Tag Archives: Marge Dunn

Aug 17

Women of Intellectual and Moral Worth: “A Light Under the Dome”

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Presented by Plays in Place and the National Parks of Boston
This play is the first of three plays commissioned by the National Parks of Boston as a part of the Suffrage in Black & White series.
Written by Patrick Gabridge
Directed by Courtney O’Connor
Featuring: Thomika Marie Bridwell, Amanda Collins, Marge Dunn, Bridgette Hayes, Regine Vital, (U/S Aimmee Robinson).

SOLD OUT
August 12-15 2024
ASL Interpretation on Aug. 12 or Aug. 15
Massachusetts State House
24 Beacon St
Boston, MA 02133

Running time: Approximately 75 minutes

BOSTON — The run of A Light Under the Dome presented by Plays in Place ended on August 15. With any luck, the show’s sold-out run and enthusiastic audiences may convince Plays in Place, the National Parks Service, and the honorable Massachusetts Senate members to permit a second run. 

SUMMARY: It is the night of February 21, 1838, in Boston, Massachusetts. Exiled Southerner Angelina Grimke (Amanda Collins) becomes the first American woman to address a legislative body. Grimke uses her platform to argue vehemently for the abolition of slavery while asserting the full citizenship of American women. She is supported by her fellow abolitionists Maria Weston Chapman (Marge Dunn), Lydia Maria Child (Bridgette Hayes), Susan Paul (Thomika Marie Bridwell), and Julia Williams (Regine Vital).  Continue reading →

Jan 27

Climate Terrors: “The Last Catastrophist”

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Evelyn Holley as Marina and Shanelle Chloe Villegas as Lucia (L to R). Photo by Paul Fox.

Presented by Fresh Ink Theatre Company
By David Valdes
Directed by Sarah Gazdowicz
Dramaturgy by Sarah Schnebly
Fight choreography by Marge Dunn

January 24 – February 8, 2020
Plaza Black Box Theatre
Boston Center for the Arts
Boston, MA
Fresh Ink on Facebook

Critique by Kitty Drexel

Boston, MA — The opening of The Last Catastrophist coincides with a news update saying that the current president will repeal Obama era environmental protections for streams, wetlands, and groundwater. Repealing these measures is a step backwards from preventing the devastating effects of climate change on US lands. What small matter is clean, public drinking water so long as his precious golf courses are green? One can’t possibly spend one of every five working days golfing on his private business estates without golf courses greener than envy.

Water is life. Continue reading →

Jun 17

Close Your Eyes and Think of England: “Cloud 9”

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Cast of “Cloud 9”
Photo: Nile Scott Studios

Presented by the Nora Theatre Company
By Caryl Churchill
Directed by Lee Mikeska Gardner
Voice and Music direction by Caitlin Gjerdrum
Dramaturgy by Sophie Gore
Text and dialect coaching by Allison Olivia Choat

June 6 – 30, 2019
Central Square Theater
Cambridge, MA
CST on Facebook

Critique by Kitty Drexel

Warning: this post contains spoilers. The spoilers are necessary to the conversation.

Trigger warnings: child abuse, mentions of domestic violence, racism, sexism, creepy dolls

Satire: (noun) sat·​ire | \ ˈsa-ˌtī(-ə)r
Definition of satire
1 : a literary work holding up human vices and follies to ridicule or scorn
2 : trenchant wit, irony, or sarcasm used to expose and discredit vice or folly – Per the Merriam-Webster online dictionary

(Cambridge, MA) Satire doesn’t have to be funny. Most satire is funny, but it isn’t a hard and fast rule. Much of comedy is found funny because of its treatment of serious topics. For example, jokes about the Boston Str8 Pride Parade* will get a laugh in some situations. In other situations, the jokes don’t land because this parade represents unadulterated hate towards the LGBTQ+ community. We understand why your jokes are “funny,” but it’s our lives those neo-nazis are protesting. The protest might be funny if it were satire – But it isn’t. It’s real. We’re real too. 

I mention this because the themes that Caryl Churchill attacks in Cloud 9 are real too. Heteros still think that the LGBTQ+ community is asking for extra protections. People of Color (POC) are being massacred in the US for their audacity to take up space. These things aren’t funny but jokes about them can be if told properly. Cloud 9’s themes are still relevant. Continue reading →

Apr 16

“Cardboard Piano”: Good Intentions, Poorly Executed

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Photo by Andrew Brilliant/Brilliant Pictures; L-R: Rachel Cognata and Marge Dunn.

Presented by New Repertory Theatre
Written by Hansol Jung
Directed by Benny Sato Ambush

March 23 —April 14, 2019
The Dorothy and Charles Mosesian Center for the Arts
321 Arsenal St
Watertown, MA 02472
New Rep on Facebook

Critique by Diana Lu

(Watertown, MA) Cardboard Piano is a two-part sociopolitical drama. The first act portrays a young love affair between Chris, a missionary’s daughter (Marge Dunn), and Adiel (Rachel Cognata), a Ugandan teenager, and how it was torn apart by senseless homophobia and war violence. The second act sees the daughter return to Uganda 15 years later to find the man who killed her lover (Michael Ofori/Marc Pierre) reviving her father’s church and continuing to oppress his young, queer congregants. Continue reading →

Jun 07

Ready for “A Piece of My Heart”

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Photo credit: Nile Scott Photos

Presented by Wellesley Repertory Theatre
Written by Shirley Lauro
Suggested by the book by Kevin Walker
Directed by Nora Hussey
Starring in the sensational ensemble:  Victoria Georgia, Marge Dunn, Ariela Nazar-Rosen, Sarah Lord, Jenna Lea Scott, Andres Lyman, Danny Bolton, and Alan White

May 31 through June 24, 2018
Wellesley Repertory Theatre
The Ruth Nagel Jones Theatre
106 Central St, Wellesley, MA
WRT on Facebook

Review by Bishop C. Knight

(Wellesley, Massachusetts) A Piece of My Heart is a drama about five nurses and one singer who voluntarily travel to Vietnam for one year during the Second Indochina War.  This cast of patriots did a terrific job recreating the emotional bonds of friendship that form between those in war zones. Continue reading →

Jan 10

Wasted on “A Midsummer Night’s Dream”

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Photo credit: Lara Woolfson

Presented by Magnificent Bastard Productions
Based on the play by William Shakespeare

Reviewed on January 7, 2017
The Rockwell
255 Elm Street
Somerville, MA
Magnificent Bastard Productions on Facebook

Review by Travis Manni

(Somerville, MA) There’s nothing quite as dazzling as experiencing theatre, the Shakespearean kind no less, under the hazy glow of stage lights as a soft buzz starts to settle in. While I chose not to partake in the highly encouraged consumption of alcohol, I figured my flu-like-symptoms-inducing hangover was enough of a qualifier to get me in the mood for Magnificent Bastard Productions Shit-faced Shakespeare performance of A Midsummer Night’s Dream. And to top it off, the entire audience had the privilege of playing witness to the company’s first ever sex-swapped show. Continue reading →

Dec 01

“A Palpable Hit”: Fight! Fight! Fight!

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Photo credit: Timothy John Smith

Photo credit: Timothy John Smith

Presented by The Gunpowder Plot & Cambridge Historical Tours
From the works of William Shakespeare
Directed by Gabriel Kuttner, Daniel Berger-Jones & Sarah Gazdowicz

November 25-December 11, 2016
Durrell Theatre
Cambridge YMCA
820 Massachusetts Avenue
Cambridge Historical Tours on Facebook

Review by Travis Manni

(Cambridge, MA) Everybody knows that the events leading up to any action sequence, while often necessary, can feel boring and overlong. Sometimes you just want to skip to the good stuff and watch everybody fight or use their superpowers to kick some serious ass. While Shakespeare often preferred battles with swords, though one could argue his battles of wit are just as exhilarating, what made his scenes of confrontation so mesmerizing was the use of tension, and The Gunpowder Plot’s production of A Palpable Hit: Shakespeare Fight Night sure knew how to tap into this. Continue reading →

Apr 08

“Dog Act” Has Bite

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Presented by Theatre on Fire
By Liz Duffy Adams
Directed by Diego Arciniegas

April 1 – 23, 2016
Charlestown Working Theater
ToF on Facebook

Review by Gillian Daniels

(Charlestown, MA) Stories about the end of the world are often concerned with the survival of the individual against structures that have filled the void since the fabled downfall of society. This includes reality television death match enthusiasts (Suzanne Collin’s The Hunger Games), patriarchal cults with private harems (Mad Max: Fury Road), fight dome fans lead by Tina Turner (Mad Max: Beyond Thunderdome), and foul-mouthed, fur-wearing, belligerent tribes of wanderers. Dog Act looks not just at the individual, but the survival of art in a new North American wasteland. Continue reading →

Aug 29

Thunder, Lightening, and Rain: MACBETH

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Credit: Brown Box Theatre Project

Credit: Brown Box Theatre Project

A play by William Shakespeare
Directed by Kyle Taustin
Presented by Brown Box Theatre Project

August 22 – 31, 2014
Various outdoor venues around Boston

Review by Danielle Rosvally

(Around Boston) Look, you just can’t beat free outdoor Shakespeare. A picnic basket, a good friend or two, and the immortal words of the sweet swan of Avon resounding amidst mother nature’s glory is just where it’s at, folks. It’s particularly poetic to see Macbeth, a play about the slow descent into the darker parts of man, performed under deepening darkness. Continue reading →

Jun 06

Unrelable Narrator presents “Human Contact: Short Sci-Fi Plays”

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Unrelable Narrator presents Human Contact: Short Sci-Fi Plays
Written by Carl Danielson

(BOSTON) Performances are July 11-19 at Boston Playwrights’ Theatre.  Tickets are $15/$12 for students and seniors at http://www.unreliable-narrator.com or call (866) 811-4111. Check out humancontactshorts.tumblr.com for more information, and follow us on Twitter @unarrator or like “Unreliable Narrator” on Facebook!

Danielson’s Human Contact: Short Sci-Fi Plays is an evening of five thought-provoking one-acts that ask whether technology robs the soul or augments it.  These original tales explore the evolution of the nature of humankind as we confront aliens, time travel, self-directed evolution, and more.  With well-crafted stories performed by a large cast of Boston’s finest actors, Human Contact is a unique vision of the 21st Century’s future.

Founded in 2008, Unreliable Narrator produces strange homemade theater in and around Boston. They are best known for creating 2010: Our Hideous Future: The Musical!, which began at Boston Playwrights’ Theatre and played at various theatres, bars, and sci-fi conventions in the Northeast from 2010-2012. Other Unreliable Narrator productions include 2008’s Schmolitics, 2009’s Paranormal, and 2011’s The Way of the Warrior-Bunny.

The plays of Human Contact: Continue reading →