Oct 15

Cirque of the Dead Preview: The Nightmare Continues

Presented by Boston Circus Guild
Directed by Joseph C. Walsh
October 19 – October 31, 2017

The Oberon
2 Arrow Street
Cambridge, MA 02138
Cirque of the Dead on Facebook

Preview by Gillian Daniels

(Cambridge, MA) Last year, in 2017, Cirque of the Dead delighted me with Jumanji-esque antics and host Wes Hazzard’s charisma.

This year, in another callback to one’s youth for an adults-only murder show, the theme is Choose Your Own Adventure. The 2018 show promises new acts, acrobats, aerialists, butts, cannibalism, monsters, sex, and a bar full of specialty cocktails.

Joseph C. Walsh will be directing and says, “This exciting event combines breathtaking circus skills, startling theatricality and classic horror to offer its audience a unique and immersive experience. The incredible performers have stretched me artistically and inspired me with their astounding abilities and passion for pushing the boundaries of the modern circus genre.”

Music will be provided by Minusworld, a nerd-themed, “high-energy Synthrock” band.

Boston Circus Guild (BCG) describes itself as “a collaboration of over fifty musicians, artists, circus performers, dancers, and event producers from the Boston area. BCG members regularly perform at prestigious events and venues throughout New England including the Museum of Fine Arts Boston, Pfizer, Cirque du Soleil, and The Boston Bruins Foundation.” I had to scrape my jaw off the floor after witnessing last year’s acrobatics. I expect nothing less than spectacular.

Last year, I also wrote,  “The visuals are deeply compelling and wonderfully gross. […] The sense of escapism Cirque of the Dead represents, gory and grim as it may be, is invaluable and beautifully articulated with supreme commitment to physical flights of fancy.”

And I can’t wait for the next chapter.

Performances:
Friday, October 19: 7:00PM & 10:30PM
Saturday, October 20: 6:30PM
Thursday, October 25: 7:30PM
Friday, October 26: 7:00PM & 10:30PM
Saturday, October 27: 6:30PM
Wednesday, October 31: 7:00PM & 10:30PM

Feb 22

Hilarious Hot Flashes and Other Mid-Life Crises of the Woman: “Women in Jeopardy”

Gail Rastorfer, Julia Brothers, and Jessica Wortham. Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre 
Written by Wendy MacLeod
Directed by Sean Daniels

February 15-March 12, 2017
50 E. Merrimack Street, Lowell MA 01852
MRT on Facebook

Review by Kate Lew Idlebrook

(Lowell, MA) My husband and I had a very stressful week that culminated in the knowledge that our heater, broken since Thursday, wouldn’t be fixed until Monday. So by the time Saturday night arrived, we were in need of some good, comedic distraction, and Women in Jeopardy, premiering at the the Merrimack Repertory Theater, rose to the challenge.

Continue reading

Jul 18

Mommy Issues on Foreign Soil: BRENDAN

Photo credit: Josephine Anes;  Avery Bargar and Kiki Samko.

Photo credit: Josephine Anes; Avery Bargar and Kiki Samko, not so snugly.

Presented by Happy Medium Theatre Company
Written by Ronan Noone
Directed by Brett Marks and Victor L. Shopov

July 15-30, 2016
Boston Center for the Arts
539 Tremont St

Boston, MA 02116
Happy Medium on Facebook

Review by Kitty Drexel

Disclaimer: I auditioned for this show way back when. I wasn’t cast. Only a self-serving, insecure butt-face would let something like that color their review.

(Boston, MABrendan marks the return of Happy Medium Theatre Company. Welcome back, guys; we’ve missed you. Please don’t ever leave us like that again. Continue reading

Apr 19

Bedroom Games and War Crimes in Terrifying “Threesome”


Presented by Apollinaire Theatre Company
by Yussef El Guindi
Directed by Danielle Fauteux Jacques

April 8-May 7, 2016
Chelsea Theatre Works
189 Winnisimmet St., Chelsea.
Apollinaire on Facebook

Review by Gillian Daniels

(Chelsea, MA) Leila (Alison Meirowitz McCarthy) and Rashid (Mauro Canepa) are introduced to the audience in their pajamas as self-styled intellectuals, struggling to be distant from their emotions. They’re Egyptian-Americans who open the play conversing like an editorial on gender politics, feminism, and cultural differences. Then comes in Doug (Geoff Van Wyck), the photographer they have invited into their bedroom for a sexual adventure. He’s blunt, cheerful, and thoroughly naked. He is the chaotic element that opens them up to the insecurities that run deep through their relationship. His attitudes don’t represent some enlightened, Western view as a cure-all to their squeamishness, however. No, Doug has his own insecurities he’s bringing in, too. What begins as an adult comic drama ends as a dark exploration of the political and personal. Continue reading

Sep 28

For Better or Worse, “The Thing on the Doorstep” is a Shambling Beast

Artwork by Dan DeRosato

Artwork by Dan DeRosato

Presented by Salem Theatre Company
Adapted from the H.P. Lovecraft story
Directed & Adapted by Isaiah Plovnick

September 17 – October 4, 2015
Salem Theatre
90 Lafayette Street
Salem, MA, 01970
Salem Theatre on Facebook

Review by Gillian Daniels

(Salem, MA) Devoted H.P. Lovecraft fans should prepare themselves for a sojourn to Salem before the end of this week. The Thing on the Doorstep has been lovingly adapted to stage, giving voice to one of the most foundational science fiction writers of the early twentieth century. What’s synthesized from the material is a creeping, gothic narrative, one that fights to stay true to the spirit of the original and hew closely to the author’s voice. The move from page to stage is a fraught one, though, and Lovecraft’s style (retro by the standards of the years he wrote in with a great deal of colonialist issues throughout) is ultimately clunky. Continue reading

Dec 15

No, Thank YOU Susan: NECCESARY MONSTERS

Craig Bailey/Perspective Photo

Craig Bailey/Perspective Photo

Presented by SpeakEasy Stage Co.
By John Kuntz
Directed by David R. Gammons
Dramaturgy by Walt McGough

Dec.5, 2014 – Jan. 3, 2015
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

Trigger warning: Strobe lighting, smoking, unsexy sex, murder, drugs, wiring from an electrical engineer’s worst nightmare

(Boston, MA) The proverb goes, “some people are only alive because it is illegal to kill them*.” The majority of the people who advertise that they apply this statement to their life philosophies are frequently ignorant, bigoted and deeply stupid. One just doesn’t say such things (lest your friends and loved ones think you’re one of them. No one wants to be considered one of them). That doesn’t mean the rest of us don’t agree. On the contrary, we frequently do but refuse to publicly admit it because our Mommies taught us better than that. We only admit we agree with this proverb in the quiet of the night, privately and alone. But it’s true isn’t it? There are certain people that we believe are bad and therefore must be stopped. Sometimes it’s a terrible man like Hitler, and sometimes it’s Celia in 24B across the hall with her 4 incessantly yapping corgis, 2am vacuuming, and magazine stealing habits. Sometimes Celia, and what she represents, must die. It’s thoughts like these that fuel Necessary Monsters. Continue reading

Aug 18

Needs Oil, But Still Burns Rubber: GREASE

Photo © Paul Lyden

Photo © Paul Lyden

Presented by North Shore Music Theatre
Book, music, lyrics by Warren Casey & Jim Jacobs
Directed by Mark Martino
Music directed by Craig Barna
Choreographed by Mark Stuart

August 12th – August 24th, 2014
Beverly, MA
NSMT on Facebook

Review by Craig Idlebrook

(Beverly, MA) The backstory behind the script for the musical “Grease” is that writers Jim Jacobs and Warren Casey locked themselves away to write a bunch of 50’s era songs, and then tried to piece together a plot to fit the songs together. This sounds like a recipe for a disaster of a script, and for a long time I personally thought the plot flimsy and vacant. Continue reading

Jun 04

Getting Your Kicks Off Route 66: Sex Fest 2

This review is for mature audiences only: While the review is relatively safe for work, the production is not. The Geeks of the New England Theatre Geek are all adults. We sometimes review productions with “adult themes*”. The title of the production is a clear indicator of both the subject matter and performance content. If this is not something for you, please help yourself to another review.

You have been warned.

*Although why they are described that way is beyond me. Being over the age of 18 is no clear indication of adulthood.
Continue reading

May 16

Right is Better Than Nice: INTO THE WOODS

Photo by Mark S. Howard. The cast; kicking ass and taking names in The Woods.

 

Presented by Lyric Stage Company of Boston
Music & lyrics by Stephen Sondheim
Book by James Lapine
Directed & staged by Spiro Veloudos
Music directed by Catherine Stornetta

May 9 – June 15, 2014
140 Clarendon Street
Boston, MA 02116
The Lyric on Facebook

Review by Kitty Drexel

(BostonInto the Woods is a tough nut to crack. On the one hand, it’s a classic and butts will fill seats faster than Satan fills a church on Sunday. On the other, it’s a classic and everyone who loves this show will have an opinion that they swear it’s the only legit one because they saw that Broadway performance that one time… on DVD. The Lyric Stage Co’s production is good but not good enough to silence the naysayers (the lines to the bathrooms were all atwitter with sarcasm). The audience community of Boston is protective of their favorite shows. This one falls under the blanket of shows that the community will fight for to the death (of their subscription). Continue reading

Oct 24

The Rocky Horror Show: My First Time Warp

Tad Mckittrick, Gene Dante, Ryan Landry, Kayla Foster and Laine Binder, from left. Photo by Michael von Redlich

The Rocky Horror Show, book, music and lyrics by Richard O’Brien, The Gold Dust Orphans and Club Oberon, 10/14/11-12/2/11, FRIDAY NIGHTS,  http://www.cluboberon.com/events/rocky-horror-show.  Mature themes, objects, and “blue” paraphernalia. 

Reviewed by Becca Kidwell (review contains innuendo) 

(Cambridge, MA) “Michael Rennie was ill the day the earth stood still/but he told us where we stand…” With climactic anticipation, I stood in Club Oberon to see The Rocky Horror Show live!  Since I saw the movie of Fame (the original, not the remake), I wanted to see The Rocky Horror Show live either as a stage show accompanying the movie or the staged musical.  Well…Friday night was the night… Continue reading