Tag Archives: Cirque du Soleil

Jul 22

Pole Dancing Ants and Serenading Pill Bugs: Cirque du Soleil’s “OVO”

Posted on by

Photo by Vlad Lorenzo. OVO by Cirque du Soleil.

Presented by Cirque du Soleil 
Written, Directed, and Choreographed by Deborah Colker
Director of Creation: Chantal Tremblay
Costumes by Liz Vandal
Composed and music directed by Berna Ceppas
Makeup design by Julie Bégin
Acrobatic performance design by Philippe Aubertin
Rigging and acrobatic equipment designed by Fred Gérard
Set and props designed by Gringo Cardi
Sound design by Jonathan Deans
Lighting designed by Éric Champoux

Jul 19-28, 2024
The Agganis Arena
925 Commonwealth Ave
Boston, MA 02215

Critique by Kitty Drexel

BOSTON — OVO currently playing at the BU’s Agganis Arena is about anthropomorphized bugs falling in love, playing, and working. It features Cirque du Soleil’s famous feats of human athletic and artistic ingenuity. This production runs approximately two hours. A time that is slightly shorter than the touring productions previously housed at Suffolk Downs.

Ovo means “egg” in Portuguese (and many other languages) from the Latin “ovum.” Cirque du Soleil’s references to Portuguese culture end there. Many things hatch from eggs: birds, lizards, amphibians, rare marsupials. OVO is about insects. Temper your purchasing accordingly.  Continue reading →

Dec 05

Slick Christmas Dreams: “‘Twas the Night Before…”

Posted on by


Presented by Cirque du Soleil
Facebook  Twitter  Instagram  Snapchat

November 25 – December 11th, Wednesdays Through Sundays, various times
Boch Center – Wang Theatre
270 Tremont St
Boston, MA 02116

Review by Craig Idlebrook

BOSTON — If you are an aspiring fiction writer in whatever genre and have a good idea for a Christmas-themed show, I suggest you pursue it. If our 365-day lust for Hallmark Christmas movies is any indication, there is always a need for more content, and, frankly, most of the ideas that are out there are mediocre at best.

Of course, as an honest critic, I should always take my own idiosyncrasies into account, and how it might differ from the viewpoint of others. I like a low-key Christmas season, and many people don’t, and this difference can color our perspectives on yuletide spectacle. Continue reading →

Jun 25

“Corteo”: What Circus Dreams May Come

Posted on by

Presented by Cirque du Soleil 
Directed and Created by Daniele Finzi Pasca and Line Tremblay
Music Composed and Directed by Jean-Francois Cote, Phillipe LeDuc, and Maria Bonzanigo

June 19th – June 30th, 2019
Agganis Arena
925 Commonwealth Avenue
Boston, MA 02215
Corteo on Facebook

Review by Gillian Daniels

(Boston, MA) Mauro, the Dreamer Clown, tells the audience, “I dreamed of my funeral.” Except it’s no dream; this character is actually on his deathbed. A funeral becomes a party and the party becomes a circus. Angels fly on wires above, shoes walk across the stage on their own, and our narrator relives childhood memories while he’s fitted for wings. The somber frame narrative balances the rest of the show, which is cheeky, saccharine, and full of dream imagery that seems to have been cut, raw, from a sleeper’s mind. Continue reading →

Jun 28

Your Ticket is Problematic: LUZIA

Posted on by


Presented by Cirque du Soleil
Written by Julie Hamelin Finzi and Daniele Finzi Pasca
Directed by Daniele Finzi Pasca
Acrobatic performance designed by Philippe Aubertin
Composed and music directed by Simon Carpentier
Acrobatic choreography by Edesia moreno Barata, Debra Brown, Sylvia Gertrúdix González

June 27 – August 12, 2018
Suffolk Downs
525 William F McClellan Hwy
Boston, MA 02128
Parking available for $20.00
CdS on Facebook

Review by Kitty Drexel

(Boston, MA) Cirque du Soleil’s scheduling of its Luzia American tour is so poorly-timed that it’s nearly offensive. The producers couldn’t have known, could they? On the one hand, there’s the appreciation of Mexico’s song, dance, and natural resources. On the other, there’s the fact that ICE is indefinitely detaining immigrants as well as asylum seekers near the Mexican border. It’s deporting LEGAL residents across the US. It had been separating families because it could. “But why does light entertainment have to be dragged through politics? It’s just a show!” Because the political is personal, my friends. There are immigrants living in Boston who are at risk of deportation as I type. We, as artists and audience members, can’t forget the fascist actions of the the President because it’s convenient. We must be better. Continue reading →

Jun 09

Cirque du Soleil’s “Kurios” Packed with the Usual Curiosities

Posted on by

Presented by Cirque du Soleil 
Written and directed by Michel Laprise
Director of creation – Chantal Tremblay
Compositions and music direction by Raphaël Beau
Compositions and arrangements by Guy Dubuc and Marc Lessard
Acrobatic choreography by Andrea Ziegler, Rob Bollinger, Yaman Okur, Ben Potvin, Sidi Larbi Cherkaoui, Susan Gaudreau, Germain Guillemot, Boris Verkhovsky, Danny Zen

May 26th (premier) – July 10th, 2016
Suffolk Downs
525 McClellan Highway
East Boston, MA 02128
Kurious on Facebook

Review by Gillian Daniels

(Suffolk Downs, Boston, MA) Kurios, unlike the other two Cirque du Soleil shows I’ve reviewed for The New England Theatre Geek, is tied to a world of technology and innovation. In 2012, Totem offered meditations on natural history, complete with frogs. Amaluna came to Boston in 2014 and involved a shipwreck on an island wild with magic, a loose adaptation of The Tempest. Kurios, though, is centered on 19th century trains, gramophones, laboratories, and aerial machines. Continue reading →

May 24

Cirque du Soleil’s “Kurios”: Raising the Tent

Posted on by
Photo by Gillian Daniels

Photo by Gillian Daniels

Exposé by Gillian Daniels

(East Boston, MA) The day I watch the tent raised in Boston, the sky is blue and cloudless. The tent itself is partially up but looks like a deflated balloon. Men and women in hard hats stand around the interior circumference, speaking French Canadian-accented and Boston-tinged English. Continue reading →

Mar 09

The Harm that Lust Can Do: TRISTAN & YSEULT

Posted on by
overs Tristan (Dominic Marsh) with Yseult (Hannah Vassallo) Kneehigh’s Tristan & Yseult Photo by: Richard Termine

Lovers Tristan (Dominic Marsh) with Yseult (Hannah Vassallo).  Photo by:Richard Termine

Presented by ArtsEmerson
Directed and adapted by Emma Rice
Written by Carl Grose & Anna Maria Murphy
Performed by Kneehigh Theatre Company
Composed by Stu Barker
Sweet Band: Lizzy Westcott, Justin Radford, Pat Moran, James Gow

March 5 – 15, 2015
Cutler Majectic Theater
Boston, MA
ArtsEmerson on Facebook
Kneehigh on Facebook

Review by Kitty Drexel

(Boston, MA) In 2006 Twentieth Century Fox released a film bastardization of the Tristan and Isolde myth, Tristan & Isolde. It was headlined by James freakin’ Franco, directed by Kevin Reynolds, and produced by Ridley Scott. It was terrible but sweet, innocent youths flocked to the theater because, then “It” boy, James Franco (Tristan) participated in naked sexy times with Sophia Myles (Isolde) and they wanted to see it. These poor kids assumed that T&I were star crossed lovers with good intentions and bad luck. The truth lives thousands of miles away from the inane crud Reynolds and Franco brought to screen.

Kneehigh Theatre Company’s Tristant & Yseult presents a more true interpretation of the medieval French tale. Tristan (Dominic Marsh with a dodgy French accent), Yseult (Hannah Vassallo) and King Mark (Stuart Goodwin) are caught in a love triangle. Tristan loves and serves the English King Mark like a father. In return, Mark loves Tristan like a son. After defeating the Irish royal Morholt (Niall Ashdown),  Tristan sails to Ireland to capture Morholt’s sister, the fair Yseult, and bring her back to England at Mark’s behest. Upon seeing her for the first time, both men fall deeply in love with Yseult. Yseult gives her sensible heart to Mark but her hormonal lady bits to Tristan. The actions are narrated by the elegant White Hands (Kirsty Woodward) and the patrons of the Club of the Unloved, the omniscient ensemble dressed in snoods, thick glasses, and windbreakers (snood dudes). There’s betrayal and laughs aplenty. Continue reading →

Jun 02

Over-the-Top Big Top: Cirque du Soleil’s “Amaluna”

Posted on by

Presented by Cirque du Soleil
Created by Guy Laliberté, Gilles Ste-Croix, Fernand Rainville
Directed by Diane Paulus
Composed and music directed by Bob & Bill (Guy Dubuc and Marc Lessard)
Choreographed by Karole Armitage
Acrobatic choreographers Debra Brown & Caitlan Maggs
“Sanddornbalance” Act by Rigolo Swiss Nouveau Cirque

May 30 – July 6, 2014
Boston Marine Industrial Park on the Waterfront
Boston, MA
Amaluna on Facebook

Review by Gillian Daniels

Lightly adapting the The Tempest and playing fast and loose with source materials of multiples mythologies, Amaluna patches together dreamy images and circus acts into one, outlandish show. It’s energetic and fittingly over-the-top. Cirque du Soleil has an image to maintain as a thoroughly extravagant circus and they continue this grand tradition by marrying the flashiness of Las Vegas to a syrupy storyline. Continue reading →

Jun 21

Cirque du Soleil: Serenity Under the Big Top

Posted on by

photo credit: Evan Witek

Totem, Cirque du Soleil, Marine Industrial Park, 6/10/12-7/15/12, http://www.cirquedusoleil.com/en/shows/totem/default.aspx.

(Boston, MA) It’s not logical or, frankly, believable that a circus featuring so many acrobats in body stockings could be capable of such grace.  In performance, style, and message, though, Cirque du Soleil’s Totem is enthralling.  I found the show unique and lovely among Boston’s other attractions this month. Continue reading →