Tag Archives: Nile Scott Studios

Feb 28

Play Nerd Games; Win Nerd Prizes: “Young Nerds of Color”

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Nerds! James Ricardo Milord, Daniel Rios, Jr., Alison Yueming Qu, Kortney Adams, and Lindsey McWhorter, and Karina Beleno Carney in “Young Nerds of Color”. Photo: Nile Scott Studios.

Presented by Underground Railway Theater
The Brit d’Arbeloff Catalyst Collaborative@MIT Production
Arranged by Melinda Lopez
Directed by Dawn M. Simmons
Original music by Nona Hendryx
Dramaturgy by Des Bennett
Featuring: Kortney Adams(she/her), Karina Beleno Carney (she/her), Lindsey McWhorter (she/her), James Ricardo Milord (he/him), Daniel Rios, Jr. (he/him), Alison Yueming Qu (she/they)

All tickets come with Digital Insurance
Feb. 17 – March 20, 2022
Streaming: March 7 – April 3, 2022
Central Square Theater
450 Massachusetts Avenue
Cambridge, MA 02139
CST on Facebook

Please note: People of Color (POC) is a term used in Young Nerds of Color to describe people of Asian, Black, Native, Hispanic and Latino descent. It is not being used because white people are uncomfortable saying “Black.” They might also be that. 

Running Time: 90 minutes, no intermission.

Critique by Kitty Drexel
A Note from Noelani Kamelamela is below.

Cambridge, Mass. — My wonderful partner is scientist of color (a note from them below). An adult nerd of color, if you will. They work at MIT. Seeing MIT through their eyes, knowing their experiences made watching Young Nerds of Color easier to believe and harder to endure. Young Nerds of Color is fun! It’s also chock full of difficult truths.  Continue reading →

Oct 04

Trust Your Gut: “The Sound Inside”

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Jennifer Rohn and Nathan Malin in SpeakEasy Stage’s production of The Sound Inside. Photo by Nile Scott Studios.

Presented by SpeakEasy Stage Company
Written by Adam Rapp
Directed by Bryn Boice
Cast: Nathan Malin, Jennifer Rohn

Sept. 24 – Oct. 16, 2021
527 Tremont St
Boston, MA 02116
SpeakEasy on Facebook
SpeakEasy’s COVID-19 protocols

CONTENT WARNING: Discussions of self-harm.

Review by Kitty Drexel

“It will always be impossible to know, for the good reason that all writing is itself this special voice, consisting of several indiscernible voices, and that literature is precisely the invention of this voice, to which we cannot assign a specific origin: literature is that neuter, that composite, that oblique into which every subject escapes, the trap where all identity is lost, beginning with the very identity of the body that writes.” 

– From The Death of the Author by Roland Barthes

BOSTON, Mass. — In watching SpeakEasy’s production of The Sound Inside, I was reminded of Roland Barthes’ infamous essay, The Death of the Author. The Death of the Author is an essay that argues for stripping an author’s intentions and personal biography from a reader’s interpretation of their writing. A reader should separate the author from their art. 

Barthes says writing is intended to be read by others. Regardless of the author’s intentions, the reader will formulate their own understanding of the work. The reader’s interpretation is no less valid than the author’s.  Continue reading →

Feb 06

A Moving Adaptation: “Little Women”

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Photo by Nile Scott Studios; The March women in “Little Women.”

Presented by Wheelock Family Theater at Boston University:/ 
Music by Jason Howland
Lyrics by Mindi Dickstein
Book by Allan Knee
Based on the Book, “Little Women,” by Louisa May Alcott
Directed by Nick Vargas
Music Directed by Jon Goldberg
Choreography by Laurel Conrad

Performance dates: Jan 31 – Feb 23, 2020

Wheelock Family Theater at Boston University, 
180 Riverway
Boston, MA
Wheelock on Facebook 

Review by Chloé Cunha

Boston, MA — Like anybody who grew up with an overactive imagination and an abundance of energy, I have fond memories of exploring fantastical worlds as a kid. My mum used to transform her bed into a space ship, her bedroom, an alien planet. A whir and a hum and we were off, her narration painting the room around us into a whole new galaxy. Continue reading →

Sep 25

Rhythms of Humanity: “Choir Boy”

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The cast in “Choir Boy.” Photo by Nile Scott Studios.

Presented by SpeakEasy Stage Company
By Tarell Alvin McCraney
Directed by Maurice Emmanuel Parent
Musical Direction by David Freeman Coleman
Choreography by Yewande Odetoyinbo and Ruka White

Sept. 13 – Oct. 12, 2019
Stanford Calderwood Pavilion at the Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Shiyanbade Animashaun

(Boston, MA) Choir Boy opens on a sole figure, David (Dwayne P. Mitchell), a student at the elite Charles R. Drew Prep School. He looks into the audience with intent as he begins to step dance. It is deliberate, slow and unaccompanied. The routine then increases in intensity and volume as more students appear. They flank the audience, on their way to the stage, with percussive dancing and chanting. Among the students, I noticed Bobby Marrow (Malik Mitchell) right away. He often seemed moments away from breaking into a joyous smile, mirroring my own.  Continue reading →

Sep 21

Kindness Can’t Kill Systemic Disease: “Between Riverside and Crazy”

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Oswaldo and Pops at breakfast. Photo by Nile Scott Studios

Presented by SpeakEasy Stage Company
By Stephen Adly Guirgis
Directed by Tiffany Nichole Greene
Fight choreography by Greg Maraio
Dialect coaching by Kelly Sabini

Sept. 14 – Oct. 13, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

“I may look how i look. That don’t mean I am how I look.”  – Lulu

(Boston, MA) Fuck the police. Fuck them for killing Black people at unprecedented rates. Fuck them for killing gay/queer/trans people because they can. Fuck them for raping women while in uniform. Fuck them for #bluelivesmatter. Fuck the police and their scare tactics, faulty de-escalation training, and their playing to the sympathies of ignorant white people. No one should die of a routine anything because a trigger happy cop couldn’t keep their shit together. Fuck them for making small changes and expecting big credit. Fuck the police and the lame white horse they rode in on. Fuck the goddamn police. Continue reading →