Jun 01

Something worth straining for: “Natasha, Pierre & the Great Comet of 1812”

Madeleine Barker and Kayla Shimizu in NATASHA, PIERRE & THE GREAT COMET OF 1812 at Wilbury Theatre Group; photo by Erin X. Smithers.

Presented by Wilbury Theatre Group
Book, music, and lyrics by Dave Malloy
Directed by Josh Short
Costume design by Meg Donnelly
Sound and lighting design by Andy Russ
Scenic Design by Keri King, Max Ponticelli, and Monica Shinn
Intimacy Direction by Susie Schutt
Music Supervision by Milly Massey
Choreography by Ali Kenner Brodsky

May 26 – June 19, 2022
WaterFire Arts Center
4 Valley Street, Providence RI
Tickets

Review by Maegan Bergeron-Clearwood

PROVIDENCE, RI — I woke up this morning to an aching neck and shoulders: a theater hangover. Last night, for two hours straight, I perched on the literal edge of my seat, craning and twisting in all directions, soaking in all there was to see and hear. This morning, I’m reminded, for the first time in well over two years, of how it physically feels to experience a story unfold, not at me, but with me.

To the creative team behind Natasha, Pierre & the Great Comet of 1812 at the Wilbury Theatre Group: thank you for creating something worth straining for. Continue reading

Jan 12

Happily Ever After A Few Slip Ups: “Vanya and Sonia and Masha and Spike”

Photo: Jim Cox Martin; Martin Moran, Candy Buckley, Marcia DeBonis, and Tyler Lansing Weaks

Photo: Jim Cox Martin; Martin Moran, Candy Buckley, Marcia DeBonis, and Tyler Lansing Weaks

Presented by Huntington Theatre Company
By Christopher Durang
Directed by Jessica Stone
Based on the Broadway direction of Nicholas Martin

Jan. 2 – Feb. 1, 2015
BU Theatre
Huntington Avenue
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

“Happy families are all alike; every unhappy family is unhappy in its own way.”
– Leo Tolstoy, Anna Karenina

Review by Kitty Drexel

(Boston, MA) Boston has seen a lot of brilliantly performed Chekhov and Chekhov-adjacent theatre in the past two years. His dramatic writing style is sadistic and depressive,  yet he inspires new generations anyway. The Russian tragedian also wrote comedy. He wrote several handfuls of short, comedic plays and an anthology worth of short stories.

There’s a tie in between the Huntington’s 2014 production of The Seagull and the 2015 production of Vanya and Sonia and Masha and Spike (VSMS). Durang’s “corny but sincere” play touches the soul similarly as The Seagull but does so with a vastly different effect; It warms the heart rather than chill the bones. It’s an entirely different beast using the same moving parts and ingredients. Continue reading

Jan 27

Contemplative Sadness in “Family Happiness”

 

Photo credit THEATRE-ATELIER PIOTR FOMENKO

Photo credit THEATRE-ATELIER PIOTR FOMENKO

Based on  the novel by Leo Tolstoy
Directed by Piotr Fomenko
Performances are in Russian with English subtitles

presented by Maestro Artist Management, in association with ArtsEmerson: The World On Stage

Cutler Majestic Theatre
Boston, MA
January 26-27, 2013

Maestro Artist Management Facebook Page

Review by Gillian Daniels

(Boston) Premiering at the Theater-Atelier Piotr Fomenko in 2000 in Moscow, and only in Boston for the weekend, Family Happiness tells the story of the ill matched marriage between Masha (Ksenia Kutepova) and Sergey Mihailovich (Alexey Kolubkov). The plot is a simple one and the pace is quiet, thoughtful, and slow for audiences with short attention spans. For everyone else, Leo Tolstoy’s Family Happiness is a somber prize. Continue reading