Apr 11

Not a boy, Not a girl, Just a plain old baby: “The Great Reveal”

The Cast. Photo by Mark S Howard.

Presented by Lyric Stage Boston
By David Valdes
Directed by Bridget Kathleen O’Leary and Charlotte Snow
Intimacy Choreography by Shira Helena Gitlin
Featuring: Paige Clark, Arthur Gomez, Jupiter Lê, Antonia Turilli 

Lyric Stage of Boston
140 Clarendon St,
2nd floor, Boston,
MA 02116

Running Time: 90-100 minutes with no intermission.

Critique by Kitty Drexel

“Fudge, Fudge,” traditional, a folk hand clapping/jump rope song
Fudge fudge, call the judge
Mama’s had a baby
Not a boy, not a girl
Just a plain old baby…

BOSTON – David Valdes’ The Great Reveal is a period piece about a socially distanced gender reveal party gone wrong. Lexi (Paige Clark) is seven months pregnant and wants every detail of her party to be picture-perfect for Momstagram. Her loving, mostly attentive husband Christopher (Arthur Gomez) supports her as much as he can, but Lexi is intense, and fatherhood is scary. Enter Lexi’s workaholic, commitment-resistant brother Linus (Jupiter Lê) and his forgiving, intelligent girlfriend with a medicinal hookup, Dosia (Antonia Turilli, who looked stunning in general but wore the hell out of a purple dress and matching necklace [costume design by E. Rosser]). Continue reading

Apr 17

Stop Wasting Food: “BURGERZ”

Presented by ArtsEmerson
Written & performed by Travis Alabanza
Produced by Hackney Showroom
Directed by Sam Curtis Lindsay
Movement by Nando Messias
Dramaturgy by Nina Lyndon

April 13 – 23, 2022
Jackie Liebergott Black Box Theater
Boston, MA 
ArtsEmerson on Facebook

Review by Noe Kamelamela

Content warning:  gender-based violence and transphobia are discussed in this review and also in BURGERZ.

BOSTON, Mass. –In the time before the COVID pandemic started here in the States, the danger of being visibly queer felt risky and fun to me, heading to the strip mall eager to anger gender essentialists a bit like poking caged bears, a way to appease my past teenaged, quieter, closeted self. I was armed with keen attention to exits and entrances, always ready to leave. I would relate scenes to friends about children asking me what it was to be different.  Or people – rude people, very rude – being weird to me about what bathroom I went to, regardless of whatever I wore or which bathroom I used it was always wrong. Continue reading