Apr 08

Sing Along with the Common People: BOUNCERS

Cantab Lounge, Club Bohemia
Cambridge, MA
April 5th – April 27th, 2013
Stickball Productions Facebook Page

Review by Craig Idlebrook

(Cambridge) At times, beautiful, sassy and hypnotic, at times purposely pointless, crass and heartbreaking, the play Bouncers hits all the right notes to catch the highs and lows of a night of clubbing.  If you were an anthropologist and wanted to study the alcohol-fueled mating rituals of  the young, you wouldn’t find a more accurate snapshot than these 1.5 hours of traffic playing at the Cantab Lounge in Cambridge. Continue reading

Mar 25

Masterly, Fun Fiddling: NATALIE MACMASTER

Photo Credit: Care of the Natalie MacMaster Facebook Page

Presented by World Music/Crasharts Festival: Winter/Spring 2013

Sanders Theatre
Cambridge, MA
Saturday March 23, 2013
World Music/CRASHarts Facebook Page
Natalie MacMaster Facebook Page

Review by Craig Idebrook

(Cambridge) When done right, there is something so unpretentiously fun about the Celtic music that comes from the little Nova Scotian island of Cape Breton.  Rooted in Scottish musical traditions and honed in kitchen parties on long winter nights, it is a musical form that is vibrant, heartfelt and accessible.  And few Cape Breton products so embody the spirit of this musical scene better than Natalie MacMaster, a world-class fiddler from world-class fiddling stock.  Continue reading

Feb 14

Wandering into the “Lunar Labyrinth”

lunar_site_v1a

Based on “A Lunar Labyrinth” by Neil Gaiman
Directed by Steven Bogart
Music composed by Mary Bichner, Mali Sastri, John J. King, Phillip Berman and Jesse Amerding
Harp incidental music by Phillip Berman

Presented by Liars & Believers

February 13 @ 8pm (only one performance, alas!)
Club Oberon
Cambridge, MA
Liars & Believers Facebook Page

Review by Special Guest: Noe Kamelamela

(Cambridge) Lunar Labyrinth was truly a collaborative performance, a meeting of varied art forms.  A theatrical adaptation of a chilling story which Neil Gaiman specifically wrote for Liars & Believers, this production made for a night filled with nontraditional staged performance buoyed by the aide of formatted storytelling styles and brave performers. Continue reading

Feb 11

Characters Takes Center Stage in “Glass Menagerie”

photo credit: Michael Lutch

photo credit:Michael Lutch

Presented by American Repertory Theater

By Tennessee Williams
Directed by John Tiffany
Choreography by Steven Hoggett

February 2, 2013 to March 17, 2013
Loeb Drama Center
64 Brattle Street, Harvard Square

Review by Gillian Daniels

(Cambridge) In Tennessee Williams’s tragicomedy, The Glass Menagerie, my sympathy has often been with the antagonist, Amanda, here played by Cherry Jones.  Raised as a spoiled Southern belle given no higher goal than to be a wealthy wife, Jones’ Amanda has a sadly stunted maturity about her.  She isn’t prepared to deal with life outside the Antebellum South.  She’s at a loss when her children’s needs deviate so sharply from the accepted norms. Continue reading

Feb 11

“Cinderella” Goes to Harvard

dunster

presented by the Dunster House Opera at Harvard University
Cendrillon by Jules Massenet

Directed by Katherine Moon ’14
Music Directed by George Fu ’13
Produced by Stephanie Havens ’14 and Marina Chen ’15

February 9 – 6th at 8:30 p.m.
Dunster House, Harvard University

Cambridge, MA

Review by Nicola McEldowney

(Cambridge) The thing about going to a college production is this: it takes place at college. Therefore, coming into this production, I felt a great sense of trepidation, because I recently got over my own bout with college and I am still susceptible to triggers. Fortunately, I only have a few symptoms left: occasional twitching, a diploma and a pair of college-apparel socks. But here, it was dangerous: there were post-college stress disorder triggers everywhere. There were all the trappings of university life: the dining hall (where the production took place), the ill-rendered student council campaign poster deftly incorporating the “M-F” word, and of course, the nearly-full take-out container of sushi casually tossed in the trash. This kind of thing can transport you back to your own college days with the kind of nostalgia so profound it requires Kaopectate. Continue reading

Jan 29

An Epic Act of Foley: “Lo-Fi Lowdown”

Pictured: Tanya O’Debra Photo credit: Molly Peck

Pictured: Tanya O’Debra Photo credit: Molly Peck

Act One: Jazz Noir, by Bremner Duthie
Act Two: RADIO STAR, by Tanya O’Debra
Directed by Peter James Cook
Original Music by Andrew Mauriello

January 27th @ 7pm
Club Oberon
Cambridge, MA
Lo-Fi Lowdown Facebook Page

Review by Kitty Drexel

(Cambridge) Lo-Fi Lowdown was an homage to the Noir style and the art that it inspires. The first half of the performance was a jumping jazz concert lead by Bremner Duthie and his combo. The second half belonged to Tanya O’Debra and her one-woman radio play Radio Star. Together these two halves complied a fresh evening of cabaret and Foley fun. Continue reading

Jan 24

“At the Mountaintop” Delivers Unexpected, Unwelcome Twist

Presented by Underground Railway Theater

Presented by Underground Railway Theater

Produced by Underground Railway Theater

By Katori Hall
directed by Megan Sandberg-Zakian

January 10 – February 3, 2013
Central Square Theater
450 Massachusetts Avenue
Cambridge, MA 02139
Central Square Theater Facebook Page

Review by Gillian Daniels

(Cambridge) Sometimes, there’s a moment in a show that can make or break it. When that moment comes, the audience will divide accordingly. Maybe this turn is cheesy, too scary, or just a little off-kilter with the rest of the story. When it happens in At the Mountaintop, and the audience will know when it does, it redefines the sort of narrative being watched. The show starts out smart but softens into a peculiar if interesting mess.

Katori Hall’s two-man play concerns the late and well-loved Dr. Martin Luther King, Jr. (Maurice Emmanuel Parent) and his conversations with a hotel maid, Camae (Kami Rushell Smith). Like A Picasso by Jeffrey Hatcher, performed by The Salem Theatre Company last year, Central Square Theater’s At the Mountaintop concerns two personalities bouncing off each other in a contained space. Also like A Picasso, one happens to be famous and respected while the other, an intrigued woman, has slipped
through the cracks of history. Continue reading

Jan 22

LO-FI LOWDOWN: A Double Bill of Epic Old-timey Proportions

LO-FI LOWDOWN
COMES TO OBERON FOR ONE NIGHT ONLY

Pictured: Tanya O’Debra Photo credit: Molly Peck

Pictured: Tanya O’Debra, her make-up is flawless. Photo credit: Molly Peck.

ACT ONE: JAZZ NOIR, BY BREMNER DUTHIE
ACT TWO: RADIO STAR, BY TANYA O’DEBRA
JANUARY 27TH @ 7PM

Lo-Fi Lowdown Facebook Page

 Cambridge, MA: The Boston premiere of Lo-Fi Lowdown, a double bill of epic old-timey proportions, comes to Oberon (2 Arrow Street Cambridge, MA) for one night only. This 1940’s themed cabaret/radio show plays on Sunday, January 27th at 7pm. Tickets ($18) are available at the door and online.

Act One: Jazz Noir, by Bremner Duthie
Bremner sings songs from the era of Film Noir. Songs from the dangerous night on the dark side of the street, like a burst of passion on a lazy afternoon, leaving violence in their wake.

Act Two: RADIO STAR, by Tanya O’Debra
Directed by Peter James Cook
Original Music by Andrew Mauriello
Boston native cum NYC comedienne Tanya O’Debra brings her award winning play, Radio Star, to Oberon for her first hometown show.

Jan 21

“Once” from Theater Communications Group

"Once" by Enda Walsh

“Once” by Enda Walsh

Once by Enda Walsh
Lyrics by Glen Hansard and Marketa Irglova

Theater Communications Group (TCG)
January 2012
$13.95
520 Eighth Ave, 24th Floor
New York, New York 10018
www.tcg.org

This volume includes the book and lyrics but not the score. It includes a brief foreword by writer Enda Walsh about the workshop process in a church basement in Cambridge, MA.

The story revolves around an Irish man, “Guy,” who has almost given up on life, love and music. He is given new perspective by a passionate and sweet Czech woman, “Girl,” a single mother and music enthusiast. Together these unrequited lovers set on a course for life affirming change and success while renewing their faith in the power of creation and love. Continue reading

Jan 06

Breathtaking Chutzpah: PIPPIN

Photo: Michael Lutch; a tender balancing act.

Photo: Michael Lutch; a tender balancing act.

book Roger O. Hirson
music and lyrics Stephen Schwartz
directed by Diane Paulus
circus creation Gypsy Snider of Les 7 Doigts de la Main
choreography by Chet Walker in the style of Bob Fosse

presented by American Repertory Theatre
Loeb Drama Center
64 Brattle St.
Cambridge, MA 02138
December 5, 2012 to January 20, 2013
ART Facebook Page

Review by Kitty Drexel

(Cambridge) This Cirque du Soleil meets Fosse production of “Pippin” tells the tale of the Everyman, a youthful personification of any adult tentatively beginning the journey toward self-knowledge. Our young hero seeks the meaning of life in all the wrong places: violence, sex, politics, and other follies of inexperience. What the audience soon realizes is that Pippin, son of Charlemagne (the Emperor who not only made Christianity famous but mandatory), for all his proclamations, isn’t special. He is on the same journey that all young adults travel in their search for self – plus or minus some fantastical hardships and an orgy or two. What our hero discovers on this epic ego-trip is that, after he finds and secures a lasting relationship with meaning, he doesn’t know what to do with it. Continue reading