Apr 28

Bleeding Heart Fox Lovers: “The Squirrels”

Photo by Apollinaire Theatre. Great squirrels of our time.

Presented by Apollinaire Theatre Company 
By Robert Askins
Directed by Brooks Reeves
Movement Choreography by Audrey Johnson
Fight Choreography by Matt Dray

April 18-May 18, 2025
Chelsea Theatre Works
189 Winnisimmet St.
Chelsea, MA

Running Time: estimated 2 hours

Critique by Kitty Drexel

“Artists must let audiences in on the risk of the live performance through intentionally crafting moments in which it is revealed. This is why moments of misfire, moments that shatter the theatrical illusion, feel so resonant: they reveal the risk underpinning a truly live and dynamic experience… These moments don’t have to be literal mistakes… But rather ideas, images or performances that surprise us by upsetting our expectations and enhancing our awareness of events unfolding around us.” 

Theatre of the Unimpressed: In Search of Vital Drama by Jordan Tanahill, Coach House Books, Toronto: 2015.

CHELSEA, Mass. — The Squirrels by Robert Askins (best known for Hand to God, a play about a boy and his outspoken hand puppet) is a strange ‘lil beastie of a play. At first glance, it is a departure for Apolliniaire Theatre Company – a company that stages adventurous plays about the human experience. But, upon further investigation, The Squirrels is well within Apollinaire’s bailiwick. Askins’ play is about the failures of our flesh, our need for compassion and warmth, and our propensity for greed when left unchecked. It is also about common street Rodentia. 

Apollinaire’s website summarizes The Squirrels thusly: “A bitter struggle for love, power, and the almighty acorn divides a once-peaceful tree in Robert Askins’ dark satire of prejudice and greed… A tragi-comical epic battle for nuts.” It is Watership Down meets King Lear with some Lysistrata thrown in for good measure. It is fluffy, horny, and entirely human.  Continue reading

Sep 10

For the Punks, By the Punks: “The Arsonists”

Left to right: Julia Trueblood. Stephanie Charlton, and Kim Carrell

Praxis Stage presents The Arsonists
Written by Max Frisch
Translated by Alistair Beaton
Directed by Bob Scanlan
Costume Design by Maureen Festa
Lighting Design by Kevin Fulton
Sound Design by Mackenzie Adamick
Dramaturgy by Michael Anderson 

The Band:
Guitar and Music Director: David Kurimsky
Vocals/Arrangements: Miss Mary Mac
Guitar: Malachi Connolly  
Percussion and Backing Vocals: Benedict Dawn-Cross
Saw: Leigh Calabrese

Sept. 5 – 15, 2024
Chelsea Theatre Works
189 Winnisimmet Street
Chelsea, MA 02150

Critique by Kitty Drexel

CHELSEA, Mass. — The Arsonists is about fascists. This production is decisively, unquestionably anti-fascist (and vehemently anti-MAGA). Gird your loins and buy your tickets accordingly. 

Praxis Stage presents Alistair Beaton’s translation of Max Frisch’s The Arsonists, a morality play with a hero who learns no moral. Beaton’s updates Frisch’s original work (previously The Fire Raisers, 1953) with 21st-century language and modern references. Praxis expounds upon Beaton’s work by adding references to the Trump presidency and America’s other political chicaneries. The keen updates appeal to the modern audience member. We can laugh at the absurdity of the play while mourning the state of our political stage.     Continue reading