Tag Archives: MA

Jun 21

Tradition By the Book: “Fiddler On the Roof”

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Jeremy Radin (Tevye) and the cast of “Fiddler on the Roof” at North Shore Music Theatre thru June 16. Photo © Paul Lyden

Presented by North Shore Music Theatre
Based on Sholem Aleichem by special permission of Arnold Perl
Book by Joseph Stein
Music by Jerry Block
Lyrics by Sheldon Harnick
Directed by Robert W. Schneider
Music Direction by Miles Plant
Choreography by Josh Assor
Lighting by Jack Melher
Scenic Design by Ryan Howell
Costume Coordination by Kelly Baker
Featuring Jeremy Radin, Alaina Mills, Kathy St. George, Sophie Aknin, Ari Axelrod, Jordan Matthew Brown, Ellie Fishman, Tyler Okunksi

June 4 – June 16, 2024
North Shore Music Theatre
54 Dunham Rd
Beverly, MA  01915

Review by Kate Lew Idlebrook

BEVERALY, Mass. — Fiddler on the Roof first opened on Broadway in 1964, and has been in regular rotation in regional theaters for decades. The musical is full of characters who are simultaneously larger than life yet utterly familiar to anyone with a loud and loving family. The songs are striking and memorable. The script offers audiences a timeless story of a resilient family navigating change and overcoming persecution. Continue reading →

Jun 17

Take A Soul, Leave A Soul: “Guys & Dolls”

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Presented by Greater Boston Stage Company
Book by Abe Burrows & Jo Swerling
Music & Lyrics by Frank Loesser
Choreographed and directed by Ceit Zweil
Music direction by Dan Rodriguez
Dramaturgy by Sydney Grant
Fight and Intimacy Direction by Angie Jepson
EDI Consultant: Kira Troilo, Art & Soul Consulting LLC

Online Playbill

June 7 – 30, 2024
Greater Boston Stage Company
395 Main Street
​Stoneham, MA 02180

Critique by Kitty Drexel

STONEHAM, Mass. — It’s a tale as old as time: A bookie attempts to set up a roving craps game to avoid the cops and, in doing so, arranges a love match between a perma-bachelor and a devote missionary. Guys and Dolls plays at Greater Boston Stage Company in Stoneham through June 30. 

Gambler, Nathan Detroit (Arthur Gomez), tries to find the cash to set up the biggest craps game in town while the authorities breathe down his neck; meanwhile, his girlfriend and nightclub performer, Adelaide (Sara Coombs), laments that they’ve been engaged for fourteen years. Nathan turns to fellow gambler, Sky Masterson (Jared Troilo), for the dough, and Sky ends up chasing the strait-laced missionary, Sarah Brown (Lisa Kate Joyce).  Continue reading →

Jun 14

Something Elegant and Threatening: “Gatsby: An American Myth”

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Presented by American Repertory Theater
Based on the novel by F. Scott Fitzgerald
Music by Florence Welch and Thomas Bartlett
Lyrics by Florence Welch
Book by Martyna Majok
Music Directed by Wiley DeWeese
Choreographed by Sonya Tayeh
Directed by Rachel Chavkin
Dramaturgy by Nissy Aya
Fight and Intimacy Direction by Rocío Mendez

July 23 – August 3, 2024
Loeb Drama Center
64 Brattle Street
Cambridge, MA 02138

This production contains depictions of suicide, violence, loud noises, gunshot sounds, bright and flashing lights, fog, and haze. Recommended for ninth grade and up.

Critique by Kitty Drexel

CAMBRIDGE, Mass. — Chavkin, Majok, and Welch’s Gatsby: An American Myth uplifts the plight of America’s laboring proletariat in ways F Scott Fitzgerald could never, would never imagine. It is a work of striking work of intersectional feminism that denudes the superficial morality of ultra-privileged one-percenters. It is sexy; it is rock n roll hot Jazz; it is a cautionary tale about the depravity of feral capitalism wrapped with a white bow.  

F Scott Fitzgerald’s The Great Gatsby was first published in 1926. This critique discusses important plot points of the ART’s musical inspired by the novel. Anyone wishing to avoid spoilers is 98 years too late. 

Continue reading →

Jun 05

Life Is Noisy: “The Dybbuk; Between Two Worlds”

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Andrey Burkovskiy & Yana Gladkikh. Photo by Irina Danilova

Presented by Arlekin Players
Written by Roy Chen based on the original play by S. Ansky
Adapted by Igor Golyak with Dr. Rachel Merrill Moss
With additional material from the translation by Joachim Neugroschel
Directed by Igor Golya 
Jewish Music Consultant: Anthony Russell 
Compositions and Sound Design by Fedor Zhuravlev
Dramaturgy by Dr. Rachel Merrill Moss
Featuring: Andrey Burkovskiy, Yana Gladkikh, Olga Aronova, Jenya Brodskaia, Polina Dubovikova, Anna Furman, Boris Furman, Rimma Gluzman, Gene Ravvin, Juliya Shikh, Olga Sokolova, Irina Vilenchik, with Deb Martin, Robert Walsh

May 30 – June 23, 2024
The Vilna Shul 
Boston’s Center for Jewish Culture
18 Phillips St. 
Boston, MA 02114

Critique by Kitty Drexel

BOSTON, Mass. — The 2024 performance of The Dybbuk; Between Two Worlds occurs in Beacon Hill’s Vilna Shul, a century-old synagogue. A 20th century Polish ensemble called the Vilna Troupe premiered playwright and activist S. Ansky’s play, The Dybbuk; Between Two Worlds in Warsaw after observing 30 days of traditional mourning for Ansky’s death in 1920. The troupe split into smaller groups, toured the play through Europe, and it became famous.  

The Vilna Shul was built in 1919 near the time of the premier but the Vilna Trouple did not perform The Dybbuk in Boston’s Vilna Shul. The Vilna Troupe originally performed Ansky’s play and now Arlekin Players are performing it in the Vilna Shul. Igor Golyak said through a press rep that the concurrence of these events has invited the spirits of the original troupe to live in the walls of this historic synagogue. 

Arlekin Player’s production is based on Ansky’s play of the same name. Both are about a tragic love story in a turn-of-the-century shtetl about a young woman possessed by a dybuk, a restless, disembodied human spirit from Jewish folklore that wanders the earth because of past sins. 

Continue reading →

Jun 03

Nothing Human is Pure: “Yellow Face”

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Presented by Lyric Stage Boston
By David Henry Hwang 
Directed by Ted Hewlett
Intimacy direction by Angie Jepson
Dramaturgy by Hailey Madison Sebastian
Featuring: JB Barricklo, Michael Hisamoto, Alexander Holden, Jupiter Le, Jenny S Lee, Mei MacQuarrie

May 31 – June 23, 2024
Asian Joy Night on June 7 @ 8PM
140 Clarendon St, 2nd Floor
Boston, MA 02116

Critique by Kitty Drexel

BOSTON, Mass. — David Henry Hwang’s Yellow Face was first published in 2008. It is 16 years later, and the play remains relevant enough not to be a period piece. Yellow Face plays at the Lyric Stage through June 23.

History will remember Jonathan Pryce for being on the wrong side of the 1990s Broadway Miss Saigon scandal. Pryce blamed everyone except himself for playing the Engineer in Cameron Mackintosh’s West End production of Schonberg and Boublil’s musical. Pryce could have said no to the role. He didn’t. The Lyric’s dramaturg Hailey Madison Sebastian has an article about the scandal HERE.  Continue reading →

May 25

The Art of Making a Practical Thing Pretty: “Toni Stone”

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Jennifer Mogbock as Toni Stone; Photograph © T Charles Erickson

Presented by The Huntington
Written and Directed by Lydia R. Diamond
Inspired by Curveball: The Remarkable True Story of Toni Stone by Martha Ackmann
Choreography by Ebony Williams
Dramaturgy by Charles Haugland
Fight direction and intimacy choreography by Ted Hewlett
Vocal coaching by Kim James Bey

May 17 – June 16, 2024
Blackout Performance: June 11, 7 pm
Open Caption Performance: 6/4 at 7:30 pm
ASL Performance: 6/7 at 8 pm
Audio Described Performance: 6/15 at 2:30 pm
Huntington Theatre 
264 Huntington Ave
Boston, MA 02115

2 hours and 20 minutes including intermission

Content Advisories: Toni Stone contains flashing lights, the use of herbal cigarettes, strong themes of racism and misogyny, and discussions of sexual violence. 

Critique by Kitty Drexel

BOSTON, Mass. — Lydia R Diamond’s Toni Stone had a triumphant opening on Wednesday, May 22. The Huntington took America’s pastime, the culture of and for the masses, into art for those who can afford a ticket. Toni Stone plays at The Huntington through June 16. It is available for pay-what-you-wish digital streaming HERE.

I’m a bespectacled geek made for comfort, not speed with an avid distaste for projectiles in all forms. I loathed gym class in school. Every New England summer, it felt like the world opened its heart and screen doors for Spring Training. I couldn’t wait for it to be over.  Continue reading →

May 19

Her Smile Contains A Primal Scream: “Morning, Noon, and Night”

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Sydney Jackson, Kaili Y. Turner (Photography by Ken Yotsukura)

Presented by Company One Theatre with Boston University’s College of Fine Arts
A new play by Kirsten Greenidge
Directed by Summer L. Williams
Dramaturgy by Ilana M. Brownstein
Featuring: Kaili Y. Turner, Sydney Jackson, Eliza Fichter, Schanaya Barrows, Aislinn Brophy, Alexandria King

Apr 26 – May 25, 2024
Boston Center for the Arts
Plaza Theatre
539 Tremont Street
Boston, MA 02116

Critique by Kitty Drexel

BOSTON, Mass. — Company One presents Kirsten Greenidge’s Morning, Noon, and Night at the BCA through May 25. Greenidge’s play examines society’s crushing demand for motherly perfection with brilliant comedy and heartrending honesty. She is joined by director Summer L Williams, and dramaturg Ilana M Brownstein to complete Company One’s trifecta of power.  Continue reading →

May 15

Battle Uphill, Downhill, and Hopping Across: “Touching the Void”

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The cast of “Touching the Void.” Photo by Danielle Fauteux Jacques.

Presented by Apollinaire Theatre Company
Based on Joe Simpson’s bestselling memoir Touching the Void
Written by David Greig
Directed by Danielle Fauteux Jacques
Scenic & Sound Design: Joseph Lark-Riley
Costume Design: Elizabeth Rocha 
Lighting Design: Danielle Fauteux Jacques
Featuring: Patrick O’Konis, Kody Grassett, Parker Jennings, Zach Fuller

April 19- May 26, 2024 (Extended!)
Chelsea Theatre Works
189 Winnisimmet St.
Chelsea, MA

Running Time: estimated 2 hours with one intermission

Performances followed by a Reception with the actors

Critique by Kitty Drexel

CHELSEA, Mass. — Apollinaire Theatre Company’s Touching the Void is about two men chasing death up a mountain. Death chases them back down.  It runs through May 26 at Chelsea Theatre Works.

It is 1985. Two Brits, Joe Simpson (Patrick O’Konis) and Simon Yates (Kody Grassett) are mountaineers who decide to climb a dangerous mountain together: the Siula Grande in the Peruvian Andes. These dumbass himbos don’t have a backup plan, just a hippy acquaintance with no useful skills, Richard (Zach Fuller), watching their gear at base camp. Touching the Void is told in imaginary flashforwards and backs that feature Joe’s sister Sarah (Parker Jennings). Sarah wants to understand why Joe, Simon, and even Richard would do such a foolhardy thing as climbing a treacherous peak. Me too, Sarah.  Continue reading →

May 08

Beating the Villain is Half the Fun in “Domme and Giovanni”

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Stefanos Koroneos, Stage Director & Projections Designer.

Presented by White Snake Projects
Composed by Ryan Oldham
Libretto by Liz Abram-Oldham and Cerise Lim Jacobs
Stage Directed by Stefanos Koroneos
Music Directed by Tianhui Ng
Donna Anna: Carami Hilaire (soprano)
Don Giovanni: Andrew Simpson (bass-baritone)
Donna Elivira: Pascale Spinney (mezzo-soprano)
Leporello: Kyle Oliver (baritone)
Jazz/Rock Band: David McGrory (keyboard/accordion), Dan J. Pelletier (percussion), 
Gillian Dana (bass), and John Tyler Ken (guitar)

May 5 -6, 2024
La Voile
1627 Beacon Street
Brookline, MA, 02445

Review by Gillian Daniels

BROOKLINE, Mass. – White Snake Projects, as part of their Opera Through the Looking Glass series, reframes Mozart’s Don Giovanni as an opera of cathartic, female-driven revenge. Donna Anna (Carami Hilaire, soprano), a professional dominatrix with a vendetta, and Donna Elvira (Pascale Spinney, mezzo-soprano), a self-serious FBI agent convinced she’s starring in an ‘80’s cop show, are working to bring down the titular Don Giovanni (Andrew Simpson, bass-baritone) from the beginning. 

There is no suggestion that Giovanni is supernaturally charming, just manipulative and cruel. He’s a mafia don, a crime boss who spills blood as gleefully as he demands a whipping from a hired sex worker. Not so much titillating as a campy, though there is indeed a striptease courtesy of Simpson, his relationship with Donna Anna is enthusiastic and more complex than even he realizes. Continue reading →

May 07

Glimpses of Brilliance: “Ailey Classics”

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Photo: Alvin Ailey American Dance Theater in Alvin Ailey’s “For Bird – With Love.” Photo by Paul Kolnik

Presented by the Celebrity Series of Boston
Performed by the Alvin Ailey American Dance Theater
Alvin Ailey, founder
Judith Jamison, artistic director emerita
Matthew Rushing, interim artistic director

May 2 – 5, 2024
Boch Center, Wang Theatre
270 Tremont St.
Boston, MA 02116

Review by Craig Idlebrook

BOSTON, Mass. — Choreographer Alvin Ailey often felt the need to mask much of his private life to the public, but he unabashedly shared the emotion of his art with audiences. A publicly closeted gay Black man with bipolar disorder who grew up in the southern United States during the height of the brutality of the Jim Crow era, he staged heartfelt shows reflecting the highs and lows of Black life through dance.

In a 1973 New York Times Magazine interview, he said of his shows, “They are as honest and truthful as we can make them. I’m interested in putting something on stage that will have a very wide appeal without being condescending; that will reach an audience and make it part of the dance.”

That emotional integrity of Ailey’s work was evident in the recent staging of Ailey Classics, featuring excerpts of his most well-known works by the dance troupe he founded. More than 30 years after Ailey’s death, there were moments on stage when it felt as if he were personally greeting each member of the audience through his art. Continue reading →