Tag Archives: Oscar Hammerstein II

Jun 30

“Show Boat” A Successful Voyage

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Photo credit: Eric Antoniou

Photo credit: Eric Antoniou

Presented by Fiddlehead Theatre Company
Music by Jerome Kern
Book & Lyrics by Oscar Hammerstein II
Co-Directed by Meg Fofonoff and Stacey Stephens
Musical Direction by Charles Peltz
Choreography by Wendy Hall

June 22-July 3, 2016
Shubert Theatre
Boston, MA
Fiddlehead on Facebook

Review by Travis Manni

(Boston, MA) I grew up on classic musicals like The King and I and Call Me Madam. After seeing Fiddlehead Theatre Company’s production of Show Boat, I’m surprised that my grandmother never introduced the show to me at an early age. While knowing the show may have given me a higher appreciation for seeing the staged version, I can’t deny that I was caught off guard with how enjoyable Show Boat turned out to be. Continue reading →

Jun 13

“Carousel” Not a Merry Show but a Pleasant Ride

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Photo courtesy Reagle Music Theatre/©Herb Philpott

Photo courtesy Reagle Music Theatre/©Herb Philpott

Presented by Reagle Music Theatre
Music by Richard Rodgers
Book & Lyrics by Oscar Hammerstein II
Directed & Choreographed by Rachel Bertone
Musical Direction by Dan Rodriguez

June 9-19, 2016
Waltham, MA
Reagle Music Theatre on Facebook

Review by Travis Manni

(Waltham, MA) It always feels a bit dissociative when I see a show that is technically a good production, but the show itself is rather terrible. While watching Reagle Music Theatre’s Carousel, I clapped, I scoffed, rolled my eyes, and was constantly asking myself, “Why?” Continue reading →

Jun 17

Can an Evergreen Bloom?: THE SOUND OF MUSIC

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Photo©Paul Lyden

presented by North Shore Music Theatre

MUSIC BY: Richard Rodgers
LYRICS BY: Oscar Hammerstein II
BOOK BY: Howard Lindsay and Russel Crouse
Suggested by “The Trapp Family Singers” by: Maria Augusta Trapp
Directed and Choreographed by James Brennan
Music Directed by Dale Rieling

62 Dunham Rd
Beverly, Massachusetts
June 11th – June 23rd, 2013
NSMT Facebook Page

Review by Craig Idlebrook

(Beverly) Most of us can at least list the essentials of The Sound of Music: Julie Andrews, cute kids, nuns, Nazis.  As a child, it’s hard not to like it.  As an adult, it’s hard not to make fun of it.  As a regional theatre, it’s hard to do well.  Like It’s a Wonderful Life and A Christmas Carol, audiences know what they want to get out of this play, and too many theaters sigh and go along with it.  It’s like playing with a three-year old nephew through Thanksgiving dinner because it’s easier than dealing with the tantrum. Continue reading →