Jun 04

Could be Better, Could be Worse: American Repertory Theater’s “1776”


Presented by American Repertory Theater
Produced in association with Roundabout Theatre Company
Book by Peter Stone
Music and Lyrics by Sherman Edwards
Based on a Concept by Sherman Edwards
Directed by Jeffrey L. Page and Diane Paulus
Music Direction by Ryan Cantwell
Choreography by Jeffrey L. Page
Music Supervision by David Chase
Orchestrations by John Clancy
Vocal Design by AnnMarie Milazzo
Dialect Coaching (NYC) by Dawn-Elin Fraser
Dialect Coaching (Cambridge) by Erika Bailey
Fight Direction by Thomas Schall

May 17 – July 24, 2022
Loeb Drama Center
Cambridge, MA
Run Time: 2 hours and 45 minutes, including one 15-minute intermission

The mask goes over your nose.

Critique by Kitty Drexel

CAMBRIDGE, Mass. — Contemporary performances of Stone & Edwards’ 1776 are a response to Hamilton. The 1997 Broadway revival production at the Roundabout Theatre had an all white, all cis male cast (with Star Trek TNG’s Brent Spiner in the role of John Adams). American Repertory Theater tries something different with its 2022 production. It is largely successful thanks to the brave, button-pushing performances of its actors. 

1776 is the reproduction of the infamous congressional meetings that lead to the United States’ declaration of independence on July 4, 1776. John Adams (Crystal Lucas-Perry), Benjamin Franklin (Patrena Murray), and Thomas Jefferson (Elizabeth A. Davis) cajole the members of the Continental Congress into voting for American independence from British tyranny.  Continue reading

Sep 01

Last Year Boston, This Year New York

Missed some excellent shows in Boston last year?  Head down to New York City!

Meghan McGeary as Hannah. Photo by Marcus Stern.

The Blue Flower, Second Stage Theatre, 305 West 43rd Street, NY, NY. Becca’s review of the show at the American Repertory Theatre.

Sons of the Prophet, Roundabout Theatre Company, Laura Pels Theatre, 111 West 46th Street, NY, NY. Becca’s review of the show at the Huntington Theatre. (Just change “Tony Award” to “Obie”

Jun 13

The People In The Picture: Uncovering the Past

Photo: Joan Marcus

The People in the Picture, book and lyrics by Iris Rainer Dart, music by Mike Stoller and Artie Butler, Roundabout Theatre Company, Studio 54, Broadway, 4/1/11-6/19/11.  http://www.roundabouttheatre.org/broadway/thepeopleinthepicture/index.htm

Reviewed by Becca Kidwell

How can we ever forget the past?  How can remember?  These questions surface for Raisel and Red  when Jenny asks her Bubbie who the people in the picture are.  They are Raisel’s friends and theatre/film company.  These people hold the key to Jenny’s heritage and must instill it within her despite her mother’s objections and grandmother’s failing health.  Although the story and score are uneven, the talent and the sentiment carry the show through joy and heartbreak.

Donna Murphy spends the majority of the show as Jenny’s Bubbie who tries to pass down her family’s history.  Ms. Murphy shows her versatility by not only providing a strong dramatic performance but also by providing comedic moments depicting Raisel’s younger days.  Raisel shows her granddaughter Jenny (played by Rachel Resheff) the life that she and her theatre/film company had.  She tries to only share positive memories, but the horrible realities underneath keep seeping through.  Raisel’s daughter Red (played by Nicole Parker) pushes for the entire truth to be known and not simply a pleasant mythology.  Ms. Murphy’s acting, singing, and dancing flow effortlessly and show the whimsy, pain, and sacrifice that make up Raisel’s life. Continue reading

Apr 15

SONS OF THE PROPHET: On Brilliance

Yusef Bulos (Bill), Kelsey Kurz (Joseph), and Dan McCabe (Charles) in the Huntington Theatre Company’s SONS OF THE PROPHET by Stephen Karam, directed by Peter DuBois. Playing 4/1/11 – 5/1/11 at the Calderwood Pavilion at the BCA. huntingtontheatre.org. Photo by Paul Marotta.

Sons of the Prophet by Stephen Karam, Huntington Theatre Company, 4/1/11-5/1/11, http://www.huntingtontheatre.org/season/production.aspx?id=8754.

Reviewed by Becca Kidwell

“Happiness does not await us all.  One needn’t be a prophet to say that there will be more grief and pain than serenity and money.  That is why we must hang on to one another.” Anton Chekov qtd. by Stephen Karam in the program.

If Roundabout Theatre Company and the Huntington Theatre Company takes Stephen Karam’s Sons of the Prophet to Broadway next year, in June 2012 we will likely hear, “and the Tony Award for best play goes to…Sons of the Prophet.” Taking the seemingly sombre subject of pain, Karam has written a comic masterpiece.  Add to that the talented cast, direction, and set design and the result is a fast-paced night of laughter and poignancy that should not be missed.

A deer walks into a theatre…well, it doesn’t really walk..and it’s not really a deer…    And the audience hears a car crash.  Those who came from or have family from the Poconos area of Pennsylvania don’t have to question what has happened;  Car accidents with deer are common, but…a deer decoy?  We meet Joseph Douaihly, played by Kelsey Kurz, whose father was the victim of the high-school prank that went terribly wrong–and this is only another blow in a devastating year for the Douaihly family.  Joseph has physical pain that the doctors cannot diagnose; he works for a lonely, manic woman that uses his need for health insurance as leverage to try to get Joseph to write a memoir based on his distant relation to Kahlil Gibran.  When their father does not survive the accident, the Douaihly’s ailing uncle (played by Yusef Bulos) moves in with the Joseph and his brother Charles (played by Dan McCabe).   In addition, the boy who pulled the prank might be allowed to play football in his school’s playoff games prior to going to the juvenile detention center for his crime.  Hilarious, right?  –You have no idea. Continue reading