Oct 03

Fair is Foul. Foul is Fair*: “Rev. 23: A Hellish, Farcical Opera”

Photo by Kathy Wittman; keep on rockin’ on, kids.

Presented by White Snake Projects
Creator and libretto by Cerise Lim Jacobs
Composed by Julian Wachner
Directed by Mark Streshinsky
Conducted by Lidiya Yankovskaya
Dramaturgy by Cori Ellison
Choreography by Yury Yanowsky

Sept. 29 – Oct. 1, 2017
John Hancock Hall
Boston, MA
White Snake Projects on Facebook

Review by Kitty Drexel

The city does not need the sun or the moon to shine on it, for the glory of God gives it light, and the Lamb is its lamp.”
Revelation 21:23Bible, New International Version  (NIV)

(Boston, MA) White Snake Projects is giving the BLO a run for their money. It’s my sincere hope that artists and their audience will watch the works of both companies but, if one has to choose, WSP may be the winner in the competition for attendees. Its edgy productions are worth the commitment. Continue reading

Sep 26

Lovingly Commemorative: BARN SALE

Presented by The Black Box Lab at STAGE284
Written by David J. Miller

Thursday, September 21, 7:30pm
The Community House
284 Bay Road Hamilton, MA
STAGE on Facebook

Review by Bishop C. Knight

(Hamilton, MA) Playwright David J. Miller was present at last night’s reading of Barn Sale, where he shared that one mission of his new play is to exhibit how older people hold immense wisdom. This mission was also the expressed intention of the actress whose entire life has been chronicled within the two-hour performance.  Between David J. Miller and his captivating dialogist, the actress who generously divulged every detail of her life to David over the course of two winters, the mission was a complete success.  What David J. Miller ultimately produces for audiences is an epic figure of a woman who bravely charged through life and, I have to be honest, I was crying by the end of the performance. Continue reading

Sep 18

Revising History for Most, Not Others: “Men On Boats”

The cast of Men On Boats. Photo by Nile Hawver/Nile Scott Shots

Presented by SpeakEasy Stage Co.
By Jaclyn Backhaus
Directed by Dawn M. Simmons
Assistant directed by Sloth Levine

Sept. 8 – Oct. 7, 2017
Calderwood Pavilion at the BCA
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) SpeakEasy took some risks in putting up Men On Boats. Boston audiences are composed of plenty of folks that consider themselves liberal until it’s inconvenient. For example, Bernie Bros were all about feminism and other equalities until Hillary became a real threat. Then the silk gloves of human decency came off. Boxing gloves went on. MOB is the kind of show that will test its audience. The characters portrayed are real but the actors onstage do not strictly identify as men. There’s plenty of unlady-like and un-white-like behavior up there. It’s bound to ruffle some “erasing our history” feathers. Continue reading

Sep 12

Hoping That the Next Leap Will Be Their Leap Home: “Constellations”

Nael Nacer & Marianna Bassham in CONSTELLATIONS. Photo: A.R. Sinclair Photography

Presented by Underground Railway Theater
Written by Nick Payne
Directed by Scott Edmiston

Sept. 7 – Oct. 8, 2017
Central Square Theater
Cambridge, MA
CST on Facebook
Go here to learn more about how humans are killing bees at an alarming rate
MassBee.org
Follow the Honey for delicious local and beyond honey products

Review by Kitty Drexel

(Cambridge, MA) The ancient Greek believed that bees were the messengers of the Gods. Bees could divine the future, and acted as emissaries to Olympus. Keeping bees was and still is a sensitive vocation. It requires a gentle hand and a hardy constitution. Human beings require bees to live, but not vice versa. Continue reading

Sep 11

Too Much of a Good Thing is Just Wonderful: Why Have One Thing “Or,” the Other When You Can Have It All?

Photo by Chelsea Ruscio.

Presented by Maiden Phoenix and Simple Machine
By Liz Duffy Adams
Directed by Adrienne Boris
September 8 – September 23, 2017

Chelsea Theatre Works
189 Winnismmet Street
Chelsea, MA 02150
OR the play on Facebook

Review by Gillian Daniels

(Chelsea, MA) I sometimes think going to a play is a bit like going to a party where you know nobody at all, save for the person you bring with you. Sometimes, the party can leave you feeling adrift and awkward in your own skin. Other times, you meet some funny, clever people you never expected to meet. They are delighted to include you, for an hour or so (or an eighty minute run time without intermission), in the intimate secrets of their lives and draw you close with the honesty only complete strangers would dare to share with you. The sweet, hilarious, and deliciously bawdy “Or,” is such a party. I recommend attending as soon as possible in order to enjoy the yarn spun between Kaylyn Bancroft (Nell Gwynne/Lady Davenant/Maria/A Jailer), Michael Poignand (as slimily charming King Charles II and charmingly slimy William Scott, divided by a common language with different annunciation) and Anna Waldron (Aphra Behn). Continue reading

Sep 05

Witchcraft, Politics and Womanhood: “The Weird”

Photo credit: Nile Hawver/Nile Scott Shots

Presented by Off the Grid Theatre Company
Written by Kirsten Greenidge, Obehi Janice, Lila Rose Kaplan, and John Kuntz
Directed by Steven Bogart

September 1-16, 2017
Calderwood Pavilion at the BCA
527 Tremont St. Boston, MA
Off the Grid on Facebook

Review by Polly Goss

(Boston, MA)The Weird is the latest devised piece from Off the Grid Theatre Company. Artistic Director Alexis Scheer, invited 4 different Boston based writers to compose pieces that tackle the intersection between belief in witchcraft and politics. An ambitious and intriguing premise, which unfortunately The Weird does not fulfill. The Weird`s cast includes many talented actors, who do a good job of adding authenticity to the often fragmented writing. However the chaotic and incoherent writing, means the show ultimately fails to tackle any one theme in depth and leaves the audience feeling unsatisfied and underwhelmed. Continue reading

Aug 29

Sing the Sky Her Sailor’s Song: PLANK

With Liz Adams, Adam Lokken Barrameda, Poornima Kirby and Sydney T Grant. Photo by Joan Mejia.

Presented by Alley Cat Theater
Written by John Grenier-Ferris
Directed by Megan Schy Gleeson
Original music by Peter Warren & Matt Somalis

Aug. 26 – Sept. 16, 2017
Stanford Calderwood Pavilion
Boston Center for the Arts
Deane Hall
Boston, MA
Alley Cat on Facebook

Review by Kitty Drexel

(Boston, MA) Plank is an allegory for life. The ocean can be kind but it is often cruel. Those with fears of open water, or an unmoored life may want to meditate on this before viewing. Continue reading

Aug 28

Gonzo Greatness: YOUNG FRANKENSTEIN

Tommy Labanaris (Dr. Frederick Frankenstein) and Brian Padgett (The Monster). Photos © Paul Lyden

Presented by North Shore Music Theatre
Book by Mel Brooks and Thomas Meehan
Music and lyrics by Mel Brooks
Original Direction & Choreography by Susan Stroman
Direction and choreography by Kevin P. Hill
Musical direction by Milton Granger

August 15-27, 2017
62 Dunham Road
Beverly, MA
NSMT on Facebook

Review by Craig Idlebrook

(Beverly, MA) Sometimes, you know you’re in for a great night of theater with the very first line of a play; with Young Frankenstein, playing at the North Shore Music Theatre, you know it before the play even starts. Even the pre-play announcements and opening credits, told by a disembodied voice and projected onto a grey shroud, suck you into the campy, spooky, sexy world that Mel Brooks creates. Continue reading

Aug 08

“Chess”: When the World is Not Your Oyster

Photo credit: Julie Henion

Presented by The MIT Gilbert and Sullivan Players
Book by Richard Nelson
Music by Benny Andersson and Bjӧrn Ulvaeus
Lyrics by Tim Rice
Directed by Emma Brown
Music Direction by Elena Sokoloski

August 4 – August 13, 2017
Kresge Little Theater
48 Massachusetts Avenue, Cambridge MA 02139
Chess Facebook Event

Review by Gillian Daniels

(Cambridge, MA) Chess is a grim Cold War fable told around an international obsession with the titular board game. Director Emma Brown and the MIT Gilbert and Sullivan Players bring to life the ‘80’s show with a heavy dose of whimsy, suffusing the production with neon-colored nostalgia. Despite some song reshuffling, lyric changes, and obvious fun had by the cast, there’s little they can do to fix a rushed romance and peculiar pacing, creating a hurky-jerky but intriguing roller coaster of a musical. Continue reading

Jul 29

These Violent Delights: “Romeo & Juliet”

Presented by Commonwealth Shakespeare Company
By William Shakespeare
Directed by Allegra Libonati

July 19 – August 6, 2017
Boston Common
Boston, MA
Commonwealth Shakespeare Company on Facebook

Romeo and Juliet is like an old jalopy: if you want it to run, you need to know where to kick it, when to kick it, and how hard to kick it. Unfortunately, I really don’t think that director Allegra Libonati has the formula down (and not for lack of trying). Continue reading