Tag Archives: Harry Christophers

Nov 29

All We Like Sheep: H+H’s “Messiah”

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Georg Friederich Händel’s Messiah
Presented by Handel + Haydn Society
Performed by Harry Christophers, conductor
Carolyn Sampson, soprano
Emily Marvosh, contralto*
James Way, tenor
Roderick Williams, baritone
H+H Orchestra and Chorus

November 26, 27, & 28, 2021
Boston Symphony Hall
301 Massachusetts Ave
Boston, MA 02115
H+H on Facebook

Review by Kitty Drexel

BOSTON — We were granted tickets to Handel + Haydn’s Messiah. It was lovely: the orchestra was in good form on their period instruments; the choir sang in four voices with rich purity; the soloists were attuned to the orchestra. It was a nice afternoon at the symphony. Our first since the quarantine.

In the program, H+H included a note: “We regret to announce that countertenor Reginald Mobley has been forced to withdraw from this week’s performances due to illness. We are pleased to announce that contralto Emily Marvosh has graciously agreed to take his place.” Continue reading →

Jan 26

No More Love on the Run*: Purcell’s THE INDIAN QUEEN

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Purcell Queen

presented by the Handel and Haydn Society
Harry Christophers, Artist Director
Aisslinn Nosky, Concert Master
John Finney, Chorusmaster

January 25 & 27, 2013
Jordan Hall & Sanders Theatre
Boston, MA
Handel and Haydn Facebook Page

There are some culture-lovers reluctant to attend an evening of opera. Some fear pomp and stuffiness; others fear boredom. These fears encumber the uninitiated with false bias against the excellence that only classical music can convey. H&H’s performance of The Indian Queen was entirely lacking in snobbery and the program notes were jam packed with enough historical trivia to entertain a fidgety toddler. The music of Purcell was warm and gentle. It wrapped around the audience like an electric Snuggie; a balm for the bitter winter chill.   Continue reading →