Presented by American Repertory Theater
Based on the novel by F. Scott Fitzgerald
Music by Florence Welch and Thomas Bartlett
Lyrics by Florence Welch
Book by Martyna Majok
Music Directed by Wiley DeWeese
Choreographed by Sonya Tayeh
Directed by Rachel Chavkin
Dramaturgy by Nissy Aya
Fight and Intimacy Direction by Rocío Mendez
July 23 – August 3, 2024
Loeb Drama Center
64 Brattle Street
Cambridge, MA 02138
This production contains depictions of suicide, violence, loud noises, gunshot sounds, bright and flashing lights, fog, and haze. Recommended for ninth grade and up.
Critique by Kitty Drexel
CAMBRIDGE, Mass. — Chavkin, Majok, and Welch’s Gatsby: An American Myth uplifts the plight of America’s laboring proletariat in ways F Scott Fitzgerald could never, would never imagine. It is a work of striking work of intersectional feminism that denudes the superficial morality of ultra-privileged one-percenters. It is sexy; it is rock n roll hot Jazz; it is a cautionary tale about the depravity of feral capitalism wrapped with a white bow.
F Scott Fitzgerald’s The Great Gatsby was first published in 1926. This critique discusses important plot points of the ART’s musical inspired by the novel. Anyone wishing to avoid spoilers is 98 years too late.
The Theater, Dance & Media Concentration at Harvard University presents its spring production,
