You and I, The Cabaret Series, Central Square Theatre, 2/13/12, http://www.facebook.com/events/165355680235635/.
by Becca Kidwell
Our continuing look into the artists of The Cabaret Series.
Full Name: De’Lon Grant Continue reading
You and I, The Cabaret Series, Central Square Theatre, 2/13/12, http://www.facebook.com/events/165355680235635/.
by Becca Kidwell
Our continuing look into the artists of The Cabaret Series.
Full Name: De’Lon Grant Continue reading
You and I, The Cabaret Series, Central Square Theatre, 2/13/12, http://www.facebook.com/events/165355680235635/.
by Becca Kidwell
Our continuing look into the artists of The Cabaret Series.
Full Name: Cheo Bourne Continue reading
You and I, The Cabaret Series, Central Square Theatre, 2/13/12, http://www.facebook.com/events/165355680235635/.
by Becca Kidwell
As the members of The Cabaret Series prepare for their next show, they took a few minutes to share a few of their interests and passions with us. Continue reading
You and I, The Cabaret Series, Central Square Theatre, 2/13/12,
http://www.facebook.com/events/165355680235635/.
Interview by Becca Kidwell
(Cambridge, MA) On December 12, 2011, while many people were decking the halls and looking for luminescent reindeer, a group of people gathered for a warm evening of song with friends and family. Much laughter and a few tears were shared as the five singers, the pianist, cellist, and drummer poured their hearts into an entertaining set of songs. The December audience will have a new evening of heart-filled melodies on February 13th. For those who did not make the December show, they will get to see what everyone was talking about as The Cabaret Series takes on love in all of its forms.
De’Lon Grant answered some questions about the inception of The Cabaret Series and the group’s approach to the shows: Continue reading
Central Square Theater presents
The Cabaret Series
Three Performances by The Circle Project
Tickets: https://web.ovationtix.com/
More information: http://www.facebook.com/events/320303664662501/
CAMBRIDGE, MA – Central Square Theater presents The Cabaret Series by The Circle Project. The three scheduled performances are:
Journey Home – December12, 2011 at 7:30pm
Just in time for the holidays, six young, talented friends and artists join each other to riff on the universal theme of “returning home” through reflections on their own growth and personal stories intermixed with contemporary songs by Beyonce, John Legend, and Adele and musical theater pieces by Scot Alan. Come home to Central Square Theater and be introduced to the members of The Circle Project.
You & I – February 13, 2012 at 7:30pm
One way or another, every song is a love song. Either it’s exultation and happiness or heartbreak and devastation. Are we miserable because we’ve listened to all these heartbreakingly romantic love songs or we heartbroken because we have idealized love from letting our emotions take us away? Share the joy and laugh away at the pain with songs by Lady Gaga, Bruno Mars, as well as American Classics like “Stormy Weather”, “Stranger in Paradise” and “It Had to Be You”.
Get Ready – May 21, 2012 at 7:30pm
Spring. The time of renewal and reenergizing takes full bloom as the change in the season invokes a mood, calling us to act upon winter hibernation and realize our dreams in the spring. Join The Circle Project for songs by Meredith Brooks and Sam Cooke and musical theater pieces by Leonard Bernstein, Michael John Lachuisa, and William Finn. Continue reading
Arabian Nights, adapted by Dominic Cooke, The Nora Theatre Company and Underground Railroad Theater at the Central Square Theater, 11/17/11-12/31/11, http://www.centralsquaretheater.org/season/11-12/arabian-nights.html.
Reviewed by Anthony Geehan
(Cambridge, MA) The ancient civilizations of the Middle East where a progressive and highly advance set of empires and people, making large strides in the studies of mathematics, astronomy, and architecture. Many of these contributions have had a phenomenal affect on the modern world, including their ancient stories that have influenced the structure and tone of a wide range of stories throughout Western civilizations, from King Arthur and the Nights of the Round Table to Loony Tunes. Many of the more influential stories from the area were collected within the famous book 1001 Arabian Nights, a series of tales and legends of ancient Persia, ranging from epic adventure tales to short comedies told around the central focus of a young woman named Scheherazade attempting to quell the rage of a wronged king and save the woman of his kingdom. A selection of these tales, as well as the story of Scheherazade and the king is the focus of The Nora Theatre Company and Underground Railway Theater’s first combined effort Arabian Nights; a grandly staged yet minimal production of classic tales of adventure, morality, and humor. Continue reading
Women of Will, by Tina Packer, The Nora Theatre Company, Central Square Theatre, 10/13/11- 11/6/11. http://www.centralsquaretheater.org/season/11-12/women-of-will.html
Reviewed by Craig Idlebrook
(Cambridge, MA) The female characters of Shakespeare’s plays are badly outnumbered by the males, sometimes fifteen to one, explains veteran thespian Tina Packer in Women of Will at the Central Square Theater. In the Bard’s works, women often operate as others and also-rans, virgins and whores, rarely receiving the main focus. But when they appear, their actions and emotions speak volumes, both about Shakespeare and society. Continue reading
The Hound of the Baskervilles by Steven Canny and John Nicholson, Central Square Theatre, 9/7/11-10/2/11, http://www.centralsquaretheater.org/season/11-12/the-hound-of-the-baskervilles.html.
Reviewed by Becca Kidwell
(Cambridge, MA) From the moment the lights go down…and up…and down…it is evident that Steven Canny, John Nicholson, and Thomas Derrah have studied two of the preeminent literature scholars: The Reduced Shakespeare Company and Monty Python. This spoof of Sir Arthur Conan Doyle’s The Hound of the Baskervilles’ hilarity starts from the theatre notifications and does not end until the final bows. Central Square Theatre’s new season starts off with a bang (well..just don’t let Dr. Watson hold the gun). Continue reading
Reviewed by Becca Kidwell
Intelligence is a prized commodity that governments and businesses appropriate for their own needs, but don’t always appreciate the ones who provide it. Alan Turing was loved by Great Britain for his decoding work during World War II and was derided for his failure to conform to social norms after the war. Breaking the Code masterfully explores the isolating nature of “polite” society.
Underground Railroad Company and Catalyst Collaborative@MIT bring the audience into the world of Alan Turing’s mind and memory. Performed in the round, the audience literally steps into Janie Howland’s set of inverse geometric spirals as they take their seats. Strings across the walls and ceiling connect formulas and ideas. Following the idea of the spirals, director Adam Zahler has Turing (played by Allyn Burrows) follow these patterns as Turing moves through the various moments of his life. The set and the action become an extension of Alan Turing’s personality. Continue reading
Hysteria, or Fragments of an Analysis of a Obsessional Neurosis by Terry Johnson, The NoraTheatre Company, Central Square Theater, 1/6/11-1/30/11. Nudity and mature themes. http://www.centralsquaretheater.org/season/10-11/hysteria.html
Reviewed by Becca Kidwell
Freudian analysis? A dream of Dali? Too much spicy food? These are questions the audience might ask while watching Hysteria. Using the real meeting between Freud and Dali as a starting point, Johnson’s play moves from farce to surrealism to nothingness. The Nora Theatre Company makes this strange journey palatable and pleasurable and masks the flaws of the script.
The exaggerated perspective of the set, Freud’s study, immediately tells the audience that something peculiar is going to happen. As the play unfolds, Janie E. Howland’s surrealistic set design matches the frenetic energy that is sent forth from the actors. No one questions the absurdity of the situations that take place because the cast commit fully to the roles that they play. Richard Sneed, as Freud, tries to hold the world together as it keeps trying to spiral out-of-control. His warm-fatherly nature combined with Freud’s philosophies moves the audience from sympathy for a dying man to anger at an intractable man that will not even admit the possibility that he might have erred. Continue reading