Dec 02

A Toast to Life’s Simple Pleasures: “A Year with Frog and Toad”

A Year with Frog and Toad. Photo by Nile Scott Studios.

Presented by Wheelock Family Theatre
Based on the books by Arnold Lobel
Music by Robert Reale
Book and lyrics by Willie Reale
Directed by Leigh Barrett
Music direction by David Freeman Coleman
Scenic design by Jenna McFarland Lord
Lighting design by Deb Sullivan
Costume design by Chelsea Kerl
Choreography by Brad Reinking
Featuring: Alan Cid, Kristian Espiritu, Will McGarrahan, Anthony Pires Jr., Tader Shipley

November 30 – December 15, 2024
200 The Riverway, Boston MA 02215
Tickets HERE

Run Time: Approximately 80 minutes without intermission

Review by Maegan Bergeron-Clearwood

BOSTON — The quiet seasonal joys depicted in A Year with Frog and Toad are a far cry from what many are experiencing this 2024 winter. Instead of end-of-year deadlines, unwelcome ads, and existential political dread, these beloved critters’ lives are occupied with kind favors and hot bowls of soup. It’s the kind of simple but evergreen message that’s best told through a children’s story: life’s richest moments are often the most mundane. Continue reading

Jul 23

Laughter Through Tears: “Steel Magnolias”

The Cast; Photo by Tim Gurczak

Presented by Hub Theatre Company of Boston
By Robert Harling
Directed by Paula Plum

July 19 – Aug. 3, 2019
Club Cafe
209 Columbus Ave
Boston, MA
Hub on Facebook

Critique by Kitty Drexel

(Boston, MA) Steel Magnolias is a theatre classic. It can be seen in fringe and community productions across the country. The 1989 movie starring Sally Fields and Dolly Parton has firmly cemented itself into the 80’s pop culture. The 2012 TV-movie starring Queen Latifah and, queen in her own right, Phylicia Rashad introduced a new generation to the story. It has survived well because of its timelessness. There will always be a need for safer-spaces where women can be themselves beyond the emotional and physical labors society demands from them. Hub Theatre’s production nestles into that need.  Continue reading

Aug 06

A State of Virginal Ecstasy; Or, Needs More Snakes in Bowls: “Dark Room”

Ensemble | Photo Credit, Andrew Brilliant

Presented by Bridge Repertory Theater
Written by George Brant
Inspired by the life, death, and photography of Francesca Woodman
Directed by Olivia D’Ambrosio
Associate director and dramaturgy by Alexander Platt
Choreography by Doppelgänger Dance Collective

July 27 – August 16, 2018
In residence at the Multicultural Arts Center
Cambridge, MA
Bridge Rep on Facebook

Review by Kitty Drexel

Disclaimer: I auditioned for this production, and was not cast. It is my opinion that only a jackass would allow rejection, a natural process of auditioning, to taint their review.

(Cambridge, MA) Producer and director, D’Ambrosio gives an important, informative speech before Dark Room to guide audience expectations. She suggests we allow the performance to wash over us. Should we become puzzled by the actions onstage, rather than self-interpret what we see, we should allow the performance to explain itself through continued observance. I’d further posit that audience members do proper research before attending. The chiaroscuro style of Francesca Woodman is emphatically stirring. To fully absorb the performance, it behooves an audience to google Woodman’s art. Continue reading

Jul 17

“Waiting for Waiting for Godot”

Photo by Tim Gurczak; costumes and puppy by Chelsea Kerl; the corgi isn’t part of it but she should be.

Presented by Hub Theatre Company of Boston
Written by Dave Hanson
Directed by Paula Plum

July 14 – 29, 2017
Club Cafe
209 Columbus Ave
Boston, MA
Hub on Facebook

Review by Kitty Drexel

Trigger warnings: bathroom use without washing hands

(Boston, MAWaiting for Waiting for Godot (WfWfG) is Beckett fanfiction through the lense of a Durang play. It’s confusing, absurd, and ultimately very funny. Hub Theatre Co of Boston does a fine job with Dave Hanson’s script. Continue reading