Sep 13

We’re on the Same Side: “The Purists”

J Bernard Calloway and John Scurti; Photo Credit: T Charles Ericksonn© T Charles Erickson.

Presented by the Huntington Theatre Company
By Dan McCabe
Directed by Billy Porter
Original music by Michael Sandlofer

Aug. 30 – Oct. 6, 2019
South End / Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Critique by Kitty Drexel

Editor’s Note: This article now includes an addendum by Noelani Kamelamela

(Boston) These are some terms and figures within hip hop culture that viewers should understand to better appreciate The Purists.

These are some terms and figures from musical theatre culture that viewers should understand.

  • Jerome Kern
  • George & Ira Gershwin
  • Bob Fosse 
  • Andrew Lloyd Weber 
  • National treasure, Bob Ross
  • Rapping in musicals
  • Annie + video 
  • Stephen Sondheim
  • Call center/Box office
  • The Golden Age of musical theatre

Oppression isn’t a contest. Virginia is mourning the 400th anniversary of slavery in the US. June 28 marked the 50th anniversary of the Stonewall riots. The ADA wasn’t made law until 1990. The only people who win when marginalized communities fight are the rich, white people who make money from our oppression. No one is free until we are all free. Freedom must be intersectional.   Continue reading

Aug 20

Who will believe you?: “Measure for Measure”

Photo via the BBT Facebook page.

Presented by Brown Box Theatre 
Written by William Shakespeare
Directed by Kyler Taustin
Intimacy & Fight Choreography by Margaret Clark

Performances dates 8/21 – 8/25, 2019
Performance location (s): Various outdoor locations:
8/21: Sampus Pavilion, 160 Pawtucket Blvd, Lowell, MA
8/22: Borderland State Park, 250 Massapoaq Ave., Easton, MA
8/23: – Herter Park Ampitheater, 1175 Soldiers Field Road, Allston, MA
8/24: Hopkinton Ctr for the Arts, 98 Hayde Rowe Street, Hopkinton, MA
8/25: Atlantic Wharf/Waterfront Plaza, 290 Congress Street, Boston, MA
Brown Box on Facebook 

Review by Chloé Cunha

(Boston, Mass.) Without even mentioning context, the above refrain strikes a familiar chord, the scene paints itself: a woman abused, her abuser, threatening the full extent of his power against her. Who will believe you?  Chilling and pressing, Brown Box Theatre’s production reminds us why Shakespeare remains relevant today. Continue reading

Aug 13

“The Intersection” presented by Bodega

The Intersection presented by Bodega Commedy

Saturday, Sept. 7, 2019
Doors at 7:30 p.m., Show at 8 p.m.
Tickets are $22
Calderwood Pavilion at the BCA
527 Tremont Street
South End
Boston, MA 02116

Featuring the talents of Geeks Diana Lu and Shiyanbade Animashaun!

They’re back again! Mark your calendars for the return of The Intersection. Come to the South End on Saturday, September 7 for a night of comedy!

Come witness the baddest comedians, poets, sketch artists, and improvisers create community on stage while making you laugh! The Intersection is produced by creatives of color from across the Boston area.

Doors open at 7:30 pm. Show at 8:00 pm.

#FUNinBOS

F.U.N. – Fierce Urgency of Now: Energizing Young Professionals of Color to Unlock Boston’s Promise

What is the Fierce Urgency of Now Festival?

A five-day series of events hosted by local businesses and organizations geared at highlighting the experiences, challenges, and opportunities for young professionals of color in our city with the ultimate goal of creating community. With more than 30 events scheduled, you can plan to learn, connect, and have fun all week long, while also lending your voice to change. Join us September 4-8 to help make Boston more inclusive for all.Why are we involved in F.U.N.?
With half of the workforce in Boston being classified as millennials, and nearly half of millennials in Greater Boston being people of color, we know that the business community must play a key role in improving the city’s image and increasing access and opportunities to attract and retain talent. Retention of young people of color is of critical importance to our future as a region.

F.U.N. is for you: young professionals and young professional of color looking to build community and gain allies.

Jul 23

Laughter Through Tears: “Steel Magnolias”

The Cast; Photo by Tim Gurczak

Presented by Hub Theatre Company of Boston
By Robert Harling
Directed by Paula Plum

July 19 – Aug. 3, 2019
Club Cafe
209 Columbus Ave
Boston, MA
Hub on Facebook

Critique by Kitty Drexel

(Boston, MA) Steel Magnolias is a theatre classic. It can be seen in fringe and community productions across the country. The 1989 movie starring Sally Fields and Dolly Parton has firmly cemented itself into the 80’s pop culture. The 2012 TV-movie starring Queen Latifah and, queen in her own right, Phylicia Rashad introduced a new generation to the story. It has survived well because of its timelessness. There will always be a need for safer-spaces where women can be themselves beyond the emotional and physical labors society demands from them. Hub Theatre’s production nestles into that need.  Continue reading

Jul 21

Superfans in Cosplay Having the Best Time: “The Lightning Thief: The Percy Jackson Musical”

Presented by the Huntington Theatre Company
Adapted from the book, The Lightening Thief by Rick Riordan 
Book by Joe Tracz
Music and lyrics by Rob Rokicki
Directed by Stephen Brackett
Music direction by Wiley DeWeese
Choreography by Patrick McCollum
Fight direction by Rod Kinter
New puppetry design by AchesonWalsh Design Studios

July 17 – 28, 2019
Huntington Avenue Theatre
264 Huntington Ave
Boston, MA
The Huntington on Facebook

Critique by Kitty Drexel

(Boston) Saturday afternoon’s performance of The Lightning Thief: The Percy Jackson Musical was an event for superfans and their friends. Children in Camp Half-Blood t-shirts and their adults congregated to the Huntington Theatre to watch this musical about modern day children of Greek gods. It’s not a production for everyone; it’s specifically written for devotees to the Rick Riordan book. Theatre-lovers will appreciate the ingenuity of the design team but they should attend knowing that this musical isn’t for them; It’s for fans in their childhood years. Continue reading

Jun 25

“Corteo”: What Circus Dreams May Come

Presented by Cirque du Soleil 
Directed and Created by Daniele Finzi Pasca and Line Tremblay
Music Composed and Directed by Jean-Francois Cote, Phillipe LeDuc, and Maria Bonzanigo

June 19th – June 30th, 2019
Agganis Arena
925 Commonwealth Avenue
Boston, MA 02215
Corteo on Facebook

Review by Gillian Daniels

(Boston, MA) Mauro, the Dreamer Clown, tells the audience, “I dreamed of my funeral.” Except it’s no dream; this character is actually on his deathbed. A funeral becomes a party and the party becomes a circus. Angels fly on wires above, shoes walk across the stage on their own, and our narrator relives childhood memories while he’s fitted for wings. The somber frame narrative balances the rest of the show, which is cheeky, saccharine, and full of dream imagery that seems to have been cut, raw, from a sleeper’s mind. Continue reading

Jun 25

The Emperor Has No Clothes: ‘Masquerade’ Was a Smug, Misogynistic Mess


Presented by Cherry Orchard Festival
Produced by Vakhtangov State Academic Theatre of Russia
Based on the ‘verse drama’ by Mikhail Lermontov
Directed by Rimas Tuminas
Set Design by Adomas Yatsovskis
Costumes by Maxim Obrezkov
English Subtitles by Ivan Samokhin

June 18—19, 2019
Emerson Cutler Majestic Theatre
Boston, MA 02116
Cherry Orchard Festival on Facebook

Critique by Diana Lu

(Boston, Mass.) My program calls Masquerade a “verse drama.” That’s about the most pretentious thing I’ve ever seen. Even Shakespeare just wrote “plays.” Other reviewers keep comparing this 19thcentury Russian romantic play to Shakespeare’s Othello. I’m sure writer Mikhail Lermontov filched his basic plot points from The Bard, but the similarities end there. Continue reading

Jun 14

Like A Bird Made of Light: “Yerma”

Nadine Malouf (Yerma). Photo Credit: T Charles Ericksonn© 

Presented by the Huntington Theatre Company
Adapted and translated by Melinda Lopez
Based on the play by Ferderico Garcia Lorca
Directed by Melia Bensussen
Original music by Mark Bennett
Choreography by Misha Shields
Fight direction and intimacy direction by Claire Warden & Ted Hewlett

May 31 – June 30, 2019
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Critique by Kitty Drexel

Trigger warnings: sexual acts, hallucinations & mental illness

(Boston, MA) It is 2019 and the United States government is at war with its people. Laws that aim to control anyone with a uterus are rushing through courthouses at an unprecedented rate. They aren’t protecting life; they are punishing women for having sex. Cadavers have more agency than women. Meanwhile, the foster care services in these same states are overwhelmed with children that desperately need good homes. Saying that the Huntington’s production of Yerma is topical is an understatement. Yerma approaches childbirth not from an opposite standpoint but an adjacent one. The right to choose also means choosing to have a child. Continue reading

May 07

“Vietgone” Baby, “Vietgone”

Quentin Nguyen-duy and Rob Chen – Photo by Paul Fox.

Presented by Company One
In partnership with Pao Arts Center
Written Qui Nguyen
Directed by Michelle Aguillon

April 26 – May 25, 2019
Boston Center for the Arts
Plaza Theatre
Boston, MA
Company One on Facebook

Review by Diana Lu

(Boston, MA) A hip hop musical play, Vietgone is Qui Nguyen’s new rom-com style re-telling of his parents’ love story. Though it’s presented as “a story about falling in love, not a story about war”, it very much is also a story about the Vietnam War, its devastating consequences, and the dignity and fortitude of its survivors. As a play, it’s well-written, at times hilarious, at times, heartbreaking. Continue reading

May 06

One World, Many Stories: “The Earthroom”

Photo by Paul Fox.

Presented by Fresh Ink Theatre
Written by Marge Buckley
Directed by Rebecca Bradshaw
Fight choreography by Omar Robinson
Dramaturgy by Sarah Schnebly

May 3-18, 2019
Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA 02215
Fresh Ink on Facebook

Critique by Kitty Drexel

Disclaimer: I auditioned for this production, and was not cast. It is my opinion that only a jackass would allow rejection, a natural process of auditioning, to taint their review.

(Boston, MA) Playwright Marge Buckley has a unique aptitude to balance quirky comedy with human truths. Her science fiction play The Earth Room merges family dynamics with interplanetary conquest with urban planning. It all bounces off the larger issue of mental health avoidance. Human beings may colonize Mars; they may even invent the holodeck, but they will still be inherently guided by human nature.   Continue reading