Tag Archives: Boston

Apr 08

Community amidst Hostility: THE TEMPERMENTALS

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Steve Kidd, Will McGarrahan, Victor L. Shopov, & Shelley Bolman in The Temperamentals. Photo by Mark S. Howard

The Tempermentals by Jon Marans, Lyric Stage Company, 3/30/12-4/28/12, https://lyricstage.com/

main_stage/the_temperamentals/.

Reviewed by Craig Idlebrook

The oppressed can’t name their condition without fear of reprisal.  They can’t gather together.  They can’t escape their condition in the traditional refuges of family, community, friendship and sex.  Imagine trying to create change swimming against such a tide.  Continue reading →

Apr 06

Haunting Echoes of Brilliance: FLOYD COLLINS

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Phil Tayler as Floyd Collins, photo by Sharman Altshuler

Floyd Collins, Music and Lyrics by Adam Guettal, Book and Additional Lyrics by Tina Landau, Moonbox Productions, Boston Center for the Arts Plaza Theatre, 4/5/12-4/15/12, http://www.moonboxproductions.org/.

Reviewed by Craig Idlebrook

(Boston, MA) There are many ways to be trapped. For some thrill-seekers, the risk of death and the short life it might bring is a better alternative than dying incrementally in quiet desperation.   Continue reading →

Apr 05

On Ego: A Bundle of Questions

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On Ego by Mick Gordon (playwright) and Paul Broks (neuroscientist), Science Fiction Theatre Company, Factory Theatre, 3/30/12-4/15/12, http://www.sciencefictiontheatrecompany.com/.

Reviewed by Becca Kidwell

(Boston, MA) Quantum Leap and Star Trek have enticed us with the possibility of travelling through time and space through a transporter of some sort.  When I used to work an hour and a half away from my home, I longed for a teleportation device that would transport me home in the blink of an eye.

But while the fiction is intriguing, the science leaves a lot of mystery and questions before we take that leap. Continue reading →

Apr 01

A Pleasant Surprise: EXPECTING

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Danni, Mom, and Gabrielle at the mall — with Jo d'Angelo and Jenny Reagan., photo credit: Boston Actors' Theatre

Expecting by Noah Tobin, Boston Actors’ Theatre, Boston Playwrights’ Theatre, 3/30/12-4/7/12,    http://www.bostonactorstheater.com/.

Reviewed by Kate Lonberg-Lew

(Boston, MA) Have you ever found your cell phone lying on the back seat after ripping open the box of the replacement? Or perhaps you found your watch at the bottom of the hamper after strapping on your new Swatch? Somehow, we always manage to find what we’re looking for the moment we stop looking for it. This is what Expecting, currently at the Boston Actors Theater, is all about and the experience is wonderfully complex. Continue reading →

Mar 29

Textured Clowning: TOMÁŠ KUBÍNEK: CERTIFIED LUNATIC & MASTER OF THE IMPOSSIBLE

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Photo Credit: d.a. Hill

TOMÁŠ KUBÍNEK: CERTIFIED LUNATIC & MASTER OF THE IMPOSSIBLE, ArtsEmerson, Paramount Theatre, 3/29/12-4/1/12, http://alturl.com/255s3.

Reviewed by Craig Idlebrook

(Boston, MA) Funny is a funny thing.  You can be mean and be funny.  You can shock and be funny.  You can do knock-knock jokes and be funny, at least to a five-year old.  Or you can just be super-talented, a bit caustic and kind of weird and be funny.  Tomáš Kubínek has chosen the last option to deliver a memorable and nicely brief one-man show for ArtsEmerson at the Paramount Theatre. Continue reading →

Mar 22

‘Ma Rainey’ Sings the Music of the Soul

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Yvette Freeman and Corey Allen in August Wilson’s MA RAINEY’S BLACK BOTTOM. March 9 – April 8, 2012 at the BU Theatre. huntingtontheatre.org. Photo: T. Charles Erickson.

Ma Rainey’s Black Bottom by August Wilson, Huntington Theatre Company, 3/9/12-4/8/12, http://www.huntingtontheatre.org/season/production.aspx?id=10262&src=t.

Reviewed by Becca Kidwell

(Boston, MA) Music breathes and pulses as each note is played.  The blues provide a voice for the inexpressible feelings of the human experience.  The blues celebrate the good, the bad, and the ugly parts of life in its entirety; it is neither surprising that the blues came out of the African American spiritual tradition, nor that soul, r&b, and hip-hop were derived from the blues and at the core of the best is the heart and soul of the artist.  What happens when that soul is taken away?  Can the heart survive?

This question permeates the existence of each of the characters in August Wilson’s play Ma Rainey’s Black Bottom.  Continue reading →

Mar 17

James and the Giant Peach

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James and the Giant Peach, based on the book by Roald Dahl, Boston Children’s Theatre, Boston Center for the Arts Plaza Theatre, 3/17/12-3/25/12, http://bostonchildrenstheatre.org/season/jamesandthegiantpeach/.

Reviewed by John Herring

(Boston, MA) James and the Giant Peach follows a young orphan boy and the charming crew of insects he befriends on an entertaining and hilarious trans-Atlantic journey aboard a gigantic piece of fruit.” If you have read the story, or have been read the story, you know and probably love it already. If not, WHERE HAVE YOU BEEN HIDING?! And you also will love the story in full live presentation. Continue reading →

Mar 16

Crave & Beyond The Light: Emotional Explosion

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Daniel J. Raps, Erin Rae Zalaski, Jesse Wood, and Christina Malanga in Beyond the light — at Calderwood Pavilion; photo credit Heart and Dagger Productions

Abigail Matzeder, Michael Underhill, and Terrence Patrick Haddad in CRAVE — at Calderwood Pavilion, Photo Credit: Heart and Dagger Productions

Crave by Sarah Kane and Beyond the Light by Joey C. Pelletier, Heart & Dagger Productions, Boston Center for the Arts Rehearsal Hall A, 3/9/12-3/17/12, http://www.heartanddagger.org/.Partial nudity and mature themes

Reviewed by Becca Kidwell

(Boston, MA) Many have tried to dramatize depression to mixed results. The problem tends to be that depression by it’s very nature is a passive thing-the person doesn’t want to do anything. Heart & Dagger escapes the trap of a dry, clinical look at depression by presenting two one acts that cut to the visceral core of despair and the fight to survive.

Continue reading →

Mar 13

“Just Another Day” for Kerry Dowling

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Foreground: Chris Caron and Kerry A. Dowling. Rear from Left: Michael Tacconi, Christopher Chew, Sarah Drake, and Michael Levesque in a scene from the SpeakEasy Stage Company production of Next to Normal, running now thru April 15th at the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street, in Boston’s South End. Tix/Info: 617-933-8600/www.SpeakEasyStage.com. Photo: Craig Bailey/Perspective Photo.

Interview by Becca Kidwell

Continuing its electrifying season, SpeakEasy Stage Company is presenting now thru April 15th the 2010 Pulitzer Prize-winning musical Next to Normal.  The overwhelming demand for tickets prompted SpeakEasy to extend the run one additional week before the show even opened – an unprecedented move in the company’s 20-year history.    http://www.speakeasystage.com/doc.php?section=showpage&page=normal Continue reading →

Mar 10

Impressive, Uneven and Important: REFLECTIONS OF A ROCK LOBSTER

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Felix Teich as ‘Paul Guilbert’ and Ian Shain as ‘Aaron Fricke’, Photo by Saglio Photography, Inc.

Reflections of a Rock Lobster by Burgess Clark, based on the true story of Aaron Fricke, Boston Children’s Theatre, Wimberley Theatre at Boston Center for the Arts, 3/3/12-3/11/12, http://bostonchildrenstheatre.org/season/rocklobster/.

Reviewed by Craig Idlebrook

(Boston, MA) To be a gay teen often has meant living every moment in hostile territory, where everything you do is wrong because of who you are.  Too often, it has meant years of enforced isolation and violence.

This is what the Boston Children’s Theatre production of Reflections of a Rock Lobster does best, creating the claustrophobia of a gay teen’s world where everything feels hostile, including one’s own feelings.  The play, put on by the Boston Children’s Theatre with a few grown-ups thrown in the mix, chronicles the true story of a pair of trailblazing gay teens who in 1980 challenged their school’s ban on same-sex couples at the prom and made the world a little bit less hostile.  Continue reading →