Tag Archives: MA

Nov 18

Breaching the Dark: “The Man in The Couch”

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Photograph by Becca A. Lewis

Writer and director Alison Meirowitz/McCarthy
Now running, Nov. 2-18 Thurs-Sat 8pm, Sun 3pm
Review by Kitty Drexel
(Boston) The Man in the Couchis a hard candy nugget of science fiction and horror. On the surface it is smooth and hard and the characters’ inner depths continue to be the same. It isn’t sweet but it can offer some satisfaction. Our main characters are the rock and hard place that they have to breach in order to regain relative sanity/peace. It is reminiscent of The Twilight Zoneepisode “Nothing in the Dark” about an old woman shut away in an apartment to avoid meeting “Mr. Death” (the swoon-inducing Robert Redford). Continue reading →
Oct 16

Unending Nostalgia: REMEMBERING THE 40’s

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Photo credit: Reagle Music Theatre

presented by Reagle Music Theatre of Greater Boston
Robinson Theatre
617 Lexington Street
Waltham, MA 02452
October 13th – October 14th
Reagle Music Theatre Facebook Page

Review by Craig Idlebrook

(Waltham) Try as we might, we are losing our connection to the World War II generation. As our veterans of the war and the home front blink out, so goes the tangible feel of an era when much of a country was united for one cause. In anticipation of this angst, we see the children of WWII veterans attempting to interpret that experience through movies and literature (i.e. Saving Private Ryan), but it is rare to get a fresh glimpse of how that generation might view itself. Continue reading →

Oct 04

Looking for Heaven in All Places: “A Bright New Boise”

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Photo by Richard Hall/Silverline Images

Photo by Richard Hall/Silverline Images; The Cast acting the crap out of “A Bright New Boise.”

 

by Samuel D. Hunter
presented by Zeitgeist Stage Company
directed by David J. Miller

Boston Center for the Arts
Plaza Black Box Theatre
September 28 – October 20

Zeitgeist Stage Company Facebook Page

Review by Kitty Drexel

(Boston) A Bright New Boise, is the tale of one man seeking redemption in the break-room of a craft store by reconnecting with his son. It is equal parts hilarious and heartbreaking.  The hero, soft-spoken and prodigal father, Will (Victor Shopov), reconnects with his son Alex (Zach Winston) after a successful interview at Hobby Lobby. Pauline (Janelle Mills), the manager, introduces the two and things start to go downhill, slightly uphill and then furiously downhill. They are joined by characters Anna (Dakota Shepard) and Leroy (David Lutheran), Alex’s brother. Continue reading →

Sep 17

“No Room for Wishing” Makes Room for All

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No Room for Wishing
Performed and written by Danny Bryck.

Photo credit: “No Room for Wishing”

Directed by Megan Sandberg-Zakian.

Co-produced by Company One and Central Square Theater, supported in part by a Boston Playwrights’ Theatre Black Box Fellowship.

Playing at the Boston Center for Arts, 9/13 – 9/22
Playing at Central Square Theater, 9/30 – 10/9

No Room for Wishing Facebook Page
No Room for Wishing Website

Review by Kitty Drexel

“But I hear the boys the boys and girls are coming up up up from the underground… You can find ‘em there, they’re all fired up in Dewey Square… you can call them what you want, you can call them what you need, you can call them what you want but there’s no room for wishing in revolution.”  – Ruby Rose Fox, “Dewey Square”

(Boston) No Room for Wishing is a compilation of interviews and live recordings from the Occupy Boston Movement. The production was written and performed by local actor, Danny Bryck. It is directed by Megan Sandberg-Zakian.

Bryck’s tour de force performance is a must see for Occupy Movement supporters and sympathizers. It offers a personal perspective of Occupy Boston that was not captured by local media during 2011. It is also a must see for those who opposed the movement.  This bare bones production lionizes the individual reasons for protesting while disassembling the stereotypes associated with the majority of activists. Bryck’s characterizations personalize the movement and the many people that the media had neglected; the moderate and the revolutionized. Continue reading →

Sep 13

Election-Year Escapism: THE MIKADO

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Erica Spyres (Yum-Yum) and cast of The Mikado at The Lyric Stage. Photo by Mark S. Howard

The Mikado, music by Arthur Sullivan, libretto by W.S. Gilbert
Directed by Spiro Veloudos

Lyric Stage Company, 140 Clarendon Street, Boston, MA
September 9 – October 13

Reviewed by Craig Idlebrook

It is rare to see good actors overacting, over-annunciating and mugging the audience to ring out every laugh. It is even rarer to enjoy every minute of it. In the Lyric Stage Company’s staging of Gilbert and Sullivan’s the Mikado, you get the delicious treat of both.

If you have never seen a Gilbert and Sullivan play, then now’s the time to get initiated with this production. Continue reading →

Sep 13

An Ambitious Tragicomedy: MARIE ANTOINETTE

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photo by Joan Marcus

Marie Antoinette by David Adjmi
Directed by Rebecca Taichman

American Repertory Theater, Loeb Drama Center
September 1 – September 29

Reviewed by Kate Longberg-Lew

You are likely already familiar with the tale of Marie Antoinette, the young queen who eventually losses her head at the bequest of her constituency, but you’ve never seen it presented this way. The ART’s production is, in a word, ambitious. This self-described tragicomedy is part Sex in the City, part Moulin Rouge, part modern, part historical, part drama, and part comedy.   Continue reading →

Sep 02

The Better to Allure You With, My Dear

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Photo Credit: Wax Wings Productions

Grandma’s House
Directed by Jennifer Reddish, Script by Kevin Kordis

Factory Theater (791 Tremont Street Boston, MA) from August 22-September 2

Wax Wings Productions
Wax Wings Facebook Page

Review by Kitty M Drexel

(Boston) Grandma’s House is a dramatic re-envisioning of the classic “Little Red Riding Hood” tale. Playwright, Kevin Kordis, brings the relationship between the Wolf and Little Red into the 22nd century as he explores the many definitions of the term “Wolf.” In this cautionary tale about cautionary tales, the cast and crew invite their audience to enjoy the fable of their youth and manipulate them into challenging their understanding of what a wolf is and can be. Continue reading →

Sep 02

One Performance Left! Luminarium Dance Company’s Mythos/Pathos

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Luminarium Dance Company presents
Mythos:Pathos
August 31 @ 8pm
September 1 @ 8pm
September 2 @ 4pm
in Black Box Theater
at Arsenal Center for the Arts

Watertown, MA

Purchase tickets at http://www.LuminariumDance.org/buy-tickets or call 617-477-4494 to reserve

(copy from Arsenal Center for the Arts)

Luminarium Dance will debut its new full-length performance Mythos:Pathos throughout August. The work will explore lesser-known characters and under-examined storylines of Greek mythology from a contemporary viewpoint. Artistic Directors Merli V. Guerra and Kimberleigh A. Holman are proud to weave these familiar myths into a cohesive saga, while coloring the production with innovative choreography. Mythos:Pathos also features nontraditional lighting design by Matthew Breton, that manifests in unique ways onstage, from wearable to handheld lighting. This new work will incorporate materials donated by the communities of Somerville and Watertown that will be used to construct installations on and offstage.

Luminarium plans to preview the project in Somerville. In late August, Luminarium will bring an evolved form of the project to the Arsenal Center for the Arts, for a one-week residency, including a gallery exhibit in the lobby. This performance at the Arsenal Center for the Arts offers a pre-show installation performance art series, followed by a full dance performance in the Black Box Theater.

Sep 01

Two Hours of Sweet Traffic: ROMEO AND JULIET

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Romeo and Juliet by William Shakespeare

Still Harbor, Dorchester 8/31/12-9/2/12
As well as other performances along the Eastern Shore through 9/14/12

Brown Box Theatre Project
Brown Box Theatre Project Facebook Page

Directed by Kyler Tausten
Fight Choreographer: Conor Olmstead

Review by Craig Idlebrook

What are your evening plans this weekend?  Cancel them.  I’ve got a Shakespeare play for you.

Wait, no, I’m serious.  I can hear the arguments now from the Bard-haters: long-winded speeches, posturing on stage, something fit for academic halls.  But that’s why you’ve got to drop what you’re doing and see the Brown Box Theatre breathe some life into the dusty folios with a no-frills, fast-paced production of Romeo and Juliet.  Continue reading →

Aug 25

What If? Racial Diversity in “Romeo and Juliet”

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My bounty is as boundless as the sea,
My love as deep; the more I give to thee,
The more I have, for both are infinite.

―Romeo and Juliet Act 2 Scene II

Photo Credit: Happy Medium Theatre

Director: Paula Plum
Dance Choreographer: Kiki Samko
Fight Choreographer: Angie Jepson

Happy Medium Theatre Company
Happy Medium Theatre Co. Facebook Page

Exposé by Kitty Drexel

(Boston) Happy Medium Theatre (HMT) took a risk: it cast a black Romeo against a white Juliet (who had excellent chemistry by the by). Bravo HMT for having the chutzpah for casting biracially! Bravo for making your audience ask “what if?” What if Romeo had been a Moore like Othello? What if Juliet had fallen in love with her Romeo and the resulting drama was a result over their family names and not the color of their skin? What if their love was measured against all other loves and found to be equal? What if HMT’s version of Romeo and Juliet was the version that had been performed for centuries rather than the typical all White cast? Topical questions for 2012: What if, indeed.

In a time when the Supreme Court system cannot make up its mind as to whether marriage is a religious or a civil rights issue, HMT’s production forces us to take a look at the history of love. Just 15 years ago one wouldn’t see a biracial couple on daytime TV much less a reproduction of Shakespeare. It is time for all love to be measured by its inherent worth on the streets. It is also time for the shock to be amputated from love that exists outside the norm on the stage. If it has been acceptable for a 13-year-old girl to marry a 17-year-old boy for hundreds of years then it is certainly time for that couple to reflect its audience members.

As artists, we have an obligation to entertain and educate our audience, an obligation to leave our audience in better condition after the show than before it starts. It is our privilege as enthusiasts to create theater with our community. Thank you Happy Medium Theater Company for taking the opportunity to be poignant and to pose difficult questions. Thank you for being brave. Bravi tutti!

Performances ran August 10-25, 2012 at the Plaza Theatre at the Boston Center for the Arts,
537 Tremont Street, Boston, MA 02116