Tag Archives: nonbinary

May 19

This is the Future Progressive Theatremakers Want: A “Firebird” Ballet

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Crappy screencap of a screen photos by Kitty Drexel

Presented by Abilities Dance Boston
Based on the Slavic firebird folktale
Choreography by Ellice Patterson with the ensemble
Music composed and directed by Andrew Choe
The Firebird program has full cast and crew information

May 14 & 15, 2021
Livestreamed from the Wimberly Theatre at the Calderwood Pavillion
Boston, MA
Abilities Dance on Facebook

Critique by Kitty Drexel

BOSTON/YouTube — The pressure to create during quarantine reached monstrous enormity. For every normie Tom, Delia, and Harrison Ford who worked on a script because Lear was written during a pandemic, an artist with a resume of successes couldn’t polish their abilities because they were too busy surviving the next 24-hours. 

Survival for the disabled arts community means something very different than it does the abled community. Jobs for disabled artists didn’t merely dwindle. They vanished overnight. Some of those jobs may never reappear. 

Our priorities went from managing a job to managing continued existence in a world actively trying to kill them: doctors appointments and surgeries were canceled, elevators became vectors for disease, carers were transferred to essential service positions. We went from demanding plastic straws in restaurants to demanding our right to live at all. It felt like ableds weren’t going to permit us either thing.   Continue reading →

Feb 25

Honor Your Boundaries: “Hir”

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Photo via Facebook: https://www.facebook.com/apollinairetheatre/photos/a.59182456990/10156464525606991/?type=3&theater

Presented by Apollinaire Theatre Company
Written by Taylor Mac
Directed by Brooks Reeves

February 14 – March 8, 2020
Chelsea Theatre Works
Chelsea, MA
Apollinaire on Facebook

Review by Noelani Kamelamela

Chelsea, MA — This month, Apollonaire Theatre Company tackles Hir, Taylor Mac’s comedy of manners fixing  conservative against expansive American views on gender, class and sex.  It is understood, even in the writing, that quite a few of the concepts will cheerfully ride over the heads of the audience.  Advanced gender studies classes may not be enough of an education to appreciate the entire play, but the production unfolds for as more than just the text: with costume, set dressing, emotion, repetition, intonation and even art in the lobby to bolster meaning and heighten context.  At 120 minutes with a single intermission, the time passes quickly, but I do caution people who are sensitive to issues such as domestic violence, elder abuse, teen bullying, and post traumatic stress disorder to perhaps read a synopsis or steel themselves to potentially be triggered. Continue reading →