Apr 30

“Mermaid Hour”: A Tender Tale, Not Quite for Our Times

Photo by Molly Shoemaker.

Presented by Moonbox Productions
Play by David Valdes
Direction by Bridget Kathleen O’Leary
Scenic Design by Janie E. Howland
Lighting Design by Deb Sullivan
Costume Design by E Rosser
Composition by Kai Bohlman
Sound Design by Kai Bohlman and Anna Drummond
Dramaturgy by Wenxuan Xue
Featuring: Brenny O’Brien, Phil Tayler, Monica Risi, Alex Goldman, Clara Tan

April 26 – May 19
Arrow Street Arts
2 Arrow St, Cambridge, MA 02138
Tickets here

Article by Maegan Bergeron-Clearwood

Content advisory for transphobic language such as misgendering, as well as mature content such as swearing, references to anatomy, and sexual activity. Recommended for ages 12 and up.

CAMBRIDGE, Mass. — In the early 2010s, when Mermaid Hour was written, trans visibility was on the rise and Internet discourse was largely concerned with pronouns and representation. In David Valdes’ play, Pilar and David are searching for information about terminology and puberty blockers to support their trans daughter, Vi. Their efforts are earnest; they make mistakes; then they learn and adjust and move on. They love their kid, and that’s enough. Continue reading

Apr 23

“Cabaret” : Red Lights & Secrets

Aimee Doherty* Photographer: Tom Shoemaker

Presented by Moonbox Productions
Based on stories by Christopher Isherwood
Lyrics by Fred Ebb
Music by John Kander
Book by John Masteroff
Directed by Rachel Bertone
Music Direction by Dan Rodriguez

April 14th thru 29th, 2018
BCA Calderwood Pavilion
Wimberly Theater, Boston
Moonbox on Facebook

Review by Bishop C. Knight

(Boston, Massachusetts) I assume that unlike many in the audience at the Wimberly Theatre, I went to the Calderwood Pavilion knowing nothing substantial about Cabaret and naïvely expecting lots of eye-high rockette dance moves.  Seated with friends before the show, I opened up a program and encountered a quote by Christopher Isherwood, the British-American novelist who holds a principal place within my private imaginative world.  This quotation was from Isherwood’s Goodbye to Berlin, upon which Cabaret is based, and it goes “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Someday, all this will have to be developed, carefully printed, fixed.”   Continue reading

Sep 08

“Sweeney Todd” Delights in Dire Tragedy

Christopher Chew, Paul C. Soper. Photo by Mark S. Howard

Photo by Mark S. Howard. Christopher Chew, Paul C. Soper.

Presented by the Lyric Stage of Boston
Music and Lyrics by Stephen Sondheim
Book by Hugh Wheeler
Directed & Staged by Spiro Veloudos
Music Director, Jonathan Goldberg

Sept. 5 – Oct. 11, 2014
140 Clarendon Street
Boston, MA 02116
Lyric on Facebook

Review Gillian Daniels

(Boston, MA) In today’s entertainment landscape, probably the most surprising thing about The Lyric Stage’s production of Sweeney Todd: The Demon Barber of Fleet Street is how un-sexy it makes murder. No, grisly death probably shouldn’t be attractive as a rule, but television shows like Hannibal and Dexter and even some thriller novels give serial killers a stylized warmth. Blood is splashed artfully over plastic tarps and cannibalized flesh is prepared with exquisite attention to detail for unsuspecting dinner guests. Stephen Sondheim’s infamous musical gives us only Sweeney Todd’s icy vengeance, spinning more out of control with every throat he slits in his barber’s chair, and Mrs. Lovett’s questionable baking skills. Continue reading

Mar 01

Heavy Stagecraft: STONES IN HIS POCKETS

Photo Credit: Lyric Stage Boston

Photo Credit: Lyric Stage Boston

By Marie Jones
Directed by Courtney O’Connor

The Lyric Stage Company of Boston
140 Clarendon Street
Copley Square
Boston, MA
February 15th – March 16th, 2013
Lyric Stage Company Facebook Page

Review by Craig Idlebrook

Here’s an ambitious idea: Re-film a warm buddy movie like Good Will Hunting, but have Ben Affleck and Matt Damon play all the characters in the movie….oh, and make sure they have flawless accents that represent all that can be found in the United Kingdom, too. It’s either Oscar bait or an actor’s nightmare.

The Irish dramady Stones in his Pockets, now playing at the Lyric Stage Company, is weighed down by this ambitious premise. The production charges the strong cast of Daniel Berger-Jones and Phil Tayler with credibly populating the stage with a bevy of U.K and U.S. characters who, we are to believe, are trying to film a Hollywood movie in Ireland. Masochistically, the play even starts off by talking about how ridiculous actors are when they try to fake the Irish accent, just when the actors are warming up to said accent themselves. A production this ambitious must hit every right note to have a chance, and, unfortunately, there are missteps that weigh it down and never allow it to reach its lofty goals of stagecraft. Continue reading

Dec 12

Of Mice and Men and Misfits

Photo Credit : Craig Bailey/Perspective Photo.

Photo Credit : Craig Bailey/Perspective Photo.

by John Steinbeck (1902-1968)
Directed by Allison Choat

presented by Moonbox Productions
The BCA Plaza Theatre
539 Tremont Street, Boston, MA
Dec 7 – 22, 2012
Moonbox Productions Facebook Page

Review by Gillian Daniels

(Boston) Of Mice and Men is a play about alienation, the ways in which people are isolated from society and why. Clever but mean George (Phil Tayler) and his slow friend, Lennie (Harry McEnerny), go from one ranch to the next in 1930’s California. The pair look for work in order to fund their dream of owning a small farm. Continue reading

May 19

Just Shy of Hilarious: AVENUE Q

John Ambrosino & Phil Tayler; photo credit: Mark S. Howard

Avenue Q, music and lyrics by Robert Lopez and Jeff Marx, book by Jeff Whitty, Lyric Stage Company of Boston, 5/11/12- 6/24/12,  EXTENDED to 7/1/12, https://lyricstage.com/main_stage/avenue_q/.

Reviewed by Craig Idlebrook

(Boston, MA) Comedy is a game of milliseconds.  The difference between a good laugh and a belly laugh is all in the timing.  If you don’t land the gag just right, the joke can fall flat.  Lyric Stage’s production of Avenue Q is very funny, but it could have been crack-a-rib hilarious.

The script and song are the closest you can come to a guaranteed crowd-pleaser.  Take the earnestness of Sesame Street, mash it with the slacker sensibilities of Friends and the crowd can’t help but laugh.  Continue reading

Apr 06

Haunting Echoes of Brilliance: FLOYD COLLINS

Phil Tayler as Floyd Collins, photo by Sharman Altshuler

Floyd Collins, Music and Lyrics by Adam Guettal, Book and Additional Lyrics by Tina Landau, Moonbox Productions, Boston Center for the Arts Plaza Theatre, 4/5/12-4/15/12, http://www.moonboxproductions.org/.

Reviewed by Craig Idlebrook

(Boston, MA) There are many ways to be trapped. For some thrill-seekers, the risk of death and the short life it might bring is a better alternative than dying incrementally in quiet desperation.   Continue reading