct 07

The Darkness Hides Gothic Metaphor: Angela Carter’s HAIRY TALES

https://mail-attachment.googleusercontent.com/attachment/u/1/?ui=2&ik=eacf24cc2b&view=att&th=14184f51c57570ee&attid=0.4&disp=inline&realattid=f_hmdt1esw6&safe=1&zw&saduie=AG9B_P-8Q_l0QzPMOYuJpu9b4yGh&sadet=1381175239451&sads=OdvDtUQSpD0JQHDVDkF_bqe5Y58

Photo credit: Roger Metcalf; Amy Meyer and Poornima Kirby as The Countess. The Countess is beside herself. See what I did there? No? Fine.

Presented by Imaginary Beasts
Angela Carter’s Hairy Tales: “Vampirella: Lady of the House of Love”, “The Company of Wolves”
Directed by Matthew Woods
Music composition & sound by Sam Beebe
Choreography by Kiki Samko

October 4 – 26, 2013
Thursdays at 7:30 pm (Vampirella & The Company of Wolves)
Fridays & Saturdays at 8:00 pm (Vampirella & The Company of Wolves)
Saturdays & Sundays at 4:00 pm (Puss in Boots)
Plaza Black Box Theatre at the Boston Center for the Arts
539 Tremont Street
Boston, MA
Imaginary Beasts on
Facebook

Review by Kitty Drexel

***Be aware that this is NOT a children’s show. Unless you enjoy subjecting your dear ones to brief nudity, incest, cannibalism, necrophilia and heaps of innuendo. You sick bastards.***

(Boston) Some of the reviews for Hairy Tales lead with how author Angela Carter isn’t popular in the US. Not entirely true. She’s famous in the UK, yes, but she’s also famous here. She’s famous among people who enjoy magical realism (and modern fairytales) and can’t abide trashy alternatives. Carter’s not as famous as Jane Austen or the Brontës but famous enough that her books are still published in the US. They can be found at your local library or on Amazon. They are delicious. Read them.

Vampires and werewolves are scalding hot right now. There are more spinoff’s, movies and TV programmes than there are heaving bosoms to enjoy them. Supernatural creatures are often* metaphors for sexual desire and fulfillment. Female sexual objectification sells and, when paired with the supernatural, its related media will be inhaled by the angsty. Thus, we have a dearth of offerings to present to the generations that haven’t read Dracula but have read the famous Mormon fanfic. In the case of  “The Company of Wolves” (TCOW) and “Vampirella,” objectification gets a rest and liberation takes the stage. There is still enough angst to go around.   Continue reading