Oct 08

The Subjectiveness of Sanity: “The Search for Signs of Intelligent Life in the Universe”

Photo by Meg Moore/megpix.com; Kathryn Van Meter as Trudy.

Presented by Merrimack Repertory Theatre
Written by Jane Wagner
Directed by Courtney Sale
Featuring Kathryn Van Meter

October 2-20, 2024
Nancy L. Donahue Theatre at Liberty Hall
50 E. Merrimack St.
Lowell, MA

Online Playbill

Run Time: approx. 2 hours 25 minutes including one 15-minute intermission

Please note the following content advisories: Adult Language, Death by Suicide, Suicide Ideation, Drug Use, Sexual Violence

Review by Craig Idlebrook

LOWELL, Mass. — There is a tightrope act-feel to a one-person show, as audiences can become painfully aware there is nowhere for the performer to hide, or even catch a breath. Flubbed lines, low energy, or a lack of connection to the source material can lead to a long night for both actor and audience.

Luckily for the audience of Merrimack Repertory Theater’s The Search for Signs of Intelligent Life in the Universe, Kathryn Van Meter (Trudy) deftly dodges all potential pitfalls of a solo performer. She works hand-in-hand within the exquisite source material provided by playwright Jane Wagner for us to see the interconnectedness between an off-kilter woman living on the streets and the universe. Continue reading

Jun 14

Finding Songs in Sorrow: “Woody Sez: The Life and Music of Woody Guthrie”

Presented by Merrimack Repertory Theatre
Devised by David M. Lutken with Darcie Deaville, Helen Jean Russell, and Andy Teirstein
Directed by Nick Corley and Sherry Lutken
Music direction by David M. Lutken
Featuring Darcie Deaville, Maggie Hollinbeck, David M. Lutken, Andy Tierstein

June 8 – 22, 2022
Merrimack Repertory Theatre
Merrimack Ales,
92 Bolt Street
Lowell, MA 01852
The Playbill

2 hours with intermission

Review by Craig Idlebrook

LOWELL, Mass. — In the 21st century, the folk singer can easily be a target of ridicule, an archetype in American music which is somehow prone to both over-earnestness and affectation. However, the folk singer had more earnest origins. Folk music, as most know it, was made up of storytelling songs passed down and performed by families and groups of people, and it was the folk singer’s job to find and share these songs. Continue reading

Mar 02

Writing for the Moms the World Ignored: “Erma Bombeck: At Wit’s End”

Karen MacDonald. My parents have that end table. Photo by Megpix/Meghan Moore

Erma Bombeck: At Wit’s End
Presented by Merrimack Repertory Theatre
By Allison Engel and Margaret Engel
Based on the life and works of Erma Bombeck
Directed by Terry Berliner
Original music by Brett Macias
Filmmaker: Kathy Wittman
Featuring Karen MacDonald

FEB 24-MAR 13, 2022
Simultaneously Live and Streaming
Hall/Lowell Memorial Auditorium
50 East Merrimack Street
Lowell, MA 01852
MRT on Facebook 

Approximate run time: 80 minutes, no intermission

Review by Kitty Drexel

Lowell, Mass. — Erma Bombeck: At Wit’s End is a serviceable, inoffensive one-woman show about humorist Erma Bombeck. Folks who remember Bombeck will enjoy the show. 

People who enjoy the work of Karen MacDonald will also enjoy the show. MacDonald is delightful. Thanks to her work with director Terry Berliner, MacDonald dominates the stage like she lives there. Continue reading

Oct 13

Let’s do some living/Before we die: “Wild Horses”

Leenya Rideout and Rafael Molina during filming at Unitas Community Center, Lowell. Photo: Kathy Wittman

Presented by Merrimack Theatre Company 
By Allison Gregory
Directed by Courtney Sale
Featuring Actor Leenya Rideout
Music by Rafael Molina
Film by Kathy Wittman
Costume Design by Lee Viliesis

COVID PROTOCOLS: Vaccination or negative test result required. Masks also required for both indoor and outdoor locations. See the full details here

Video-On-Demand Dates: Oct. 4-17, 2021
50 East Merrimack Street
Lowell, MA 01852
MRT on Facebook

CONTENT WARNING: Wild Horses contains adult language and content. Recommended for ages 16 and older. Mentions of child abuse and descriptions of animal abuse. 

Run Time: 90 minutes with no intermission

Review by Kitty Drexel

Streaming — Wild Horses, streaming now on MRT.org, is a prime example of great theatre that translates well to both in-person and online viewing. MRT’s recording reveals solo-performer Leenya Rideout as a skilled storyteller capable of spinning nuance with a single gesture. One can practically feel the electric energy rippling off of her captured performance. 

Rideout is good in the video. She’d be better live. This is a streamed performance that’ll make you regret you didn’t see it in person.  Continue reading

May 31

Good for Them: “A Woman of the World”

Denise Cormier in MRT’s A Woman of the World. Photo: Kathy Wittman.

Presented by Merrimack Repertory Theatre
Written by Rebecca Gilman
Directed by Courtney Sale
Featuring Denise Cormier

May 15-30, 2021
Video on Demand
Lowell, MA 01852
MRT on Facebook

Review by Kitty Drexel

“Yes, she was a genius but nothing really happened to her. She never left her house!” – Mary Loomis Todd on Emily Dickinson in A Woman of the World

STREAMING — The summary on the MRT website for A Woman of the World buries the lede. It focuses on her ties to poet Emily Dickinson as a way to lure audience members with Protestant leanings. The summary fails to emphasize famous New Englander Mabel Loomis Todd’s more modern fleshly proclivities: she was into open-marriages centuries before it was cool and took great pleasure in sex.  Continue reading

Oct 31

The Lost Treasures in “Cambodian Rock Band”

Matthew Yee, Peter Sipla, Aja Wiltshire, Eileen Doan, Greg Watanabe; Photo by Liz Lauren courtesy of Victory Gardens

Presented by Merrimack Repertory Theatre
A co-production with Victory Gardens Theatre in Chicago and City Theatre in Pittsburgh
By Lauren Yee
Directed by Marti Lyons
Featuring the songs of Dengue Fever, Sinn Sisamouth, Voy Ho, and Rose Serey Sothea
Cast includes Eileen Doan (Pou, keyboards), Albert Park (Duch), Christopher Thomas Pow (Leng/Ted, guitar), Peter Sipla (Rom, drums), Greg Watanabe (Chum, bass),  and Aja Wiltshire (Neary/Sothea, vocals).

Oct 16-Nov 10
Merrimack Repertory Theatre 
Lowell,MA
MRT on Facebook 

Review by Shiyanbade Animashaun

(Lowell, MA) The history one learns from Cambodian Rock Band will vary based on previous knowledge of the Cambodian genocide, the Vietnam War, and other geopolitical histories of that era. Lauren Yee’s narrative blends details about how characters survived genocide with elements from the real stories of countless others. Yet, one doesn’t leave the theater with fresh tears of sadness, rather, with smiles over tear-stained faces. The actors, particularly the father-daughter pair of Chum (Greg Watanabe) and Neary (Aja Wilshire), have both very touching and comical exchanges throughout the over 2 hour run time. 

It weaves together a portrait of a father, a mystery, history, and amazing music. From the pre-show announcement to ‘cold open’, both in Khmer, audiences are taken on a ride between the 70’s to the early 2000s features a band from the 70s, singing in Khmer. Continue reading

Sep 21

A Study in Contrasts: “Tiny Beautiful Things”

Shravan Amin, Nael Nacer, Lori Prince and Caroline Strang. Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
Based on the book by Cheryl Strayed
Adapted for stage by Nia Vardalos
Co-Conceived by Marshall Heyman, Thomas Kail and Nia Vardalos
Directed by Jen Wineman

September 11 – October 6, 2019
Merrimack Repertory Theatre
Lowell, MA
MRT on Facebook

Review by Shiyanbade Animashaun

(Lowell, MA) Tiny Beautiful Things delivers a personal memoir through the vehicle of questions answered by ‘Sugar’, who does so in each case with an insight drawn from a personal story.

Continue reading

Jan 28

A Nourishing Treat: “Slow Food”

Joel Van Liew, Brian Beacock, Daina Griffith. Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
Written by Wendy MacLeod
Directed by Sean Daniels

January 9 – February 3, 2018
50 E Merrimack St, Lowell, MA 01852
MRT on Facebook

Review by Craig Idlebrook

(Lowell, MA) You know a play hooks you when you start to get uncomfortable from the opening moment. As the lights go up in Slow Food,, we see two diners, Peter and Irene (Joel Van Liew and Daina Michelle Griffith) looking wane in a Greek restaurant as they begrudgingly sip glasses of water and wait. By the time the waiter, Stephen (Brian Beacock), appears, it is hard not to hate him. Continue reading

Nov 05

Unfunny and Racist: “FRIENDS: THE MUSICAL PARODY”

PLEASE NOTE: Not every actor in this photo was part of the show on October 26th. No updated press photos were available.

Produced by Right Angle Entertainment
Lowell Auditorium
Book and Lyrics – Bob & Tobly McSmith
Music & Music Arrangements – Assaf Gleizner
Director – Tim Drucker
Choreographer – Billy Griffin
Music Director – Tegan Miller
Geneneral Management – Jim Lanahan, Right Angle Entertainment

Viewed on October 26th, 2018

Review by Craig Idlebrook

(Lowell, MA) Look, I could write a couple of paragraphs to discuss the many shortcomings and few bright points about this musical parody of an insanely popular 90’s sitcom, but none of that matters. The production I saw of this play should be condemned for allowing one of the most racist moments I’ve seen on stage in decades.

Early in the play, the character of Ross is on a paleontology trip to China. To illustrate this with a minimal set change, they have him wear an Asian conical hat. We next see some kind of an assistant behind Ross also wearing an Asian conical hat. That assistant smiles broadly, folds his hands into his sleeves, and walks backwards in a quick shuffle, all while bowing slightly. It is a perfect example of a racist depiction of an Asian underling, the kind of grotesque caricature you expect from a mid-20th century Bugs Bunny cartoon, not a 21st century theatrical production.

I walked out at intermission. Maybe the play got better in the second act, but it certainly couldn’t have done anything to redeem itself.

Queen’s Note: The New England Theatre Geek supports Mr. Idlebrook’s decision to leave during the intermission of Friends: The Musical Parody. It is 2018. A majority white cast and creative crew should know and do better than to spread casual messages of hate and racism through yellowface. The New England Theatre Geek has pledged to promote tolerance and to shun hate. By walking out of this performance, Mr. Idlebrook was participating in this pledge.

Oct 01

The Unfinished Work of a More Perfect Union: NATIVE GARDENS

Gabriel Marin (Pablo De Valle), Vivia Font (Tania Del Valle), Joel Colodner (Frank Butley)
Photo by Meghan Moore

Presented by Merrimack Repertory Theatre
Directed by Giovanna Sardelli
By Karen Zacarías

September 12 – October 7, 2018
50 East Merrimack Street
Lowell, MA
MRT on Facebook

Review by Craig Idlebrook

(Lowell, MA) Writers must walk a fine line with audiences when it comes to parables. For a parable to be effective, the story must signal its intentions early and clearly. If done well, it gives the story license with the audience to present an incomplete worldview to prove a point. The devil, however, is in the details – as in what details to give the audience and what details to leave out – to create a world that gets enough buy-in from the audience to think about the issue. Continue reading