Tag Archives: Mikey DiLorento

Apr 29

Joyful Absurdity in Trog and Clay: An Imagined History of the Electric Chair

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Trog (Cameron Beaty Gosselin) and Clay (Louise Hamill) dream of their elusive next meal. Photo by Sunny M. Rissland

Trog and Clay: An Imagined History of the Electric Chair by Michael Vukadinovich, Fresh Ink Theatre, The Factory Theatre, 4/27/12-5/12/12, http://www.freshinktheatre.com/on-stage.html.

Reviewed by Gillian Daniels

(Boston, MA) Fresh Ink Theatre Company’s Trog and Clay crackles with manic energy from its first moments.  Actors throw themselves into their roles with performances that range from amusingly campy to blindly sincere.  Continue reading →

Mar 16

Crave & Beyond The Light: Emotional Explosion

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Daniel J. Raps, Erin Rae Zalaski, Jesse Wood, and Christina Malanga in Beyond the light — at Calderwood Pavilion; photo credit Heart and Dagger Productions

Abigail Matzeder, Michael Underhill, and Terrence Patrick Haddad in CRAVE — at Calderwood Pavilion, Photo Credit: Heart and Dagger Productions

Crave by Sarah Kane and Beyond the Light by Joey C. Pelletier, Heart & Dagger Productions, Boston Center for the Arts Rehearsal Hall A, 3/9/12-3/17/12, http://www.heartanddagger.org/.Partial nudity and mature themes

Reviewed by Becca Kidwell

(Boston, MA) Many have tried to dramatize depression to mixed results. The problem tends to be that depression by it’s very nature is a passive thing-the person doesn’t want to do anything. Heart & Dagger escapes the trap of a dry, clinical look at depression by presenting two one acts that cut to the visceral core of despair and the fight to survive.

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Oct 27

Neighborhood 3: Sometimes You Need A Place To Go A Little Crazy

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Neighborhood 3:  Requisition of Doom by Jennifer Haley, Happy Medium Theatre, The Factory Theatre, 10/20/11-10/29/11, http://www.happymediumtheatre.com/.  T for Teen, Tipper Gore should not see this show.

Reviewed by Becca Kidwell

“We need to protect the children”.  We have stricter movie ratings, tv show ratings, video game ratings, and explicit music warning labels.  So what happens when all of these fail?  What happens even before these fail?  Society corrupts the children; the educational system fails children; the welfare system fails children.  These days everything and anything are blamed when children get hurt or end up in trouble (watched any version of Law & Order lately?)—except for children and the parents.  Neighborhood 3:  Requisition of Doom gives the avatars (performers) a chance to escape from problems while the game gives the players (the audience) no escape. Continue reading →