May 08

Beating the Villain is Half the Fun in “Domme and Giovanni”

Stefanos Koroneos, Stage Director & Projections Designer.

Presented by White Snake Projects
Composed by Ryan Oldham
Libretto by Liz Abram-Oldham and Cerise Lim Jacobs
Stage Directed by Stefanos Koroneos
Music Directed by Tianhui Ng
Donna Anna: Carami Hilaire (soprano)
Don Giovanni: Andrew Simpson (bass-baritone)
Donna Elivira: Pascale Spinney (mezzo-soprano)
Leporello: Kyle Oliver (baritone)
Jazz/Rock Band: David McGrory (keyboard/accordion), Dan J. Pelletier (percussion), 
Gillian Dana (bass), and John Tyler Ken (guitar)

May 5 -6, 2024
La Voile
1627 Beacon Street
Brookline, MA, 02445

Review by Gillian Daniels

BROOKLINE, Mass. – White Snake Projects, as part of their Opera Through the Looking Glass series, reframes Mozart’s Don Giovanni as an opera of cathartic, female-driven revenge. Donna Anna (Carami Hilaire, soprano), a professional dominatrix with a vendetta, and Donna Elvira (Pascale Spinney, mezzo-soprano), a self-serious FBI agent convinced she’s starring in an ‘80’s cop show, are working to bring down the titular Don Giovanni (Andrew Simpson, bass-baritone) from the beginning. 

There is no suggestion that Giovanni is supernaturally charming, just manipulative and cruel. He’s a mafia don, a crime boss who spills blood as gleefully as he demands a whipping from a hired sex worker. Not so much titillating as a campy, though there is indeed a striptease courtesy of Simpson, his relationship with Donna Anna is enthusiastic and more complex than even he realizes. Continue reading

May 02

What About that 5-Ever?: “TJ Loves Sally 4 Ever”

Tah-Janay Shayoñe as Sally in SpeakEasy’s “TJ Loves Sally 4 Ever”

Presented by SpeakEasy Stage Company
Written by James Ijames
Directed by Pascale Florestal
In Partnership with Boston Conservatory at Berklee
Video Production by Wesley Verge
Lighting Design by Aja Jackson
Costume Design by Rachel Padula-Shufelt
Sound Design & Music by David Freeman Coleman
Choreography by Kira Cowan Troilo
Featuring: Dru Sky Berrian, Jordan Pearson, Tah-Janay Shayoñe, Sadiyah Dyce Stephens, Jared Troilo

April 30 – May 13, 2021
Streaming on Vimeo
TICKETS
SpeakEasy on Facebook, Twitter 

RUN TIME: 1 hour and 35 minutes

SpeakEasy Stage’s CONTENT ADVISORY: TJ Loves Sally 4 Ever contains scenes involving strong language, sexual harassment, slavery, and Black trauma.  Viewer discretion is advised.

NETG Advisory:  TJ Loves Sally 4 Ever also features an adult white man in academia who knows better making an absolute fool of himself to appear young and cool to attract a woman. If you’re offended by the portrayal of this character’s antics, you may know or be that white man. Get help. 

Review by Kitty Drexel

VIMEO — Thomas Jefferson, US founding father, raped Sally Hemings. They weren’t in love. She wasn’t his mistress. Hemings was a slave without autonomy. She was raped repeatedly and mothered seven children by Jefferson. An owned person can’t give consent

TJ Loves Sally 4 Ever put this #MeToo epidemic and holds it under a microscope of history by comparing it to Thomas Jefferson’s ownership of Sally Hemings. Play character Sally (Tah-Janay Shayoñe looking like Janet Jackson in Poetic Justice reincarnated) is a university fellow of smarmy university administrator TJ (Jared Troilo). TJ won’t let Sally’s “nos” get in the way of his orgasm. She is supported by her best friends and historic voices of reason Pam (Dru Sky Berrian) and Annette (Sadiyah Dyce Stephens). Meanwhile study buddy Harold (Jordan Pearson) is challenging the university’s legacy of slavery one protest at a time. These students are trying to get an education that includes them. TJ can’t understand he isn’t cool anymore.  Continue reading

Oct 25

Zoe Stuckless, Amber Crollo, Kelly Bachman are Heroes/Harvey Weinstein Continues to Hurt Women

Meanwhile on Twitter and Facebook, Harvey Weinstein won’t learn from his awful behavior. The theatre doesn’t need (any more) people like Weinstein.

The New England Geek stands with survivors. We will believe you if you choose to come forward. You are welcome here. You are not alone. #MeToo

The conversation is ongoing. Search #DowntimeBarNYC for updates.

Mar 19

The First Tragic Big Man of Hollywood: “Lost Laughs – The Slapstick Tragedy of Fatty Arbuckle”

Aaron Muñoz (Roscoe “Fatty” Arbuckle) and Kristen Mengelkock (Will); Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
Written by Andy Bayiates and Aaron Muñoz.
Directed by Nathan Keepers

February 14 – March 11, 2018
50 East Merrimack Street
Lowell, MA 01852
MRT on Facebook

Review by Craig Idlebrook

(Lowell, MA) Since the advent of the movie industry, we only pay money to see fat men on the silver screen if we can laugh at them. This has invited a parade of tortured souls willing to be crying-on-the-inside clowns in exchange for riches and some measure of acceptance. Too often, however, these jesters (John Belushi, Chris Farley, etc.) break down, and we celebrate the tragedy of a “brilliant life cut short” while waiting for the next heavy man waiting in the wings. Continue reading