Tag Archives: Boston

Dec 09

Life (Instructions Not Included): BECKY’S NEW CAR

Posted on by
http://www.lyricstage.com/uploads/presskit/MSH_1548%20cropped.jpg

Photo by Mark S. Howard.

presented by The Lyric Stage Company
by Steven Dietz
Directed by Larry Coen
Production sponsored by Tim & Linda Holiner

November 29th – December 22nd
140 Clarendon Street
Boston, MA
Lyric Stage on Facebook

Review by Craig Idlebrook

(Boston) Film, literature and theater are filled with midlife crises.  The plotlines for men offer them the chance to break away from office meetings and drudgery to lead a life of adventure and get the girl (The Secret Life of Walter Mitty).  For women, the midlife crisis plotline offers a chance to break free from the ties that bind, to take a vacation from a family, and to have some great sex (The Bridges of Madison County).  Too often, things either resolve too well or too tragically, but always too neatly.  The explosion.  The choice.  The last goodbye.  Fade out. Continue reading →

Nov 15

As The Screw Turns: Simple Machine’s “Turn of the Screw”

Posted on by

Photo Credit: Kyler Taustin Photography

­­­­

Presented by Simple Machine
By Jeffrey Hatcher; Adapted from the novella by Henry James

November 8-23, 2013
The Taylor House Bed and Breakfast
50 Burroughs St. Boston MA 02130

The Gibson House Museum
137 Beacon St. Boston MA
02116
Simple Machine on Facebook

Good News! The run has been extended.
Saturday, November 23 at 4:30 PM, The Taylor House Bed & Breakfast
Sunday, November 24 at 7:30 PM, The Gibson House Museum

Review by Danielle Rosvally

(Boston) Alright, so, here’s my deal: I wouldn’t say that Henry James is my nemesis mostly because I’m not ready to commit to him that deeply (a nemesis/hero relationship is, after all, a long, complex, and fraught one with ups, downs, and side-plots).  But I will say this: Henry James is at least on the super team of literary villains who have plagued my academic career. Continue reading →

Nov 13

Homosexuals Are People: “The Normal Heart”

Posted on by

Photo by Richard Hall/Silverline Images

Presented by Zeitgeist Stage Company
By Larry Kramer
Directed by David J. Miller

November 1 – 30, 2013
Plaza Black Box
Boston Center for the Arts
Boston, MA
Zeitgeist on Facebook

Review by Kitty Drexel

Trigger Warnings: Rape, Proud Homosexuality, Truth

(Boston) Britney Spears thinks that gay people are “adorable and hilarious.” Her quote is terrifying because it is indicative of the thoughts and feelings of the majority of US citizens. For most of the world, only straight people are real™ people. Gay people are fun and quirky but we aren’t real™ people deserving of equal rights and a voice, says society. The LGBTQ get to be characters, sidekicks, and sassy friends who are defined solely by the people with whom we rub nethers (and other fun parts). Spears and people like her are stereotyping an entire community of human beings because it hasn’t occurred to them that we’re also human. Our history, culture and politics are just as rich as the hetero-normative precedent. Continue reading →

Nov 13

BLO Opera Annex: “Lizzie Borden”

Posted on by


BOSTON LYRIC OPERA continues the 2013-14 season with its Opera Annex production of Jack Beeson’s riveting masterwork:

LIZZIE BORDEN

Sung in English with projected text
Based on a Scenario by Richard Plant
Composed by Jack Beeson
Libretto by Kenward Elmslie
Realized by Todd Bashore (orchestration) and John Conklin (dramaturgy)
Stage Directed by Christopher Alden
Conducted by David Angus

 

 

FOUR PERFORMANCES ONLY: November 20, 22, 23, 24, 2013
The Castle At Park Plaza
130 Columbus Avenue
Boston, MA 02116
The BLO on Facebook

BOSTON (November 6, 2013)—Boston Lyric Opera (BLO) continues its 2013-14 season with a production of Jack Beeson’s operatic masterpiece, Lizzie Borden, for BLO’s Opera Annex series, in a world premiere chamber version in seven scenes, specially commissioned by BLO and directed by the acclaimed Christopher Alden. Running four performances only, November 20-24, Beeson’s riveting opera captures the dramatic, claustrophobic family portrait based on the sensational Fall River, Massachusetts axe murders that gripped the nation in 1892.

Lizzie Andrew Borden was tried and acquitted in the 1892 axe murders of her father and stepmother in Fall River, Massachusetts, but here has been controversy ever since about her guilt or innocence. In their opera, composer Jack Beeson and librettist Kenward Elmslie leave no doubt about her murderous culpability, while changing a few details of the well-known story for theatrical reasons. An older sister, Emma, becomes a younger sister, Margret. A suitor for Margret is created, the sea captain Jason McFarlane, and a psychologically convincing backstory for the stepmother, Abbie (her subservient and deeply resented role as a servant-nurse to the dying first Mrs. Borden, Lizzie’s mother) is developed. The Beeson piece was first performed in 1965 as a three act opera.

 

Nov 08

A Parody of an Autobiography: Kurt Vonnegut’s MAKE UP YOUR MIND

Posted on by
http://www.speakeasystage.com/_photos/press/vonnegut_08.jpg

Barlow Adamson and Tracy Goss in Kurt Vonnegut’s Make Up Your Mind. Photo by Craig Bailey/Perspective Photo

Presented by SpeakEasy Stage Company
Written by Kurt Vonnegut
Assembled by Nicky Silver
Directed by Cliff Fannin Baker

Oct. 30 – Nov. 30, 2013
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
Speakeasy on Facebook

Review by Kitty Drexel

(Boston) Make Up Your Mind was assembled by Nicky Silver from 11 drafts of an unfinished play written by Kurt Vonnegut. To repeat: this is a play by Kurt Vonnegut and edited by Nicky Silver. It was not thought up and written by Silver. To hear the complaints made about this show, one would think that it was written by meth addled donkeys. If there is fault (and there is), then the fault lies with Vonnegut who didn’t even get to finish the darn thing before his tragic death in 2007. Rather than dwell on the negative, let’s focus on the fact that we get one more nugget of gold from our dearly departed author. Continue reading →

Nov 08

There is a train immediately behind this train: “Someone Who’ll Watch Over Me”

Posted on by

Photo courtesy of Kevin Hadfield for Bad Habit Productions.

Presented by Bad Habit Productions
by Frank McGuinness
Directed by A. Nora Long

November 1-16
Calderwood Pavilion at the BCA
Boston, MA
Bad Habit on Facebook

Review by Noe Kamelamela

(Boston) In the second show of their seventh season, called Ambition & Sacrifice, Bad Habit Productions continues to create theatre in small spaces that convey big ideas. At a grueling two hours without intermission in a studio theatre, this production feels at times like a test of endurance for the audience and the three person ensemble. Continue reading →

Nov 04

Don’t Fear the Beards: THE HOBBIT

Posted on by
Andrew Barbato and Stephen Benson. Photo credit: Wheelock Facebook page.

Andrew Barbato and Stephen Benson. Photo credit: Wheelock Facebook page.

Presented by Wheelock Family Theatre
Based on the book by J.R.R. Tolkien
Adapted for the stage by Patricia Gray
Directed by Shelley Bolman
Original score by Will Holshouser
Fight choreography by Ted Hewlett

October 25th – November 24th, 2013
200 The Riverway
Boston, MA
Wheelock on Facebook

Review by Craig Idlebrook

(Boston) Picture a staging of The Hobbit without copious CGI, but with kids in cute beards rocking outrageous Scottish accents.  Could be good, could be terrible, right?

The thing is that J.R.R. Tolkien, bless his bookish heart, knew jack about pacing a story, and cared even less.  The Hobbit, here interpreted by Patricia Gray, is an episodic yarn that meanders here and there, getting bogged down into bedtime storytelling action by the time the band hits the Misty Mountains.  It works perfectly as bedtime fare for geeks just for precisely this reason; the thing reads like a really rocking night of Dungeons and Dragons.  Things just happen, and your characters get bailed out by the dungeon-master (Tolkien) every now and then to keep the story moving. Continue reading →

Oct 29

Faith, Failure, and “The Power of Duff”

Posted on by
http://farm6.staticflickr.com/5514/10409042345_7fec65ecea.jpg?wmode=transparent

Photo: T.Charles Erickson

Presented by The Huntington Theatre Company
By Stephen Belber
Directed by Peter DuBois

October 23 – November 16, 2013
Calderwood Pavilion at the BCA
527 Tremont Street
Boston, MA
Hunting Theatre Co on Facebook

Review by Gillian Daniels

(Boston) In a television studio’s newsroom, sentiment is well known. It’s strange that The Power of Duff’s main conceit is that news anchor Charles Duff (the excellent David Wilson Barnes) scandalizes a nation by praying on air at the end of the show’s broadcast. While the reactions to Duff’s sermons are difficult to swallow, especially in the play’s first half, it’s fascinating to watch the everyday lives of these characters unravel as they reach out to connect with one another. Continue reading →

Oct 28

“Brewed”: Happy Medium Stirs the Pot

Posted on by

Credit: Debut Cinematic/Karen Ladany

Presented by Happy Medium Theatre Company
By T. Scott Barsotti
Directed by Mikey DiLoreto

October 24th-November 2nd, 2013
The Factory Theater
Boston, MA
Happy Medium on Facebook

Review by Gillian Daniels

(Boston) Happy Medium Theatre and writer T. Scott Barsotti embrace the American gothic tradition with enthusiasm in Brewed. It’s a fully fleshed-out horror story with the bones of a family melodrama, a violent reaction to the ties that bind blood siblings.  The whose story is a creepy creature and a bleakly humorous outing for the Halloween season. Continue reading →

Oct 28

Nuanced Heartbreak: “Water By The Spoonful”

Posted on by

Photo credit: Mark S. Howard

Presented by The Lyric Stage Company of Boston
By Quiara Alegria Hudes
Directed by Scott Edmiston

Oct. 18th – Nov. 16th, 2013
140 Clarendon Street
Boston, MA 02116
Lyric Stage on Facebook

Review by Craig Idlebrook

(Boston) Behind the People Magazine covers of smiling celebrities announcing sobriety, there is a more jagged and complex tale behind every junkie’s recovery.  Physiologically, the junkie’s brain has been re-wired to seek out new, chemical heights of pleasure, and going clean means settling for a life of just okay.  Psychologically, the task is much harder, as the junkie in recovery must confront the human wreckage of his or her addiction and attempt to make amends, which can be a Sisyphean task. Continue reading →