Presented by American Repertory Theater
Adapted from Langston Hughes’ poem
Adapted by Davóne Tines and Michael Schachter
Music by Michael Schachter
Choreographed by Chanel DaSilva
Directed by Zack Winokur
Music Direction by Jaret Landon
Trumpets by Dave Adewumi and Robyn Smith
Keyboards played by Jaret Landon and Bethany Aikin
Reeds by Rajiv Halim, Isaiah Johnson, and Jason Marshall
August 31 – Sept 23, 2018
Loeb Drama Center
Harvard University
Cambridge, MA
ART on Facebook
Written by Bishop C. Knight
(Harvard Square, Cambridge, MA) In The Black Clown program, the A.R.T. Artistic Director wrote how “Langston Hughes drew deeply on the traditions of African American music,” and Hughes would have been pleased with this production.
The pit orchestra breathed life into spirituals and added rhythmic profundity to operatic adaptations of Hughes’ poems. Keyboards were played by Jaret Landon, a Chicago-based composer who was the show’s Music Director, and Bethany Aiken, who studied Music History at Oberlin College. A theater experience fusing vaudeville, gospel, and jazz, Black Clown brought Langston Hughes’ verse to life onstage. Every musician in this production – from the trumpet players, to the actors who themselves are acclaimed singers – every musician, per their participation in this production, paid respect both to Hughes and to the African American music at the heart of Hughes’ art. Continue reading