Tag Archives: David Reiffel

Aug 07

“The Suppliant Women:” When We Shout, We Wake the Gods

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Photo by Danielle Fauteux Jacques.

Presented by Apollinaire Theatre, in collaboration with Teatro Chelsea and the City of Chelsea
Play by Aeschylus, adapted by David Greig
Music by John Browne
Directed by Danielle Fauteux Jacques
Choreography by Audrey Johnson
Music Direction by David Reiffel
Accompanied by Aneesh Kashalikar, Laura Jordan, Stephen Guerra
Featuring Paola Ferrer, Brooks Reeves, Andres Molano, Parker Jennings, Pearl Scott, Charleen Andujar

August 2 – 17, 2024
Fridays and Saturdays @ 7:30pm
Pre-show starts at 6pm, featuring music from members of the ensemble and beer and food from local vendors
Content advisory for mentions of sexual violence.

The Playbill

Free at Port Park
99 Marginal Street, Chelsea MA
Information here

The production is Bilingual, English/Spanish.

Critique by Maegan Bergeron-Clearwood

CHELSEA, Mass. — Last month, the Healey administration announced a new policy that caps overflow shelter stays to only five days. Days ago, just before the policy went into effect, the administration relaxed the guidelines for individuals who meet certain criteria — but many migrant families are still facing the very real, very immanent threat of having nowhere to go. It’s heartbreaking, made even more so because it’s barely a blip on the news cycle’s radar.

“The worries of women and exiles are endless,” the titular suppliant women of Aeschylus’ 2,500-year-old play exclaim, in this eerily prophetic production by Apollinaire Theatre Company. Over and over, the women plead for compassion from kings and citizens who are more concerned with consolidating their own power than opening their doors to those in need. Continue reading →

Jul 30

Ariel, the Human World, It’s A Mess: “The Tempest”

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The cast of “The Tempest.” Gods, it’s good to see theatre again. Photo by: Evgenia Eliseeva

FREE Shakespeare on the Common
Presented by Commonwealth Shakespeare Company
By William Shakespeare
Directed by Steven Maler
Choreographer/ Movement coaching by Levi Philip Marsman
Sound design and compositions by David Reiffel
COVID Safety Manager by Brian Robillard

July 21-August 8, 2021
Parkman Bandstand, Boston Common
Boston, MA
CommShakes on social media: @commshakes

The Accessibility program dates:
Open Captioning: July 31
Audio description and ASL interpreted performances: August 1 and August 6
Rain Date for all Access services: August 8

Running time is about 110 minutes; there is no intermission.

Register for tickets HERE
COVID-19 restrictions are HERE.

Review by Kitty Drexel

BOSTON, Mass. — Theatre is my favorite thing. To me, there is no greater experience than the communion of theatre. It’s been 17 months, and I have missed live-performance every day. Seeing the cast of The Tempest walk onstage to face our crowd of masked-until-seated strangers brought me to tears. It felt like coming home. 

Commonwealth Shakespeare Company celebrates 25 years of free Shakespeare on Boston Common with their production of William Shakespeare’s The Tempest. It stars John Douglas Thompson as Prospero, a role that fits him like a glove. A cadre of beloved local talent plays major and minor roles. Continue reading →

Aug 10

“Chelsea People”: Getting to Know Your Community Through Theatre

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Jessica Armijo Sabillon, right, with her family at O’Malley State Park in Chelsea. (L-R) Daughter Michelle, 13, her husband Reymer and daughter Adriana, 17. (Jesse Costa/WBUR)

Produced by Apollinaire Theatre Company
Part of Apollinaire in the Park 2020 (Online Edition): Chelsea People
Directed by: Danielle Fauteux Jacques
Music directed by David Reiffel
Composition by Allyssa Jones, David Reiffel, and David Rivera

August 8th 2020 at 8PM
The Chelsea Collaborative – Jessica L. Armijo
Apollinaire on Facebook
Chelsea Collab on Facebook

Critique by Afrikah Smith

ZOOM — How well do you know your community? Your neighbors? Friends? In our daily interactions, or lack thereof, we each hold a story within us worth telling, waiting for the right moment, or perhaps, the right people to tell.

In Apollinaire in the Park 2020: Chelsea People, the theatre challenged itself to create original plays and music based on interviews by community members nominated by the city’s leading community organizations: GreenRoots and the Chelsea Collaborative. The series ended with the story of Jessica Armijo. Continue reading →

Jan 23

A Pleasant Romcom: “Shakespeare in Love”

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Shakespeare at Viola’s feet. Photo by Nile Hawver/Nile Scott Shots

Presented by SpeakEasy Stage Co.
Based on the screenplay by Mac Norman & Tom Stoppard
Adapted for the stage by Lee Hall
Directed by Scott Edmiston
Original music/music direction/sound design by David Reiffel
Choreography/period movement by Judith Chaffee
Fight direction by Ted Hewlett

Jan. 12 – Feb. 10, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) SpeakEasy’s production of Shakespeare in Love is okay. People who loved the movie will get a lot out of attending. Anyone expecting a revelatory experience from their theatre will be disappointed. Aside from the lighting design by Karen Perlow (which made Jennifer Ellis look like a gilded angel floating down from Heaven, and the set look like a theatre in a night forest) and the compositions by David Reiffel, this production is good but unremarkable.    Continue reading →

Jan 11

Quality Beats Out Content in “Brilliant Adventures”

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Michael Underhill as Rob, Sam Terry as Luke. Photo by Danielle Fauteux Jacques

Presented by Apollinaire Theatre Company & United Talent Agency
Written by Alistair McDowall
Directed by Danielle Fauteux Jacques

December 28, 2016-January 21, 2017
Chelsea Theatre Works
189 Winnisimmet St.
Chelsea, MA 02150
Apollinaire Theatre Company on Facebook

Review by Travis Manni

(Chelsea, MA) Every theatre geek knows that good theatre should ask questions and initiate a conversation. It should do something as small as make the audience think of something from a different perspective or as large as make you question everything. These were the expectations I had when sitting down to watch Apollinaire Theatre Company’s production of Brilliant Adventures. Continue reading →

Jan 12

A Winsome Hot Mess: MIDSUMMER

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Midsummergraphic5inPresented by Apollinaire Theatre Company
By David Greig & Gordon MacIntyre
Directed by Danielle Fauteux Jacques
Music Direction & Sound Design by David Reiffel

December 26th – January 18th, 2014
189 Winnisimmet St
Chelsea, MA
Apollinaire on Facebook

Review by Craig Idlebrook

Perhaps we’ve never puked at the front door of our sister’s wedding or stolen and spent a mobster’s money on one weekend, but the effervescent play MidSummer makes us wish we had.

Because this play lacks anything resembling pretension, David Greig and Gordon MacIntyre’s well-crafted script and Daniele Fauteux Jacques’ pitch-perfect staging makes us recognize the low notes and high notes of our lives in this 95-minute yarn. There is something surprisingly universal about the story of a low-rent con artist and a desperate divorce lawyer who are thrown together for a lost weekend that enables them to find themselves, if only in the telling. Continue reading →

May 29

“Faerie Tales” Double Feature

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presented by Blue Spruce Theatre

Act 1: “Goblin Market”
by Polly Pen and Peggy Harmon
Music by Polly Pen
Based on the poem by Christina Rossetti

Act 2: World Premiere of “The Rag Doll”
Music and Lyrics by David Reiffel
Book by Silvia Graziano

Directed by Jesse Strachman
Music Direction by Dan Rodriguez
Choreography by Kira Cowan

May 23-26, 2013
321 Arsenal Street
Watertown, MA 02472
Blue Spruce Theatre Facebook Page

Review by Gillian Daniels

(Watertown) Blue Spruce Theatre’s Faerie Tales has a bit of charm, some nice music, and an engaging visual style. None of these things, however, manage to carry the show on their own. This is very sad as there are elements in the play, like fairies and the importance of family, that I adore when utilized in other media.

Faerie Tales uses two different stories that overlap in theme. The first act is devoted to adapting Christina Rossetti’s poem, Goblin Market, to the stage. Laura (Teresa Winner Blume) and Lizzie (Abigail Clarke) are sisters who stumble on a magical fairy marketplace. Lizzie shies away from eating the market food and going near the animal-like creatures, but Laura is too taken with their strangeness and is immediately seduced into spending a night among the goblins. When her sister returns and begins to grow ill, Lizzie struggles to find a cure. Continue reading →