Oct 11

Dank Memes for Forest Teens: “Eat Your Young”

Maez Gordon, Abacus Dean-Polacheck, Charlotte Stowe, Sunny Feldman; Photo by Hilary Scott Photography.

Presented by Boston Playwrights’ Theatre the Boston University College of Fine Arts School of Theatre
By J.C. Pankratz
Directed by Shamus
Fight and intimacy direction by Yo-El Cassell

Oct. 6 – 16, 2022
PRIDE NIGHT: Friday, October 14 at 8 p.m.
Boston Playwrights’ Theatre
949 Commonwealth Ave.
Boston, MA 02215

A strobe light effect is used during the performance.

Content warnings: Substance abuse disorders, drug use, self-harm, body dysmorphia, disordered eating, fatphobia, violence, and occasional misgendering. Find resources here.

Critique by Kitty Drexel

BOSTON — I fully support content warnings. Content warnings enable survivors to make better choices for their needs. Content warnings are a sign of an empathetic and understanding theatre company. Sometimes even a survivor won’t know when they will be triggered. It is better to err on the side of compassion than to abstain.  

Horror theatre can tell important stories, but often it is an excuse to disgust an audience with cool theatre tricks and fake blood. Eat Your Young is a hard departure from torture porn (or torture fanfiction, as is the case for much of theatre), and I am glad to see it, but it was not the show I was expecting from the content warnings or the summary on the BPT website. 

Content warnings are an imperfect, relatively new practice. Eat Your Young contains elements of traditional psychological horror, but it is largely a comedy. The content warnings lead me to expect jump scares, even physical torture. I was surprised when neither happened. 

Lucia (Abacus Dean-Polacheck), Jelly (Charlotte Stowe), Ginger (Sunny Feldman), and Quinn (Maez Gordon) are four mismatched teens enrolled in an abusive emotional growth school disguised as the wilderness survival program. The teens are abandoned in the forest without resources except for their water bottles, a baggie of tampons, and their sociopathic counselors Marty (Ross Beschler) and Marty B (Jay Eddy).  Continue reading

Feb 19

Please Live Life to Its Fullest Responsibly: “People, Places & Things”


Presented by SpeakEasy Stage Company 
Written by Duncan MacMillan
Directed by David R Gammons
Dramaturgy by Rulas A Muñoz

Feb. 11 – March 5, 2022
Audio Description – February 19 at 8pm and February 20 at 3pm
Open Captioning – March 3 at 2pm and 7:30pm
South End / Calderwood Pavilion at the BCA
527 Tremont St.
Boston, MA 02116
SpeakEasy on Facebook

Critique by Kitty Drexel

CONTENT ADVISORY:  This production contains depictions of addiction and self-harm, discussions of sexual assault, an extended strobe light sequence, herbal cigarette smoke, and loud noises.

BOSTON — A friend once told me, despite the burden mental illness can present, that the brain is trying to help. The myriad painful symptoms I and many others experience as effects of mental illness are the brain’s way of facilitating, even normalizing the abnormalities of life. Sometimes, I’d rather it not. 

Just because the brain is trying to help, it doesn’t mean the brain is actually helping. It takes tremendous discipline to correct negative behaviors and toxic thoughts and to learn new ones. Failure is inevitable. If it takes a village to teach toxic patterns, it takes another village to reinforce positive ones. 

SpeakEasy Stage’s People, Places & Things running at the BCA is about addiction, mental health, the theatre, and identity. Emma (Marianna Bassham in a performance that will blow your mind) is in denial. She abuses drugs to cope with her performing career, her family, and the life that happens in-between. She’s on so many drugs when she collapses on stage during a production of The Seagull, it’s a miracle she isn’t dead already.  Continue reading