Apr 15

Hell Hath No Fury: “Don’t Eat the Mangos”

Left to right: Evelyn Howe, Jessica Pimentel, Yesenia Iglesias; photo by Marc J. Franklin.

Written by Ricardo Pérez González
Directed by David Mendizábal
Featuring: Jessica Pimentel, Yesenia Iglesias, Evelyn Howe, Susanna Guzmán, José Ramón Rosario
Voice of Radio: José C. Massó III
Fight Director and Intimacy Coach: Ted Hewlett

March 26 – April 27, 2025
The Huntington Calderwood
527 Tremont Street. Boston, MA 02116

Content warnings: Don’t Eat the Mangos includes frank discussion of past sexual assault, incest, and traumatic forced abortion. The play includes depictions of patriarchal control in a family setting, at-home end-of-life care, and violent suffocation. There is a brief discussion of suicide and the inclusion of homophobic and sexist slurs.

This play is performed in English and Spanish. 

BOSTON — After the first seeing the striking mango tree (designed by Tanya Orellana with rising sunlight designed by Cha See) burdened with tangibly ripe fruit next to a cozily busy cottage, the audience hears the silence-splitting call of the Puerto Rican coquí frog. (I’ve never been to P.R., but I’ve heard the coquí’s invasive rant from inside my family’s home on Big Island, Hawai’i enough times to recognize the frog’s plaintive call for nonrecreational booty even in my nightmares.) 

The sound design by Jake Rodriguez layers the persistent morning call of coquís under the clanging of daily housework in Don’t Eat the Mangos’ first moments. Shortly after the first lines of dialogue, a ringing bell joins the coquís call. These sounds, with director David Mendizábal’s staging, plus the tense character work between the actors, indicate that something is not right in this house.  Continue reading

Jun 18

Darkness Eats Unwanted Souls, or The Homeless are Human: “King of Shadows”

Trinidad Ramkissoon and Laura Chowenhill in “King of Shadows.” Photo via Flat Earth’s Facebook page.

Presented by Flat Earth Theatre
By Roberto Aguirre-Sacasa
Directed by Michael Hisamoto
Puppetry by Amy Lehrmitt
Intimacy direction by Betsy S. Goldman

June 7 – 22, 2019
Mosesian Center for the Arts
Watertown, MA
Flat Earth on Facebook

Critique by Kitty Drexel

Disclaimer: I auditioned for this production, and was not cast. It is my opinion that only a jackass would allow rejection, a natural process of auditioning, to taint their review.

Trigger warnings: mentioned sexual abuse, mentioned sex work (which is real work)

(Watertown, MA) There is a lot of ambiguity in Aguirre-Sacasa’s King of Shadows. He doesn’t communicate a clear message to his audience.  Specifically, he doesn’t clarify what it is he’s trying to say. At no fault of Flat Earth, Hisamoto or the cast, Aguirre-Sacasa implies in only uncertain terms that teen homelessness is bad, rich grad students with savior complexes are ineffective, and fairytales are fun. The details are a mishmash of complications. Flat Earth does a good job with the script, but Aguirre-Sacasa isn’t doing them any favors. Continue reading

Jun 11

#Gamergate, Too: “The Nether”

Photo by Jake Scaltreto

Presented by Flat Earth Theatre
By Jennifer Haley
Directed by Sarah Gazdowicz

June 8 – 23, 2018
The Mosesian Center for the Arts
321 Arsenal Street, Watertown, MA, 02472
Flat Earth on Facebook

Review by Kitty Drexel

Trigger warnings: pedophilia, sexual abuse, implied physical violence, predatory grooming

(Watertown, MA) Flat Earth’s production is expectedly excellent but it isn’t enjoyable. Well actually, The Nether is about ethics in gaming journalism. It’s a political metaphor for gamer identity protection. Just kidding: It’s about abusive communities on the internet and the people who dwell in them. Identity protection and “ethics” are smoke screens for heinous behavior in the name of free speech and implausible deniability. #yesallwomen Continue reading