Dec 18

Depth of Understanding: “Moby Dick”


Presented by American Repertory Theater
Music, Lyrics, Book, and Orchestrations by Dave Malloy
Based on Moby-Dick by Herman Melville
Music Direction and Supervision by Or Matias
Choreography by Chanel DaSilva
Developed with and Directed by Rachel Chavkin

December 3, 2019 – January 12, 2020
Loeb Drama Center
64 Brattle Street
Cambridge, MA 02138
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Review by Shiyanbade Animashaun

(Cambridge, MA) Moby-Dick, as director Rachel Chavkin said when talking about multihyphenate writer Dave Malloy, attempts to formally “capture Melville’s eclecticism”. The novel Moby-Dick has a chapter as a play, another as a poem, and wraps the tale of an ill-fated drive for vengeance alongside descriptions of whale types, and the many ways one can prepare and eat a whale. Continue reading

Nov 08

Moby Dick: Sobering One-Man Show

Conor Lovett in Gare St Lazare Players Irelands Moby Dick by Herman Melville. Photo by Ros Kavanagh.

Moby Dick by Herman Melville, adapted by Conor Lovett and Judy Hegarty Lovett, ArtsEmerson and Gare St. Lazare Players, The Jackie Liebergott Black Box at the Paramount Center, 11/7/11-11/12/11, http://alturl.com/z4pzz.

Reviewed by Gillian Daniels

(Boston, MA) 

“Call me Ishmael,” performer Conor Lovett begins casually.

His hour and forty-five minute monologue makes up the whole of the Gare St. Lazare Players’ adaptation of Moby Dick. The way Lovett relates the story based on Herman Melville’s novel is restrained and often timid, however.  His Ishmael is a lost soul, marked by events he’s still struggling to parse. Continue reading