Jun 07

Witnessing a War-torn Wonderland: “The Gaaga”

Photo via https://www.arlekinplayers.com/the-gaaga

Presented by Arlekin Players Theatre
Written and co-directed by Sasha Denisova
Co-Directed by Igor Golyak
Environmental Design by Irina Kruzhilinia
Produced by Sara Stackhouse
Featuring: Jeremy Beazlie, Boris Berdnikov, Irina Bordian, Daniel Boudreau, Jenya Brodskaia, Darya Denisova, Polina Dubovikova, Taisiia “Taya” Fedorenko, Anne Gottlieb, Dev Luthra, Robert Pemberton, Michael Sáenz, Garrett Sands, Julia Shikh, Misha Tyutyunik, Irina Vilenchik, Ilia Volok, Robert Walsh

June 2-18, 2023 | US Premiere
BEAT BREW HALL
13 Brattle St., Harvard Square
Live, In-Person June 2-18
Streaming live, online, June 8-18

Review by Maegan Bergeron-Clearwood

CAMBRIDGE, Mass. — Imagine a future in which not only dictators, but also their conspirators and allies and simpering cronies, are held actually held responsible for their crimes against humanity. Imagine a forum for truth-telling and accountability, where the perpetrators are subjected to mockery and the survivors are entitled to impart judgment, rather than the all-too-common other way around.

This is, of course, a topsy-turvy dream, so it is fitting that The Gaaga: a site specific phantasmagoria situates the absurd concept within the mind of a child. Its Alice in Wonderland-inspired protagonist, The Girl (played by 17-year-old Ukrainian refugee and artist Taisiia “Taya” Fedorenko), leads her audience of juror-witnesses through her fantasy world, in which she puts Vladimir Putin and his conspirators on trial for horrific crimes against her family and country. Continue reading

Feb 01

Reach Out and Touch Someone: “Baby Jessica’s Well-Made Play”

Presented by Pipeline Theatre Company
Written by Philip Santos Schaffer
Directed by Isabel Quinzaños Alonso
Performed by Mary Round
Dramaturgy by Anna Woodruff
Sound Design & Composition: Jorge Olivo
Stage Manager: Matt Engle
Producing Consultant: Stefanie Harris

Interested in tickets? Please read the FAQ!

February 1 – March 30, 2023
Your Phone/Zoom, Over 2 nights
From anywhere in the USA
Pipeline on Instagram

Review by Kitty Drexel

Your Phone — It is important for an audience member of Baby Jessica’s Well-Made Play to do some research before attending. I, like a dingus, thought I didn’t need to research the story behind Baby Jessica because she was in the news when I was a kid. 

Friends, I incorrectly thought this play would be hilarious. I was six when 18-month-old Jessica McClure was rescued after being trapped for 58 hours in an abandoned water well in Midland, Texas. Don’t be like me. Please at least the Pipeline Theatre FAQ.

It is very important to note that Baby Jessica’s Well-Made Play is an interactive, conversational play. It occurs over two (2) scheduled evenings. The first evening runs two and a half hours long (150 minutes) but the attendee should give themselves an additional half hour (30 minutes) for setup before the show starts. That is a total of three hours or 180 minutes.  Continue reading

Jun 04

Could be Better, Could be Worse: American Repertory Theater’s “1776”


Presented by American Repertory Theater
Produced in association with Roundabout Theatre Company
Book by Peter Stone
Music and Lyrics by Sherman Edwards
Based on a Concept by Sherman Edwards
Directed by Jeffrey L. Page and Diane Paulus
Music Direction by Ryan Cantwell
Choreography by Jeffrey L. Page
Music Supervision by David Chase
Orchestrations by John Clancy
Vocal Design by AnnMarie Milazzo
Dialect Coaching (NYC) by Dawn-Elin Fraser
Dialect Coaching (Cambridge) by Erika Bailey
Fight Direction by Thomas Schall

May 17 – July 24, 2022
Loeb Drama Center
Cambridge, MA
Run Time: 2 hours and 45 minutes, including one 15-minute intermission

The mask goes over your nose.

Critique by Kitty Drexel

CAMBRIDGE, Mass. — Contemporary performances of Stone & Edwards’ 1776 are a response to Hamilton. The 1997 Broadway revival production at the Roundabout Theatre had an all white, all cis male cast (with Star Trek TNG’s Brent Spiner in the role of John Adams). American Repertory Theater tries something different with its 2022 production. It is largely successful thanks to the brave, button-pushing performances of its actors. 

1776 is the reproduction of the infamous congressional meetings that lead to the United States’ declaration of independence on July 4, 1776. John Adams (Crystal Lucas-Perry), Benjamin Franklin (Patrena Murray), and Thomas Jefferson (Elizabeth A. Davis) cajole the members of the Continental Congress into voting for American independence from British tyranny.  Continue reading

Mar 02

Writing for the Moms the World Ignored: “Erma Bombeck: At Wit’s End”

Karen MacDonald. My parents have that end table. Photo by Megpix/Meghan Moore

Erma Bombeck: At Wit’s End
Presented by Merrimack Repertory Theatre
By Allison Engel and Margaret Engel
Based on the life and works of Erma Bombeck
Directed by Terry Berliner
Original music by Brett Macias
Filmmaker: Kathy Wittman
Featuring Karen MacDonald

FEB 24-MAR 13, 2022
Simultaneously Live and Streaming
Hall/Lowell Memorial Auditorium
50 East Merrimack Street
Lowell, MA 01852
MRT on Facebook 

Approximate run time: 80 minutes, no intermission

Review by Kitty Drexel

Lowell, Mass. — Erma Bombeck: At Wit’s End is a serviceable, inoffensive one-woman show about humorist Erma Bombeck. Folks who remember Bombeck will enjoy the show. 

People who enjoy the work of Karen MacDonald will also enjoy the show. MacDonald is delightful. Thanks to her work with director Terry Berliner, MacDonald dominates the stage like she lives there. Continue reading