Tag Archives: Loeb Drama Center

May 22

At World’s End: “The Last Two People on Earth: An Apocalyptic Vaudeville”

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Mandy Patinkin and Taylor Mac. Photo by Gretjen Helene/A.R.T.

Mandy Patinkin and Taylor Mac. Photo by Gretjen Helene/A.R.T.

Presented by The American Repertory Company
Conceived by Paul Ford, Taylor Mac, Mandy Patinkin, and Susan Stroman
Direction and Choreography by Susan Stroman
Music Direction, Arrangements, and Orchestrations by Paul Ford

May 12 – 31, 2015
Loeb Drama Center
64 Brattle Street
Cambridge MA
The A.R.T. on Facebook

Review by Danielle Rosvally

(Cambridge, MA) I’m not sure if I can really describe what I just saw onstage at the A.R.T.  I guess I could start with… an earthquake; birds, snakes, airplanes… Lenny Bruce is not afraid. Continue reading →

Feb 14

Unattainable Excellence for Boston: WITNESS UGANDA

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Photo: Gretjen Helene Photography; Adeola Role with Griffin Matthews and Emma Hunton.

Presented by American Repertory Theatre
By Matt Gould and Griffin Matthews
Directed by Diane Paulus
Music Directed by Remy Kurs
Choreography by Darrell Grand Moultrie

Based on true events.

February 4 – March 16, 2014
ASL Interpreted performances: Tues, March 4 at 7:30pm; Sun, March 9 at 2:00pm.
Audio Described performances: Wed, March 5 at 7:30pm; Sat, March 8 at 2:00pm.
Loeb Drama Center
64 Brattle St.
Cambridge, MA 02138
A.R.T. on Facebook
Witness Uganda on Facebook

Review by Kitty Drexel
(Cambridge)In Witness Uganda, Griffin (character inspired by co-creator Griffin Matthews) goes to Uganda on a mission to build a school for needy children. He hopes to make the world a better place and find life purpose. He discovers that American aid workers are not building schools for the community. The Ugandan children are not receiving an education. Together, Griffin, his best friend Ryan and a group of orphans fight to better the lives of Ugandans. Witness Uganda is about the complications of international giving in third world countries, the role community plays on a global scale, and Man’s eternal struggle for purpose. Continue reading →

May 21

“Pirates of Penzance” Pillages Hearts

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Emily Casey, Sean Pfautsch, Matt Kahler, Ryan Bourque, Dana Omar. Photo by Evgenia Eliseeva

presented by American Repertory Theater
produced by The Hypocrites
by Gilbert & Sullivan
adapted by Sean Graney, Kevin O’Donnell
directed by Sean Graney

Loeb Drama Center
64 Brattle St.
Cambridge, MA 02138
The Hypocrites’ Facebook Page

Review by Gillian Daniels

(Cambridge) The Hypocrites’ production of Pirates of Penzance is an absolute confection.  Adapting the beloved Gilbert and Sullivan operetta to a quirkier, more contemporary stage, Sean Graney and Kevin O’Donnell infuse the original libretto and its score with banjos, bathing suits, beach balls, and a warmth that charms but never cloys.  It’s energetic and just plain fun.

Premiering in New York in 1879, the original show has a long history of making audiences titter at lyrics like, “I am the very model of a modern major general.”  The comic opera lampoons Victorian concepts of honor, piracy, politeness, the literary inconveniences of being a foundling, and, most importantly, duty. Continue reading →

Feb 11

Characters Takes Center Stage in “Glass Menagerie”

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photo credit: Michael Lutch

photo credit:Michael Lutch

Presented by American Repertory Theater

By Tennessee Williams
Directed by John Tiffany
Choreography by Steven Hoggett

February 2, 2013 to March 17, 2013
Loeb Drama Center
64 Brattle Street, Harvard Square

Review by Gillian Daniels

(Cambridge) In Tennessee Williams’s tragicomedy, The Glass Menagerie, my sympathy has often been with the antagonist, Amanda, here played by Cherry Jones.  Raised as a spoiled Southern belle given no higher goal than to be a wealthy wife, Jones’ Amanda has a sadly stunted maturity about her.  She isn’t prepared to deal with life outside the Antebellum South.  She’s at a loss when her children’s needs deviate so sharply from the accepted norms. Continue reading →

Jan 06

Breathtaking Chutzpah: PIPPIN

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Photo: Michael Lutch; a tender balancing act.

Photo: Michael Lutch; a tender balancing act.

book Roger O. Hirson
music and lyrics Stephen Schwartz
directed by Diane Paulus
circus creation Gypsy Snider of Les 7 Doigts de la Main
choreography by Chet Walker in the style of Bob Fosse

presented by American Repertory Theatre
Loeb Drama Center
64 Brattle St.
Cambridge, MA 02138
December 5, 2012 to January 20, 2013
ART Facebook Page

Review by Kitty Drexel

(Cambridge) This Cirque du Soleil meets Fosse production of “Pippin” tells the tale of the Everyman, a youthful personification of any adult tentatively beginning the journey toward self-knowledge. Our young hero seeks the meaning of life in all the wrong places: violence, sex, politics, and other follies of inexperience. What the audience soon realizes is that Pippin, son of Charlemagne (the Emperor who not only made Christianity famous but mandatory), for all his proclamations, isn’t special. He is on the same journey that all young adults travel in their search for self – plus or minus some fantastical hardships and an orgy or two. What our hero discovers on this epic ego-trip is that, after he finds and secures a lasting relationship with meaning, he doesn’t know what to do with it. Continue reading →