Tag Archives: May

May 07

Horrific Comfort Food: LITTLE SHOP OF HORRORS

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l. to r. Bill Mootos, Ceit McCaleb Zweil, Lovely Hoffman, and Jennifer Fogarty in Little Shop of Horrors. Photo by Andrew Brilliant / Brilliant Pictures.

Little Shop of Horrors, book and lyrics by Howard Ashman, music by Alan Menken, New Repertory Theatre, Charles Mosesian Theater at the Arsenal Center for the Arts, 4/29/12-5/27/12, http://www.newrep.org/little_shop.php.

Reviewed by Kate Lonberg-Lew

(Watertown, MA) Sometimes you are having a bad day. Sometimes you are in such a bad mood that escapism is the only way to manage.  It was in such a state that I entered the New Rep’s production of Little Shop of Horrors at the Arsenal Center for the Arts. I tell you this so that you will know exactly how steep a hill the cast had to climb in order for me to emerge smiling; which I did. Continue reading →

May 07

Lunatics Running the Asylum: ASSASSINS

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As the culminating event in the College's year-long examination of the theme of violence, Assassins brims with a particularly urgent energy. Photo by Kalman Zabarsky for Boston University Photography © 2012 Boston University all rights reserved

Assassins, music and lyrics by Stephen Sondheim, book by John Weidman, Boston University Colllege of Fine Arts School of Theatre, Boston University Theatre, 4/4/12-4/10/12, http://www.bu.edu/cfa/2012/04/20/assassins/.

Reviewed by Craig Idlebrook

(Boston, MA) It’s nice for Stephen Sondheim and his partner John Weidman to clear up a few things for us about theater in their mishmash of a play, Assassins, playing at the Boston University Theatre.

They have proven a fundamental truth: You can populate your play with profoundly interesting characters, give them things to do that impact every theatergoer’s psyche and bestow wonderful music for them to sing as they do it, but if the script doesn’t allow them to interact in a meaningful way, it’s just an exercise in futility.  The playwrights prove this point despite the best efforts of a talented cast, who creates full-fledged and compelling characters. In fact, the cast and stellar set give us such high expectations that it makes the mind want to rebel at this idle script all the more.    Continue reading →

Apr 29

A Pitch-Perfect Meditation: GHOST-WRITER

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Dan Kremer and Rebecca Harris. Photo by Meghan Moore.

Ghost-Writer by Michael Hollinger, Merrimack Repertory Theatre,    4/19/12-5/13/12, http://www.merrimackrep.org/season/show.aspx?sid=109.

Reviewed by Craig Idlebrook

(Lowell, MA) The author starts with a blank page. It fills with words. From where do the words come? That is the underlying mystery of Merrimack Repertory Theatre’s masterful production of Ghost-Writer. Continue reading →

Apr 16

Luck of the Irish: Race Warfare in the 20th and 21st Centuries

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Nikkole Salter and McCaleb Burnett in Kirsten Greenidge’s THE LUCK OF THE IRISH. March 30 – April 29, 2012 at the Calderwood Pavilion at the BCA. huntingtontheatre.org. Photo: T. Charles Erickson.

The Luck of the Irish by Kirsten Greenidge, Huntington Theatre Company, Boston Center for the Arts Virginia Wimberly Theatre, 3/30/12-5/6/12, http://www.huntingtontheatre.org/season/2011-2012/The-Luck-of-the-Irish/.

Reviewed by Gillian Daniels

(Boston, MA) When the upwardly mobile Lucy and Rex Taylor (Nikkole Salter and Victor Williams, respectively) are unable to buy a house in Boston because they’re black, they turn to Patty Ann and Joe Donovan (Marianna Bassham and McCaleb Burnett) to buy one for them during the 1950’s.  The complex relationship this creates between them bleeds over into the early 2000’s when the Harrisons’ grandchildren discover the elderly Donovans want the house back.  The drama that results is tight and enjoyable. Continue reading →

Mar 19

Scenes from the Mausoleum: THE MOURNERS’ BENCH

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Trinity Rep resident company members Phyllis Kay (Caroline) and Janice Duclos (Wilma) in The Mourners’ Bench, a world premiere by George Brant, directed by Michael Perlman. Now playing at Trinity Repertory Company as part of the Three by Three in Rep. Sets by Michael McGarty, Costumes by William Lane, Lighting by Dan Scully. Photo by Mark Turek.

The Mourner’s Bench by George Brant, Trinity Repertory Company, 3/7/12-5/24/12, http://www.trinityrep.com/on_stage/current_season/mb.php.

Reviewed by Craig Idlebrook

(Providence, RI) A moment of violence can leave its mark on many, including those who never experienced it.  The Trinity Repertory Company’s production of The Mourner’s Bench bravely tries to examine a traumatic event through three disparate lenses that traverse time and family, but the effort ultimately fails to create a cohesive vision of loss and healing.  Continue reading →

Mar 18

An Imperfect Study of Grief : LOVE ALONE

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Trinity Rep resident company member Anne Scurria as Helen and Brown/Trinity Rep MFA actor Leah Anderson as Clementine (foreground) in Love Alone by Deborah Salem Smith. Directed by Tyler Dobrowsky and Deborah Salem Smith, this world premiere drama is now playing at Trinity Repertory Company as part of the Three by Three in Rep. Sets by Michael McGarty, Costumes by William Lane, Lighting by Dan Scully. Photo by Mark Turek.

Love Alone by Deborah Salem Smith, Trinity Repertory Company, 2/28/12-5/27/12, http://www.trinityrep.com/on_stage/current_season/st.php,

Reviewed by Kate Lonberg-Lew

(Providence, RI)  

When someone you love dies unexpectedly, you struggle with grief. And so does the cast of Love Alone at the Trinity Repertory Company. Unfortunately, they also struggle to portray the nuance and rawness of the emotions that course through a person and a family at times such as these. Continue reading →

Jun 15

The Normal Heart: “We must love one another or die”

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Photo: Joan Marcus

The Normal Heart by Larry Kramer, The Golden Theatre, Broadway, 4/27/11-7/10/11. http://www.thenormalheartbroadway.com/. Winner of Tony Award for Best Revival, Best Featured Actress, and Best Featured Actor.

Reviewed by Becca Kidwell

WH Auden’s poem “September 1, 1939” (from which the title of the play is derived) states that “no one exists alone”. That statement reaches to the heart of the AIDS movement as we acknowledge the thirtieth anniversary of the first diagnosed case and continue to strive for full equality for every human being. Larry Kramer’s revolutionary play not only remains wholly relevant since its original production in 1985, but also challenges us to see that we have not gone far enough and there is still much work to be done. The cast shows that the only way we’re going to get through all the struggles is together. Continue reading →

Jun 13

The People In The Picture: Uncovering the Past

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Photo: Joan Marcus

The People in the Picture, book and lyrics by Iris Rainer Dart, music by Mike Stoller and Artie Butler, Roundabout Theatre Company, Studio 54, Broadway, 4/1/11-6/19/11.  http://www.roundabouttheatre.org/broadway/thepeopleinthepicture/index.htm

Reviewed by Becca Kidwell

How can we ever forget the past?  How can remember?  These questions surface for Raisel and Red  when Jenny asks her Bubbie who the people in the picture are.  They are Raisel’s friends and theatre/film company.  These people hold the key to Jenny’s heritage and must instill it within her despite her mother’s objections and grandmother’s failing health.  Although the story and score are uneven, the talent and the sentiment carry the show through joy and heartbreak.

Donna Murphy spends the majority of the show as Jenny’s Bubbie who tries to pass down her family’s history.  Ms. Murphy shows her versatility by not only providing a strong dramatic performance but also by providing comedic moments depicting Raisel’s younger days.  Raisel shows her granddaughter Jenny (played by Rachel Resheff) the life that she and her theatre/film company had.  She tries to only share positive memories, but the horrible realities underneath keep seeping through.  Raisel’s daughter Red (played by Nicole Parker) pushes for the entire truth to be known and not simply a pleasant mythology.  Ms. Murphy’s acting, singing, and dancing flow effortlessly and show the whimsy, pain, and sacrifice that make up Raisel’s life. Continue reading →

May 26

What’s On This Week

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Learn To Be Latina, Company One/Boston Playwrights Theatre, Maureen Adduci (Jill), Crystal Lisbon (Mary), Shawna O'Brien (Hanan),Rory Kulz (Bill)

While I am busy helping my students finish out the year, here are some listings for this week (unless otherwise noted, I do not know the quality of the productions, but find something you might  enjoy and go see some theatre this weekend!)

BOSTON (in the city):


Animal Crackers, Lyric Stage Company, 140 Clarendon Street, Boston, MA 02116

May 6-Jun 4
Tickets by Phone: 617-585-5678

—- Continue reading →

May 18

Poe’s Existentialism by Gaslight

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(L To R) Resident acting company members Brian McEleney and and Phyllis Kay with Brown/Trinity Rep MFA ’12 actor Charlie Thurston as Young Edgar Poe.in the world premiere of Stephen Thorne’s The Completely Fictional – Utterly True – Final Strange Tale of Edgar Allan Poe. Set Design by Susan Zeeman Rogers, Costume Design by William Lane and Lighting Design by Keith Parham. Photo by Mark Turek.

The Completely Fictional-Utterly True-Final Strange Tale of Edgar Allan Poe by Stephen Thorne, Trinity Repertory Company, Dowling Theater, 5/6/11-6/11/11, http://www.trinityrep.com/on_stage/current_season/ST.php.

Reviewed by Becca Kidwell

Something delightfully macabre is happening at Trinity Rep.  Even Edgar Allan Poe is beside himself–literally.  Stephen Thorne spins an atmospheric tale that combines true facts, speculation, and gothic fiction in his new play The Completely Fictional-Utterly True-Final Strange Tale of Edgar Allan Poe. Trinity Rep’s world premiere entices the senses, questions reality, questions meaning, and ushers in a new form of ghost story.

Thorne’s play begins with Edgar Allan Poe in the hospital–unsure of how he got there but the attendants tell him he is dying.  Poe explores his own demise and tries to find meaning through the senses.  In the first act, he denies that he is dying and tries to discover Continue reading →