Jul 11

Theatre@First Presents “Picasso at the Lapin Agile”

Bare Bones 11: Picasso at the Lupin Agile

Presented by Theatre@First

ONE NIGHT ONLY!
Thursday, July 25th at 8pm
Picasso at the Lapin Agile will be presented at Unity Somerville, 6 William Street, Somerville, MA 02144
Suggested Donation $5 – General Admission – No reservations required

About the Play:
Written by Steve Martin and directed by Santiago Rivas

What if the greatest scientific mind of the 20th century met the greatest artist at a bar in Paris before they became famous? Picasso at the Lapin Agile is a comic drama about a meeting of the minds as this hypothetical question is answered. In a Parisian bar in 1904, Albert Einstein is introduced to Pablo Picasso. They, along with the local patrons, discuss the creativity process in their respective roles in science and art. With brushstrokes and equations, a bond between the icons is forged as they approached the new century.

Cast

Michael DeFillippi playing Freddy
Jason Merrill playing Gaston/Sagot/Charles Dabernow Schmendiman/Visitor
Kitty Drexel playing Germaine
Daniel Gonzalez playing Albert Einstein
Andrea Aptecker playing Suzanne/Countess/Admirer
Carlos Nogueras playing Pablo Picasso

Bare Bones: Staged Readings at Theatre@First offers directors, casts and audiences the chance to explore a wide variety of plays in a spare, intense setting.

Jun 25

Sometimes A Snuggle is Just A Snuggle: “The Baltimore Waltz”

The Baltimore Waltz

presented by Theatre@First
by Paula Vogel
directed by Kamela Dolinova

June 20 – 29, 2013
Unity Somerville
6 William Street
Somerville, MA
Theatre@First Facebook Page

Review by Kitty Drexel

Warning: This production contains graphic but hilarious simulations of sexual acts, and bastardizations of European clichés.

(Somerville) As a playwright, Paula Vogel has the unique opportunity to dedicate herself to exploring and understanding her brother Carl’s end of life circumstances. Carl tragically died of AIDS. Rather than use the written word to metaphorically weep bitterly and openly, Vogel instead channeled her uncommon sense of humor and tender affections for Carl into The Baltimore Waltz, an ode to love, loss and healing.

In the context of the play, Anna has contracted Acquired Toilet Disease (ATD). In “real life,” outside the context of Anna’s fictional imagination, Carl has contracted AIDS. By narrating a character living with a pretend disease created for comic relief, playwright Paula Vogel examines the urgency of life through the lens of incurable disease.While her characters “dance” through a trippy, Noir-influenced trip to Europe, life as we know it continues with its disastrous choreography. Continue reading

Mar 18

“Lysistrata”: Adorably Filthy

The lovely ladies of Lysistrata refusing to get sexy. Photo Credit: Theatre@First.

The lovely ladies of Lysistrata refusing to get sexy. Photo Credit: Theatre@First.

Presented by Theatre@First

Written by Aristophanes
Directed by John Deschene
Choreographed by Alex Nemiroski

Unity Somerville
6 William Street
Somerville, MA
Theatre@First Facebook Page

Review by Gillan Daniels

(Somerville) Comedies, especially those that depend on references contemporary to when they’re written, don’t often age well.  Plays survive on the universal quality of their themes, like mortality, revenge, and hope, most of which belong to the sphere of drama. For a long shelf life, they must be built on ideas that resonate down the ages. It certainly says something about the nature of humor that Lysistrata, produced in 411 B.C.E. and one of Aristophanes few surviving plays, continues to be well remembered and celebrated for its bawdiness. Continue reading

Sep 14

Bent, Not Broken

BENT
Presented by Theatre@First
A Play by Martin Sherman
Directed by Nick Bennett-Zendzian

Theatre@First Facebook Page

Performances: Friday, September 14 – Saturday, September 22
Unity Somerville, 6 William Street at College Ave.
TICKETS – $15 for adults, $12 for students/seniors. Group discounts available.

Review by Gillian Daniels

(Somerville) When the stakes grow to dizzying heights, Theatre@First’s production of Bent has the power to draw its audience as tightly as a bowstring. The air crackles expectantly as viewers wait for the other shoe to drop.  As its characters are fenced in with barbed wire and SS guards, they are left with nothing but the hope that things can’t get any worse.  It certainly will, especially when that backdrop is the Holocaust and the principal characters are homosexual. Continue reading