Nov 29

Food Is Not Enough: “Did You Eat? (밥 먹었니?)”

DID YOU EAT? (밥 먹었니?), Written and Performed by Zoë Kim*. Photo by Maggie Hall

Presented by Chuang Stage and Seoulful Productions
Written and Performed by Zoë Kim 
Directed by Chris Yejin
Dramaturgy by Amrita Ramanan
Choreography by Christopher Shin
Scenic and costume design by Szu Feng Chen
Sound design by Katie Kuan-Yu Chen
Lighting design by Ari Kim

Nov. 12 – 30, 2024
Boston Center for the Arts
Plaza Black Box Theatre 
539 Tremont St.
Boston, MA

Article by Kitty Drexel

Age Recommendation: Did You Eat? (밥 먹었니?) is recommended for audiences aged 13 and older.

Content Advisory: Experiences of childhood trauma, self-harm, and suicidal ideation.

BOSTON —  In the playbill for Did You Eat? (밥 먹었니?) after the Chuang Stage season info but before her polemic on the white entertainment industry, playwright and performer Zoë Kim writes a letter to the audience. She says, “I wish, For fathers to value their daughters. For mothers to believe their daughters.” As an emotionally neglected child who also grew into a strong, independent woman out of spite, I sincerely wish that, too. There are a lot of us out there. Kim’s story is her own, but unfortunately, her show’s themes are universal. 

Kim’s letter continues: she wishes “For you to ask a loved one how they would like to be loved.” 

We could not possibly understand the horrors and grief Kim experienced for decades at the hands of her verbally, physically and psychically abusive parents. Her autobiographical play about the family who spoke love but acted hate is Kim’s own; it shines a light on the traumatic experiences of young and adult women raised by parents who couldn’t, wouldn’t or refused to love them. Gather a group of trusting women together and they will share their stories of abuse. My mother had stories; I have stories; my sisters and aunts in faith (not blood) have them, too. We are not an anomaly, we are the victims of a pandemic of violence against women and girls. 

Kim wishes “For you to share how you would like to be loved.” 

These are the words I share with other survivors: Your abuse is not your fault. You deserve wondrous love. You deserved better then and you deserve better now. 

At a certain point in their adult development, an abused adult who perpetuates abuse onto others chooses their pain over healing. Your abuser chose to hurt you. No matter their cultural or personal excuses it was their choice and never your fault. It is possible to choose love while also choosing to hold your abuser accountable. An abuser earns forgiveness through atonement. Forgiveness is not the same as absolution.  

DID YOU EAT? (밥 먹었니?), Written and Performed by Zoë Kim*. Photo by Maggie Hall

Kim wishes “For you to practice radical love for yourself and for others.” 

Apropos of nothing and because this is a constructive criticism site, I would be remiss in my duties if I did not mention that the pacing of the first 20 minutes lags. The transition from the show’s bright, children’s theatre beginning into Kim’s life story could use smoothing. Otherwise, the story is seamless from start to finish. From its design elements to the acting, Did You Eat? (밥 먹었니?) is impactful storytelling. 

For the folks who attended Did You Eat? (밥 먹었니?) and felt a kinship with its story, whether big or small, I hope you find the healing and wondrous love you need. 

These are resources available to Boston-area and Boston Chinatown victims and survivors of domestic violence:

  • The Asian Task Force Against Domestic Violence: Hotline at 617-338-2355, https://www.atask.org/
  • SafeLink is Massachusetts’ statewide 24/7 toll-free domestic violence hotline and a resource for anyone affected by domestic or dating violence. 1-877-785-2020
    If you are Deaf or Hard of Hearing (D/HH), please dial 711 – MassRelay Service.
    Advocates are bilingual in English and Spanish and have access to a service that can provide translation in more than 130 languages.
  • The National Domestic Violence Hotline offers assistance and safety planning 24/7.
    1-800-799-SAFE (7233), TTY 1-800-787-3224
    If you’re unable to speak safely, you can chat online at thehotline.org
  • Massachusetts Domestic Violence (Safe Link), 1-877-785-2020, https://casamyrna.org/get-support/safelink/
    If you are Deaf or Hard of Hearing (D/HH), please dial 711 MassRelay Service
  • Massachusetts Office for Victim Assistance (MOVA), 617-586-1340, https://www.mass.gov/orgs/massachusetts-office-for-victim-assistance
  • Mass.gov list of Domestic Violence Services:
    https://www.mass.gov/domestic-violence-services

If you are in immediate danger, call 911.

It may require persistence to get help, but help is out there. Keep seeking it and it will one day find you. 

Nov 19

Some of Them Want to Be Abused: “The Moors”

Photo via Entropy’s Facebook page.

Presented by Entropy Theatre Company
By Jen Silverman
Directed by Joe Juknievich
Dramaturgy by Jo Michael Rezes
Movement Direction by Kayleigh Kane

November 8 – 17, 2019
Plaza Black Box Theatre
Boston Center for the Arts
Boston, MA
Entropy on Facebook

Critique by Kitty Drexel

“Some of them want to use you/Some of them want to get used by you
Some of them want to abuse you/Some of them want to be abused”
— “Sweet Dreams (Are Made of This)” by the Eurythmics

(Boston, MA) The Moors is Brontë novel fanfiction. It condenses all of the winsome trappings of gothic romance novels into one melodramatic package for our amusement. Jen Silverman funnels archetypal characters from gothic romances into dark, mysterious environments. They are forced to confront unsettling truths against a backdrop of death and decay. Then Silverman makes us watch. For the right viewer, The Moors is voyeurism.   Continue reading

Feb 04

Parental Supervision Requested: “Girlish”

Photo by Paul Fox; Eigo and Jensen in a lighter moment.

Presented by Fresh Ink Theatre
By Alexa Derman
Directed by Melanie Garber
Dramaturgy by Corianna Moffatt and Ramona Ostrowski

Feb. 1 – 16, 2019
Plaza Black Box Theatre
Boston Center for the Arts
Boston, MA
Fresh Ink on Facebook

Critique by Kitty Drexel

Trigger warning: catfishing, dubious consent, underage romantic activity

(Boston, MA) My cousin Aubrey* owned a coveted Samantha Parkington American Girl Doll growing up. I hadn’t known what jealousy was until I saw Samantha in Aubrey’s perfect, skinny arms. Sure, I occasionally suffered a nervous desire to own things that I couldn’t have such as Gap jeans or the a Skip-It, but I didn’t really know what wanting was until I espied Samantha in all her plastic, toothy glory. Samantha was everything Aubrey was, and nothing I’d ever be. I needed an AG doll. I’d die without one.   Continue reading

Sep 26

“Faceless”: Humans discriminate, terror is indiscriminate.

Ashley Risteen as Susie Glenn in Zeitgeist Stage Company’s production of Faceless by Selina Fillinger.

Presented by Zeitgeist Stage Company
Written by Selina Fillinger
Directed by David J. Miller

September 15 – October 7, 2017
Plaza Black Box Theatre, Boston Center for the Arts
539 Tremont Street
Boston, MA, 02116
Zeitgeist on Facebook

Review by Polly Goss

(Boston, MA) The long speeches, the scrutinization of evidence, the dissection of a person’s moral fiber in front of a live audience of 12 judging strangers, the theatrics of the courtroom have long delighted us on the stage. From Shakespeare’s Measure to Measure to Law & Order, the delicious synchronicity between real-life and make-believe contained within the courtroom keeps audiences coming back for more and more. Fellinger however breathes new life into this well-worn genre with

Faceless is the story of the “little white girl” Susie Glenn (Ashley Risteen) as she is on trial for joining ISIS and attempting to commit acts of terrorism against the United States of America. The added bonus, the prosecuting lawyer Claire Fahti (Aina Adler) is a devout Muslim, who is determined to stop Susie becoming the (white) face of Islam. Zeitgeist Stage Company have lived up to their name, in this topical and heart-wrenching tale that sheds light on the lurking threat of terrorism behind every screen. Continue reading

Nov 02

Shakespeare…with Zombies: “Twelfth Night of the Living Dead”

Photo courtesy of Anthem's Facebook page

Photo courtesy of Anthem’s Facebook page

Presented by Anthem Theatre Company
Based on the work by William Shakespeare
Script by Brian MacInnis Smallwood
Directed by Bryn Boice

October 27 – November 5, 2016
Plaza Black Box Theatre at the Boston Center for the Arts
Boston, MA
Anthem on Facebook

Review by Craig Idlebrook

(Boston, MA) I’m going to make a case for why Twelfth Night of the Living Dead, a mashup of Shakespeare and zombie movies, rises above its original source material. And I’m making this case post-Halloween, so I’m not gripped with Salem festival-like fever. Continue reading

Sep 29

Needs More Lesbian Kissing or No Dick is a Picnic: “Cleanliness, Godliness, and Madness: A User’s Guide”

Daniels and Wiseman getting sexy with their Republican selves; Photo credit: David Marshall

Daniels and Wiseman getting sexy with their Republican selves; Photo credit: David Marshall. 

Presented by Sleeping Weazel
Written by Charlotte Meehan
Directed by Robbie McCauley

Sept. 15-24, 2016
Boston Center for the Arts
Plaza Black Box Theatre
Boston, MA
Sleeping Weazel on Facebook

Review by Kitty Drexel

My sincerest apologies to the good folks involved with Cleanliness, Godliness and Madness. I’ve been quite ill with what I can only describe as the Devil’s lurgy. I shall endeavor to disallow my human frailty in the face of illness to force my hand (quite literally) in this way ever again.

(Boston, MATo the lovers of button pushing, wildly liberal avant garde theatre, Cleanliness, Godliness and Madness: A User’s Guide (CGM) has closed. You missed a striking theatrical event. Attempts to remedy this miscalculation should be attempted. Continue reading

Jan 15

Potty humor, Puns and a Ripping Good Time: “Rumpelstiltskin, or All That Glitters”

Photo credit: Roger Metcalf. The cast is wonderful – whether they wore pants or not.

Presented by Imaginary Beasts
Conceived and directed by Matthew Woods
Written by The Ensemble
Choreography by Kiki Samko, Daniel J. Raps, and The Ensemble

January 11 – February 1, 2014
Plaza Black Box Theatre
BCA
Boston, MA
Imaginary Beasts on Facebook

(Boston) The low-brow humor of the pantomime* is not for everyone. Not unlike the like satyr plays of the ancient Greeks, panto isn’t intended to educate an audience but to show it a ripping good time. It’s a celebration of adult immaturity heaping with potty humor, puns and physical comedy. Imaginary Beasts’ winter pantos deliver this and so much more. This year’s treat, Rumpelstiltskin, or All That Glitters, packs in the family-inappropriate funny while also tantalizing the brain with witty pop culture references, dance, and a dash of Alice in Wonderland. You can’t bring a kid to a satyr play but you should bring your baby of any age to Rumplestiltskin. Continue reading

Dec 10

Song, Cheer, and Social Misfits: “A Christmas Carol”

 

 

Presented by Anthem Theatre Company
Based on the novel by Charles Dickens
Adapted by Steve Wargo
Musical Arrangements by Dianne Adams-McDowell
Directed by Michael Poignand

12/5/2013 — 12/21/2013
Boston Center for the Arts
Plaza Black Box Theater
Boston, MA
Anthem Theatre Co on Facebook

2 hours, 15 minutes with one intermission.

 

 

 

Review by Gillian Daniels

(Boston) Though remembered largely as a cheerful, life-affirming tale about learning to embrace kindness, A Christmas Carol is, really, a ghost story. Ebenezer Scrooge (Kevin B. McGlynn) contemplates loneliness and the end of his life as he’s visited by spirits that embody his past, present, and future. Anthem Theatre Company gives us a stripped down Victorian play, a musical with literal Christmas carols to color a melancholy London and the workhouse realities of its Industrial Revolution. Continue reading

Jan 21

Good, Right, True: “Legend of Sleepy Hollow: An American Pantomime”

Imaginary Beasts 2013

Imaginary Beasts 2013; no horses were used in this production. They gave full consent.

presented by Imaginary Beasts: Winter Panto 2013
Part of the Emerging Theatre Company program

Conceived and written by Matthew Woods and the Ensemble

Directed by Matthew Woods
Choreography by Joey Pelletier and Kiki Samko

January 11 – February 2, 2013
Plaza Black Box Theatre
Boston Center for the Arts
Boston, MA
Imaginary Beasts Facebook Page

Review by Kitty Drexel

(Boston) The pantomime (panto) began its troubled youth as British entertainment based on the Elizabethan masque. It touched on classical subjects, included music and often borrowed from the Commedia dell’Arte style. These days, if one travels to jolly olde England during the Christmas and New Year’s season, one is confronted with vaudeville debauchery, bedazzled drag queens, slapstick and heaps of audience participation. It’s amazing that the US hasn’t already adopted the Panto and claimed it as our own invention. Enter Legend of Sleepy Hollow: An American Pantomime.

The form has been simplified and adapted for the small stage by Imaginary Beasts and contains the same wacky charm as its British cousin and more of the brash sassiness expected from the fringe theatre scene. We’re treated to country line dancing, Rocky references, and an extra hairy Fairy Godfather (Mikey DiLoreto) who speaks in rhyme and verse but not to a multimedia spectacular. The charm is in the ensemble’s work and it is served with campy flair. Continue reading