Tag Archives: June

May 18

“The Prom”: Celebrities Want Posterity, Find Purpose

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Tori Heinlein (center) and ensemble. (Photo via Nile Scott Studios)

Presented by SpeakEasy Stage Company
Book & Lyrics by Chad Beguelin
Book by Bob Martin
Music by Matthew Sklar
Directed by Paul Daigneault
Music Direction by Paul S. Katz
Choreography by Taavon Gamble

The Huntington at the Calderwood Pavilion / BCA
527 Tremont Street
Boston, MA 02116
May 5–June 10, 2023

To purchase tickets, visit SpeakEasy Stage

Review by Gillian Daniels

BOSTON, Mass – The Prom begins as an unsentimental, comic takedown of show business opportunism. Broadway diva Dee Dee Allen (Mary Callanan) and leading man Barry Glickman (the charismatic Johnny Kuntz) look to soften their public image after their recent musical flop by utilizing a viral controversy in the midwest. Continue reading →

Jun 21

Sexy & Romantic: “Venus & Adonis”

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Presented by Cambridge Chamber Ensemble
Music by John Blow
Libretto by Anne Kingsmill Finch or Aphra Behn
From Ovid’s Metamorphosis 
Stage direction by David R. Gammons 
Music direction by Stephanie Beatrice
Choreography by Alissa Cardone
Supratitles by Danielle Shevchenko 
Concert-master, Ming-hang Tam

June 17, 18, 19, 2022
Cambridge Multicultural Arts Center
41 2nd Street
East Cambridge, MA

Review by Kitty Drexel

Apologies to the cast, orchestra, and crew of Venus & Adonis. Family issues (including a COVID scare) prevented me from publishing this review on time. Mea culpa. 

CAMBRIDGE, Mass. — Cambridge Chamber Ensemble’s production of John Blow’s Venus & Adonis was delightful. It was under an hour and packed in more action in 60-minutes than other Baroque operas do in 150 minutes. If you missed it, that’s a damn shame. Donate here and catch the next one. 

Adonis & Venus is a romantic opera. Cambridge Chamber Ensemble’s production was sexy. It needed an intimacy director. Continue reading →

Jun 19

An Interview with Samantha Gould of Open Door Theater: “The Lightning Thief”

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Presented by Open Door Theater
Book by Joe Tracz Music & Lyrics by Rob Rokicki
Adapted from the book The Lightning Thief by Rick Riordan
Directed by Stephanie Henry and Brian Kelly
Musical Direction by J. Parker Eldridge

June 24, 25, and 26, 2022
Rain dates June 27 and 28
Outdoors at NARA Park Amphitheater
25 Ledge Rock Way
Acton, MA 01720

Friday, June 24 at 7:30pm / ASL, open captioning, sensory-friendly
Saturday, June 25 at 2:00pm / ASL, open captioning, sensory-friendly
Saturday June 25th at 7:30pm / ASL, open captioning, sensory-friendly, audio described
Sunday, June 26 at 2:00pm / ASL, open captioning, sensory-friendly, audio described

Interview conducted by Kitty Drexel

ACTON, Mass. — President & Executive Producer Samantha Gould of Open Door Theatre graciously agreed to an email interview ahead of Open Door Theater’s production of The Lightning Thief. This email has been edited lightly for grammar and clarity.

Queen Kitty: For those unfamiliar with Open Door Theater, please introduce yourself and the company to the New England Theatre Geek readership. 

Samantha Gould: Open Door Theater is an all volunteer non-profit community theater with a mission of equity and access and inclusion since 1980. 

Open Door Theater was awarded the Most Accessible Cultural Organization in the Commonwealth from the Massachusetts Cultural Council Up Initiative in 2019, having been an inaugural UP member in 2015. Each year we try to improve our reach by expanding our inclusive design practices and bettering ourselves.  Continue reading →

Jun 16

Liminal Spaces for Desettlement: “The Orchard”

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The Making of THE ORCHARD Virtual Experience from Igor Golyak on Vimeo.

Presented by Arlekin Players Theatre & (zero-G) Lab
Conceived, adapted, and directed by Igor Golyak
Based on The Cherry Orchard by Anton Chekhov, as translated by Carol Rocamora 
With new material by Igor Golyak 
Robotics designed by Tom Sepe
Music composition by Jakov Jakoulov
Emerging technologies design by Adam Paikowsky
American Sign Language direction by Seth Gore
Translations by Carol Rocamora
Full creative crew credits are HERE
Featuring Jessica Hecht, Juliet Brett, Darya Denisova, Elise Kibler, John McGinty, Nael Nacer, Mark Nelson & Ilia Volok
Mikhail Baryshnikov as Anton Chekhov and Firs

June 16 – July 3, 2022
The Orchard is a hybrid piece of theater and can be seen in two formats:
Live & In-Person
Baryshnikov Arts Center, NYC
&
Virtual Experience, Online
(zero-G) Lab

The show runs just under 2 hours, with no intermission.

Review by Kitty Drexel

This review is of the virtual performance of The Orchard on Tuesday, June 14, 2022.

New York & Online — The Arlekin Players are no strangers to the digital theatre. Their productions of chekhovOS / an experimental game/, Witness, and State vs. Natasha Banina were wildly successful. chekhovOS / an experimental game/ and Witness were both live and audience-interactive in ways that the theatre community hadn’t seen before. These shows navigated the new frontier of digital theatre by showing artists and audiences what is possible. 

They were also super cool to watch.  Continue reading →

Jun 14

Finding Songs in Sorrow: “Woody Sez: The Life and Music of Woody Guthrie”

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Presented by Merrimack Repertory Theatre
Devised by David M. Lutken with Darcie Deaville, Helen Jean Russell, and Andy Teirstein
Directed by Nick Corley and Sherry Lutken
Music direction by David M. Lutken
Featuring Darcie Deaville, Maggie Hollinbeck, David M. Lutken, Andy Tierstein

June 8 – 22, 2022
Merrimack Repertory Theatre
Merrimack Ales,
92 Bolt Street
Lowell, MA 01852
The Playbill

2 hours with intermission

Review by Craig Idlebrook

LOWELL, Mass. — In the 21st century, the folk singer can easily be a target of ridicule, an archetype in American music which is somehow prone to both over-earnestness and affectation. However, the folk singer had more earnest origins. Folk music, as most know it, was made up of storytelling songs passed down and performed by families and groups of people, and it was the folk singer’s job to find and share these songs. Continue reading →

Jun 14

Jam, Jive and Everything: “Ain’t Misbehavin’: The Fats Waller Musical Show”

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The company; Photo by Nile Scott Photography

Presented by Greater Boston Stage Company
Co-produced with The Nora at Central Square Theater and The Front Porch Arts Collective
Conceived by Richard Maltby, Jr. & Murray Horwitz
Musical Adaptions, Orchestrations, and Arrangements by ​Luther Henderson
Directed and Choreographed by Maurice Emmanuel Parent
Co-Choreographed by Ilyse Robbins
Co-Music Direction by Dan Rodriguez and David Freeman Coleman

June 9-26, 2022
Greater Boston Stage Company
395 Main Street
Stoneham, MA 02180
Runtime: 2 hours including intermission

Review by Kitty Drexel

STONEHAM, Mass. —  Ain’t Misbehavin’ is a show that builds and builds until the energy and the intensity seem unsustainable. Then it builds some more. The musical opens with the titular song and spans the great career of Thomas Wright “Fats” Waller. There is little dialogue but a lot of impressive dancing. 

The red Art Deco set by Jon Savage, Aria Pegg, and Tori Oakes transports the audience to a speakeasy deep in the bowels of New York. The audience is flanked by large-scale landscape murals depicting Black jazz musicians and dancers a la Josephine Baker. The stage extends close to the first row to give the cast plenty of room to stomp, prowl, and wiggle. Café tables are placed on the edges of stage left and right.  Continue reading →

Jun 11

Believe Victims, Listen to Black Women: “The Light” at the Lyric Stage

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Photo by Mark S Howard; Dominic Carter and Yewande Odetoyinbo.

Presented by the Lyric Stage Company of Boston
By Loy A. Webb
Directed by Jacqui Parker
Intimacy direction by Ted Hewlett
COVID safety officer: Emily Collins
Music credit: “Natural High” from the EP “After Hours,” Allyssa Jones feat. Apollo Payton
Featuring: Dominic Carter and Yewande Odetoyinbo

June 3-June 26, 2022
Lyric Stage Company of Boston
140 Clarendon St
Boston, MA 02116
The Playbill 
70 minutes with no intermission

Review by Kitty Drexel

BOSTON — The Light at Lyric State of Boston demands its audience believe victims, to listen to them. Trust their stories; lead with compassion. 

In a 2020 article by the American Psychological Association, “Black Women Often Ignored by Social Justice Movements,” lead researcher Stewart Coles said “Black women are often overlooked in people’s conversations about racism and sexism even though they face a unique combination of both of these forms of discrimination simultaneously.” Continue reading →

Jun 01

Something worth straining for: “Natasha, Pierre & the Great Comet of 1812”

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Madeleine Barker and Kayla Shimizu in NATASHA, PIERRE & THE GREAT COMET OF 1812 at Wilbury Theatre Group; photo by Erin X. Smithers.

Presented by Wilbury Theatre Group
Book, music, and lyrics by Dave Malloy
Directed by Josh Short
Costume design by Meg Donnelly
Sound and lighting design by Andy Russ
Scenic Design by Keri King, Max Ponticelli, and Monica Shinn
Intimacy Direction by Susie Schutt
Music Supervision by Milly Massey
Choreography by Ali Kenner Brodsky

May 26 – June 19, 2022
WaterFire Arts Center
4 Valley Street, Providence RI
Tickets

Review by Maegan Bergeron-Clearwood

PROVIDENCE, RI — I woke up this morning to an aching neck and shoulders: a theater hangover. Last night, for two hours straight, I perched on the literal edge of my seat, craning and twisting in all directions, soaking in all there was to see and hear. This morning, I’m reminded, for the first time in well over two years, of how it physically feels to experience a story unfold, not at me, but with me.

To the creative team behind Natasha, Pierre & the Great Comet of 1812 at the Wilbury Theatre Group: thank you for creating something worth straining for. Continue reading →

Jun 22

Reintegration Through Art: “The Boston Project: Project Resilience”

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Banner art by SpeakEasy Stage Co.

Presented by Speakeasy Stage Company 
Written by Fabiola R. Decius, Adriana RoCale, Nico Pang, Hortense Gerardo, Paige Monopoli, and Magda Romanska
Performed by Cheryl Singleton, Garciela Femenia, Jupiter Lê, Paige Clark, Gigi Watson, and Darya Denisova
Directed by Dawn M. Simmons, Michelle Aguillon, Desire Bennett, Michelle Ambila, Alex Lonati, and Dmitry Troyanovsky

Running June 18-30, 2021
Streaming Online 
Speakeasy Stage Company on Facebook

Review by Afrikah Smith

ONLINE — Celebrating the unique identities and experiences that make up the city of Boston, Speakeasy presents The Boston Project: Project Resilience. Showcasing six original plays by Boston local playwrights, Project Resilience is part of Speakeasy’s initiative in supporting the creation of new play development set in Boston. Continue reading →

Jun 20

I Hope You Dance: “Listen to Sipu”

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Photo via the New Rep Facebook page.

Listen to Sipu: A Watertown Historical Moving Play
Presented by New Rep Theatre Company
In partnership with The Watertown Free Public Library, The Historical Society of Watertown, and The Pigsgusset Initiative.
Written by Morgan (Mwalim) J. Peters
Directed by Jaime Carrillo
Movement direction by Andre StrongBearHeart Gaines, Jr.
Soundscape artistry by Geraldine Barney
Dramaturgy by Angelique Dina
Dramaturgical assistance from Abby Lass and Tomantha Sylvester
Playbill LINK
Dramaturgical LINK to learn more

June 5 – July 11, 2021
Outdoors at the Commander’s Mansion (near the Mosesian Center for the Arts)
440 Talcott Avenue,
Watertown, MA 02472
BUY TICKETS

Details: Accessibility information and other performance facts are generously provided by New Rep HERE.

Review by Kitty Drexel

PIGSGUSSET/WATERTOWN — Listen to Sipu is about how Sipu (Maria Hendricks) absolutely pwns a Tour Guide (Grace Wagner) giving a talk about historical Watertown, MA race relations. Tour Guide tries to give a politically correct, psychically-comfortable estimation of Watertown’s origins. Sipu is having none of TG’s inaccuracies and tells us the true meaning of colonialist occupation. 

History is written by the victors, the saying attributed to Churchill goes. I remember learning in elementary school that white settlers peacefully negotiated with American natives to live together in harmony. Frankly, that’s white supremacist horseshit. Continue reading →