Tag Archives: Cheryl McMahon

Feb 20

Wham! Comic mischief in “Flora & Ulysses”

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Photo courtesy of Nile Scott Studios.

Presented by Wheelock Family Theatre
Adapted for the stage by John Glore
Based on the book by Kate DiCamillo
Directed by Joshua Rashon Streeter
Composed and Sound Designed by Mackenzie Adamick
Puppet Design by Amanda Gibson
Projection Design by Justin Lahue
Props Design by Saskia Martinez
Scenic Design by Danielle Delafuente
Costume Design by Nia Safarr Banks
Lighting Design by Lawrence A. Ware

Online playbill

February 15 – March 9, 2025
Wheelock Family Theatre
Boston University; Fenway Campus
200 The Riverway
Boston,  MA 02215

Critique by Helen Ganley

BOSTON — Common media often asserts that heroes come in all shapes and sizes, citing a range that stretches from DC’s Doll Man (thirteen inches tall, with an attitude) to Marvel’s Stature (fifty feet and fighting with the Young Avengers). But does this spectrum include a flying, super-strong, philosophy-spouting squirrel? Wheelock Family Theatre’s Flora & Ulysses expands the superhero multiverse beyond traditional humanity, following the story of a comic-obsessed 10-year-old girl and her unlikely superhero protégé as they navigate the trials of suburbia. Continue reading →

Nov 07

Crossed Communications: The Sussman Variations

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by Richard Schotter
directed by Jeff Zinn
music by Phil Schroeder
Boston, MA 02215
November 1 – 18

Boston Playwright’s Theatre Facebook Page

Review by Kitty Drexel

(Boston) Loosely based on Shakespeare’s The Tempest, Charlie Sussman (Ken Baltin) is turning 75 and his entire family has come to celebrate with him at his Connecticut beach house to celebrate in The Sussman Variations. His son Jonathan (Steven Barkhimer) has a paper on The Tempest to write that will put his career on the world map. His daughter Janey (Erin Cole) has a big secret to share with the family and is afraid that they won’t share her happiness. Deirdre (Laura Latreille) needs to practice for her international tour and attempts to keep the peace. Granddaughter Miranda (Lauren Thomas) is on house arrest until she writes her college essay. Margery (Cheryl McMahon), Charlie’s wife, wants to throw a party that will reunite the family despite their differences. Each family member suffers under the weight of familial expectations, frustrated with the conflict of whom they are and whom they supposed they should be. Continue reading →

Mar 03

Monsters: A Midlife Musical Meltdown

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Photo Credit: Mak Kramer Photography

Monsters! A Midlife Musical Meltdown; The Regent Theatre, GP Productions, and Image Theater, 2/25/12-3/10/12, http://www.regenttheatre.com/details/monsters_the_musical.

Reviewed by Becca Kidwell

(Arlington, MA) We’ve all been there (well, at least anyone 25 or older).  Years pass; we have successes and failures.  And then it hits us–where did all those years go?  Remember the wide-eyed 18 year old who thought he/she had everything figured out?  Monsters! A Midlife Musical looks at what happens when all of the insecurities, all of the doubts, and all of the concessions that have been made in Samantha’s life confront her on her 40th birthday. Continue reading →

Jan 25

NINE ways to leave your lover

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Timothy John Smith (center) and company in a scene from the SpeakEasy Stage Company production of NINE, running Jan. 21 - Feb. 20 at the Stanford Calderwood Pavilion . Photo: Craig Bailey/Perspective Photo.

Nine, book by Arthur Kopit, music & lyrics by Maury Yeston, adaptation from the Italian by Mario Fratti, based on Fellini’s 8 ½, Speakeasy Stage Company, 1/21/11-2/20/11, http://www.speakeasystage.com/index.php

Reviewed by Becca Kidwell

Speakeasy Stage Company has created an exquisite, solid revival of Maury Yeston’s award-winning musical Nine.  With masterful direction and a stage full of talent, Maury Yeston’s vision of the struggling director as a conductor of his own affairs takes the stage with vigor and tenacity.

Nine, based on Fellini’s film 8 ½, tells the story of a formally successful film director who is struggling with both a creative crisis and midlife crisis.  Timothy John Smith plays Guido Contini, the figure who represents Fellini.  Smith infuses Guido with both an arrogant confidence of a professed womanizer and the almost childlike uneasiness of someone whose world is trying to spin out of control.  Although he is betrayed by his own schema, he picks himself up, pulls himself together, and moves on. Continue reading →