Tag Archives: Cambridge

Nov 08

There is a train immediately behind this train: “Someone Who’ll Watch Over Me”

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Photo courtesy of Kevin Hadfield for Bad Habit Productions.

Presented by Bad Habit Productions
by Frank McGuinness
Directed by A. Nora Long

November 1-16
Calderwood Pavilion at the BCA
Boston, MA
Bad Habit on Facebook

Review by Noe Kamelamela

(Boston) In the second show of their seventh season, called Ambition & Sacrifice, Bad Habit Productions continues to create theatre in small spaces that convey big ideas. At a grueling two hours without intermission in a studio theatre, this production feels at times like a test of endurance for the audience and the three person ensemble. Continue reading →

Sep 25

Lyndon B. Johnson Goes “All the Way”

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Photo: Evgenia Eliseeva

Presented by A.R.T.
By Robert Schenkkan
Directed by Bill Rauch

September 13, 2013 – October 12, 2013
Loeb Drama Center
64 Brattle St.
Cambridge, MA 02138
A.R.T. on Facebook

Review by Gillian Daniels

(Cambridge) Too often, biographies of American presidents are stories wrought with blind patriotism.  Director Bill Rauch, however, has not shaped a play about patriotism but politics. Politics and morality may occupy the same place once in a while, but in Robert Schenkkan’s complex and vividly realized All the Way, ambition dilutes ideals quickly. Continue reading →

Aug 26

Brown Box Theatre’s “Midsummer Night’s Dream” Drips with Humor, Actual Water

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Presented by Brown Box Theatre Project
By William Shakespeare
Directed by Kyler Taustin

Aug. 23 – Sept. 1, 2013
Children Wharf’s Park, outside the Boston Children’s Museum
Boston, MA
Brown Box Theatre Project on Facebook

Can’t attend these performances in Boston? You’re in luck! Following their Boston performances, the Brown Box cast and crew will pack up their set and continue their tour on the Eastern Shore of Maryland and Delaware.

Review by Gillian Daniels

The last production of A Midsummer Night’s Dream I saw before Brown Box Theatre’s was The Donkey Show at the Oberon.  Where the Oberon’s version was a show infused with drugs, sex, the excesses of 1970’s disco culture, and go-go dancer boys with body glitter, Brown Box Theatre fills its show with the excesses of Elizabethan fairies and water basins liberally placed around its stage.  The long-running Donkey Show may be the toast of Cambridge, but Brown Box Theatre has captured a more vibrant energy in its traditional telling. Continue reading →

Aug 02

Bread & Puppet Theater descends on the Cambridge Common: September 1, 2013

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BnPCircus2013

photo by Mark Dannenhauer

Total This & That Circus

Cambridge Common
Sunday, September 1st, 3 pm

(Cambridge, MA 02138) Bread & Puppet Theater: Total This & That Circus. Held outdoors on Sunday, September 1st at 3 pm. On the Cambridge Common, near the intersection of Mass. Ave. and Waterhouse St., Cambridge. Free performance [pass-the-hat donations welcome], rain or shine. For further details, call the Boston-area Bread & Puppet Theater information line 617-286-6694 or log onto www.breadandpuppet.org.

As part of a world-wide birthday celebration of “50 Years of Sublime Arsekicking Puppetry,” the award-winning Bread & Puppet Theater from Vermont’s Northeast Kingdom presents their Total This & That Circus on the Cambridge Common, a public space they used to frequent prior to the mid-1980’s. For the past few years, the company has once again revived its descent upon the park, resurrecting that age old Harvard Square tradition of outdoor theatrical political rabble rousing. Continue reading →

Jul 21

Beyond The Curtain of Fear: B.U.M.P. at Improv Boston

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Art courtesy of B.U.M.P. FB Page

Presented by Improv Boston
Managed by Ministry of Theater
Directed by Bryan Dunn
Produced by Pablo Rojas

June 28th – August 2nd, Fridays at 10pm
Improv Boston Mainstage Cambridge, MA
B.U.M.P. Facebook Page

Ensemble: Brian Agosta, Autumn Gillete, Corey O’Rourke, Sophie Shrand, Tim Stonelake, Christina Toohey, Marissa Wakuna, Misch Whitaker

Review by Kitty Drexel

(Cambridge) Boston’s Unscripted Musical Project at Improv Boston (formerly at Improv Asylum) is a good time. There’s cold beer and other beverages in the lobby. The seats are comfortable in the intimate mainstage theater. The cast will have you figuratively laughing your ass off in the first 10 minutes of the show. For these reasons and many more, B.U.M.P. is great – but it’s not for everyone. Continue reading →

Jul 16

Compassion, Uniqueness, Nerve and Talent: HEDWIG AND THE ANGRY INCH

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Photo by Na Eun Park, nabbed from https://www.facebook.com/HedwigOnStage

Produced by Rose Tinted Productions
Presented by Oberon, A.R.T.
By John Cameron Mitchell
Score by Stephen Trask
Directed by Ben Skinner

July 14, 2013
Club Oberon
Cambridge, MA

July 16, 8:30 PM > 10:00
Outside The Box Festival
Boston Common: Spiegeltent at Tremont Street
Boston, MA
Hedwig on Facebook

“Honey, if you can’t love yourself, how the hell you gonna love someone else?…..Can I get an amen?”
– RuPaul
RuPaul’s Drag Race, seasons 1 – Eternity

(Cambridge) It is difficult to come up with something new to say about Hedwig and her angry inch. It’s an amazing show with brilliant music. It’s easy to do well as long as the leading lady gives herself freely to her audience and the art. Even bad performances can be good so long as the performers remain sincere. Rose Tinted Productions’ version of Hedwige and the Angry Inch sits somewhere in the middle – it’s not mediocre but it isn’t revolutionary either. The cast, band and crew are dedicated to Hedwig’s story. That’s more than enough reason to attend. Continue reading →

Jun 26

Nickel Mines Strong: THE AMISH PROJECT

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With Emma Johnson, Mackenzie Dreese, Karin Nilo and Becky Bass at Cambridge YMCA Theater. Photo Credit: Circuit Theatre Co

Presented by Circuit Theatre Company
The Amish Project by Jessica Dickey
Directed by Alexandra Keegan

June 21-27
Cambridge YMCA Theater
Cambridge, MA
Circuit Theatre Co Facebook Page

Review by Noelani Kamelamela

(Cambridge) In its third year, the Circuit Theatre Company has already established itself as a small theatre company willing to take risks.  Their recent IRNE nominations and current production attest to their boldness and artistic integrity.  Circuit Theatre’s The Amish Project is the kind of show which can be interpreted in multiple ways. Continue reading →

May 29

WORLD MUSIC/CRASHarts and Crossroads Presents PRESENT: COEUR DE PIRATE with Kandle

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Coeur de pirate || Golden Baby [vidéoclip officiel] from Dare To Care Records on Vimeo.

WORLD MUSIC/CRASHarts and Crossroads Presents PRESENT
COEUR DE PIRATE
with Kandle
Thursday, June 6, 8pm, Paradise Rock Club, 18+

Coeur de Pirate (French for pirate heart) is the stage name for award-winning French-Canadian singer Béatrice Martin. Her whimsical, magical pop songs blend cabaret music, French lyrics and playful indie sensibilities. In November 2011,Coeur de Pirate released her highly anticipated second recording, Blonde, coproduced by Howard Bilerman (Arcade Fire, The Dears) and Béatrice Martin herself. Kandle will open.

Béatrice Martin has been playing piano and keyboards since she was only three years old. After a brief stint as keyboardist with the now defunct December Strikes First, Martin briefly joined the Montreal-based indie-pop band Bonjour Brumaire as a vocalist and pianist but left in 2008 to record her self-titled debut album. Coeur de Pirate was issued in September 2008 to immediate national and international acclaim. It was propelled by massive popularity via her MySpace page and an unexpected gift courtesy of famed Québécois photographer Francis Vachon who used the song “Ensemble” as the soundtrack to a time-lapse video of his 9-month old son that went viral on YouTube. This immensely popular clip showcased Martin’s music to millions of new fans, earning her praise from Good Morning America, The Globe and Mailand Perez Hilton, among many others. Stories ran in popular fashion magazines (Elle, Chatelaine) and on TV, and radio quickly followed, leading to a record deal in France. Coeur de Pirate has since gone platinum in Canada and Belgium, triple platinum in France and gold in Switzerland. The album has gone on to sell over 600,000 copies worldwide.

May 21

Troubled Flight for “Icarus”

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With Austin Auh and Corianna Moffatt. Photo courtesy of Liars & Believers Facebook Page.

Presented by Liars & Believers
Directed by Faye Dupras

May 17 & 18, 2013 (Grab tickets while you can!)
Cambridge YMCA Theater in Central Square
Cambridge, MA
Liars & Believers Facebook Group

Gillian Daniels

Liars and Believers’ Icarus is a wobbly production, a Depression Era circus fable that limps when it pushes hard to soar.  Like a small bird, the show is both endearing but weak.  Its flourishes are strong: puppets, bluegrass, and robots.  The result gives the audience a series of intriguing set pieces but nothing that really coalesces into a grand story.

Jason Slavick packs a lot into the show, the separate parts fluid and vibrant.  The lead-up to the play itself includes burlesque and music, giving the centerpiece, Minnie Minoseczeck’s Menagerie of Marvels, a vaudevillean glamour.  The trimmings for the circus are convincing, complete with posters promising a minotaur and a flying woman, Penny (Corianna Moffatt). Continue reading →

May 21

“Pirates of Penzance” Pillages Hearts

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Emily Casey, Sean Pfautsch, Matt Kahler, Ryan Bourque, Dana Omar. Photo by Evgenia Eliseeva

presented by American Repertory Theater
produced by The Hypocrites
by Gilbert & Sullivan
adapted by Sean Graney, Kevin O’Donnell
directed by Sean Graney

Loeb Drama Center
64 Brattle St.
Cambridge, MA 02138
The Hypocrites’ Facebook Page

Review by Gillian Daniels

(Cambridge) The Hypocrites’ production of Pirates of Penzance is an absolute confection.  Adapting the beloved Gilbert and Sullivan operetta to a quirkier, more contemporary stage, Sean Graney and Kevin O’Donnell infuse the original libretto and its score with banjos, bathing suits, beach balls, and a warmth that charms but never cloys.  It’s energetic and just plain fun.

Premiering in New York in 1879, the original show has a long history of making audiences titter at lyrics like, “I am the very model of a modern major general.”  The comic opera lampoons Victorian concepts of honor, piracy, politeness, the literary inconveniences of being a foundling, and, most importantly, duty. Continue reading →