Jun 10

And the Green Grass Grows All Around: RAPTURE, BLISTER, BURN

photo: T. Charles Erickson

presented by Huntington Theatre Company
by Gina Gionfriddo
directed by Peter DuBois

South End Calderwood Pavilion
Boston Center for the Arts
Boston, MA
May 24th – June 22nd, 2013
Huntington Theatre Facebook Page

Review by Craig Idlebrook

A bunch of middle-aged folks had an academic argument about feminism and a great play broke out! Rapture, Blister, Burn, an insightful and barbed comedy about post-feminist uncertainty, is the rare play that immerses itself in theory and still makes us care. Continue reading

Jun 07

Paris in the Rain: Coeur de Pirate at Paradise Rock Club

WORLD MUSIC/CRASHarts and Crossroads
Presents PRESENTS COEUR DE PIRATE
with Kandle

Thursday, June 6, 8pm,
Paradise Rock Club
, 18+
World Music/CRASHarts Facebook page
Coeur de Pirate Facebook page
Kandle Facebook page

Review by Kitty Drexel

(Boston) Coeur de Pirate vocalist, Béatrice Martin, has a lovely voice and charismatic stage presence. Her music sounds they way Paris in the rain feels; it is touched with lyric and pop influences. She was “under the weather” a.k.a. visibly ill yesterday evening. Therefore, giving her a review based on her performance would be unfair. What I saw was exemplary given the circumstances. You can decide on your own by listening to her CD (which I’ve been listening to on repeat all week) on Spotify, iTunes, or her website. Continue reading

Jun 07

“The Magic Mirror”: Window Into Another World

Photo Credit: Scott Bump, Not a photo of a brunette Khaleesi’s wedding. But it could be.

Presented by Juventas New Music Ensemble
Music by Polina Nazaykinskaya
Music direction  by Lidiya Yankovskaya
Stage direction by Erin Huelskamp

BCA Plaza Theatre
539 Tremont Street
Boston, MA
Juventas New Music Ensemble Facebook Page

Review by Gillian Daniels

(Boston) The Magic Mirror succeeds, most of all, in elegance.  Characters move through a sumptuous world, wandering along whirls of purple and blue on the floor, moving through dark woods and bright cottages. Varvara Sosedova, a visual artist from Moscow, brings personality and charm to the scenes, costumes, and props she designs. The contemporary songs and music also do their part to bring a hard edge to the story.  Even when characters aren’t as distinguishable as they could be or when the story begins to drag, the Juventas New Music Ensemble and composer Polina Nazaykinskaya create a fully realized world for Alexander Pushkin’s Snow White. Continue reading

Jun 02

It’s Been Real: REAL REALISM

presented by Sleeping Weazel
written by Charlotte Meehan directed by Vanessa Gilbert
May 31–June 1 and June 6–June 8, 2013
Boston, MA
Sleeping Weasel Facebook Page
Review by Nicola McEldowney
(Boston) Seeing a new or unfamiliar play always gets your imagination rolling in new ways. That’s the beauty of the experience, almost regardless of the play. But Charlotte Meehan’s Real Realism – playing at the Factory Theatre this weekend and next – is so rich in its unpredictability that it takes your imagination on a joyride. Continue reading
May 21

Stellar Science Fiction: SOLACE

Image courtesy of Science Fiction Theatre Company

Image courtesy of Science Fiction Theatre Company

Presented by Science Fiction Theatre Company
By A. Vincent Ularich
Directed by Anna Trachtman

The Factory Theatre
Boston, MA
May 10th – May 25th, 2013

Review by Craig Idlebrook

(Boston) Oh, science fiction looks so easy to do when you have a CGI budget and a sleek deck of a starship to command, but it can be deadly to stage, especially when you’re working with a new play.  It’s then that we learn that space thrusters look ridiculous when constructed by duct tape, and phrases like “reverse the ion thrusters” just don’t roll off the tongue.

That’s what makes the sci-fi play Solace, written by Boston playwright A. Vincent Ularich, such a marvel.  For my money, this production, staged imaginatively and thoughtfully by the Science Fiction Theatre Company, is the sweetest surprise of the theater season.  Ularich, director Anna Trachtman and the strong overall cast have conjured up a love story about the future that retains all the heart of the present.  This play’s flaws quickly fell by the wayside, as I was drawn into the funny, sad and evocative world created on stage.    Continue reading

May 21

Troubled Flight for “Icarus”

With Austin Auh and Corianna Moffatt. Photo courtesy of Liars & Believers Facebook Page.

Presented by Liars & Believers
Directed by Faye Dupras

May 17 & 18, 2013 (Grab tickets while you can!)
Cambridge YMCA Theater in Central Square
Cambridge, MA
Liars & Believers Facebook Group

Gillian Daniels

Liars and Believers’ Icarus is a wobbly production, a Depression Era circus fable that limps when it pushes hard to soar.  Like a small bird, the show is both endearing but weak.  Its flourishes are strong: puppets, bluegrass, and robots.  The result gives the audience a series of intriguing set pieces but nothing that really coalesces into a grand story.

Jason Slavick packs a lot into the show, the separate parts fluid and vibrant.  The lead-up to the play itself includes burlesque and music, giving the centerpiece, Minnie Minoseczeck’s Menagerie of Marvels, a vaudevillean glamour.  The trimmings for the circus are convincing, complete with posters promising a minotaur and a flying woman, Penny (Corianna Moffatt). Continue reading

May 16

Liars & Believers to Put on “Icarus”

Presented by Liars & Believers
Directed by Faye Dupras

May 17 & 18, 2013 (Grab tickets while you can!)
Cambridge YMCA Theater in Central Square
Cambridge, MA
Liars & Believers Facebook Group

by Gillian Daniels

(Cambridge) This weekend, local Boston-area theater group Liars & Believers will be putting on its new show, Icarus.  It will be at the Cambridge YMCA Theater in Central Square this weekend only on May 17th and 18th.

Described as a show about poverty and transcendence, this American-bred tale uses the Great Depression as a backdrop as we follow Minnie Minoseczeck’s Menagerie of Marvels.  The play is written and directed by Jason Slavick with original music and lyrics by Nathan Leigh. Included in the production is puppetry, designed and directed by Faye Dupras.

The myth of Icarus is well known in the Western literary canon, a fable to illustrate the crippling nature of success.  A boy, given wings made from feathers and wax, is given the ability to fly.  Once airborne, Icarus flies so close to the sun, the wax that holds his wings together melts.  He plummets into the sea, a metaphor for the deadly foolishness of egotism and youth.

Liars & Believers is a mainly experimental troupe, one that prides itself on integrating different artistic pursuits into unique, chimera-like productions.  Their shows often include dance, song, aerial gymnastics, spoken text, and numerous interdisciplinary forms. Previous efforts this year include Lunar Labyrinth, a show loosely based on a short story by Neil Gaiman. Lunar Labyrinth combined and rejoiced in different storytelling methods, knotting its plot and themes into dreamy contortions.  Icarus promises to be a show in a similar mold.

May 14

“Mad Men” Set to Song and Dance: ON THE TOWN

Photo by Mark S. Howard

Presented by Lyric Stage Company of Boston

Book and lyrics by Betty Comden & Adolph Green
Music by Leonard Bernstein
Based on an idea by Jerome Robbins
Directed by Spiro Veloudos
Music direction by Jonathan Goldberg
(kick-ass) Choreography & musical staging by Ilyse Robbins

May 10 – June 8, 2013
The Lyric Stage
Boston
, MA
Lyric Stage Facebook Page

Review by Kitty Drexel

(Boston) On the Town is a sweet little musical about what happens when three horny US Navy men seeking adventure visit NYC for 24 hours. As the plot thickens, they meet their equally horny female counterparts, do some healthy snogging, see some sights and return to duty. It’s mostly romantic. The  Lyric Stage delicately wraps these adult themes in saccharine sweet nostalgia, excellent choreography and Bernstein’s music. Although this could be for mature audiences only, it is presented as tasteful family-friendly material. Continue reading

May 13

A Movement in Technicolor: IN THE HEIGHTS

Photo: Craig Bailey/Perspective Photo

Presented by Speakeasy Stage Company
Music and Lyrics by Lin-Manuel Miranda
Book by Quiara Alegría Hudes
Conceived by Lin-Manuel Miranda
Directed by Paul Daigneault
Music directed by Nicholas James Connell
Choreography by Larry Sousa

Boston Center for the Arts
South End / Calderwood Pavilion at the BCA
Boston, MA
Speakeasy Facebook Page

Review by Kitty Drexel

(Boston) In the Heights tackles heavy subjects such as endemic poverty, Immigration Reform, affordable education and racial stereotype with canny artistic expression. This community in Washington Heights might be needy but they are not poor. They are proud, hardworking and passionate people who strive for a better life. Just like you and me.

This music incorporates traditional Latin dance with Rap, Hiphop, and Flow poetry, among many others. The dancing looks like it is straight from America’s Best Dance Crew. The ensemble dance scenes are electric and justifiably make the show the stand-out production that it is. The cast adapts to the different styles and each other with such ease it’s as if they studied at the same school. Continue reading

May 13

Normal Adolescent Madness: PUNK ROCK

Photo by Jeff Adelberg

Presented by Zeitgeist Stage Company
by Simon Stephens
Directed by David J. Miller

At Plaza Black Box
Boston Center for the Arts
Boston, MA
May 3rd – May 25th, 2013
Zeitgeist Facebook Page

Review by Craig Idlebrook

There is nowhere for the audience to escape from the horrors of adolescence in Zeitgeist Stage Company’s production of Punk Rock, playing at the Black Box Theatre.  We can only recognize our own cruelties, failures and flailings as a group of high schoolers try to make some sense of their universe.  This kind of play would drive me to drink if it weren’t drawn so brightly and crisply, thanks to a fearless cast which doesn’t shy away from the awkward intimacy. Continue reading