Aug 20

14 Greater-Boston Theatres Announce Proof of Vaccination and Mask Requirements

Article by Kitty Drexel

  • Proof of vaccination or a Negative COVID-19 test is required
  • Masks must be worn
  • New survey results show majority of arts goers support these measures
  • Bindle, a digital vaccine record app, is free. http://www.joinbindle.com/people

BOSTON — Fourteen theatre companies in the Greater Boston area will require proof of vaccination or negative COVID-19 test for all artists, staff members, and audiences as live, indoor performances resume for the 2021/2022 season, said a press release dated August 19. Masks are also required. 

The list of participating theatres is below.

The press release said that these policies begin immediately and remain valid through October 31. Policies are per CDC guidelines and will be reevaluated as COVID-19 pandemic evolves. 

“Proof of vaccination may include showing either a vaccination card, a photo of the card, or a digital vaccine record (through an app such as Bindle at www.joinbindle.com/people),” said the press release. Audience members without proof of vaccination will be required to show proof of a recent negative COVID test before entering.

Individual theatres will list specific protocols and guidelines on their websites. At this time, New England Theatre Geek has received protocol updates from the Huntington Theatre Company, SpeakEasy Stage Company, and Central Square Theater in addition to the joint press release from the fourteen theatres. 

The New England Theatre Geek eagerly awaits updates from other New England performing institutions. “We are reluctant to attend or review indoor performances by organizations that do not enact similar protocols and safety measures,” said Queen Geek Kitty Drexel. 

“Our primary mission is to support our theatre community. We cannot do that if organizations aren’t first taking the necessary steps to protect their staff, crew and casts. Audience members can’t make informed decisions if they aren’t assured the community’s health is a priority.”  

The June 2021 results of the ArtsBoston Audience Outlook Monitor survey said that 73% of audiences plan to resume indoor performances by Sept 2021. Audience Outlook Monitor is a longitudinal survey to keep tabs on arts attendees thoughts, concerns and intentions as the pandemic and the state’s reopening guidelines evolve, said ArtsBoston.com.

The 14 theatre joint press release said that the most recent round of Audience Outlook Monitor survey data (collected August 9 – 13, 202) found that 80% of respondents indicated that proof of vaccination would make them more likely to attend indoor events. 50% said that proof of vaccination or negative COVID test is a prerequisite for their attendance. 98% of respondents reported being fully vaccinated or planning to do so. 

Theatres in New York City, Washington, DC, and Chicago have established similar policies requiring proof of vaccination or a negative COVID test and mask wearing.

It is good practice to stay home if experiencing COVID symptoms on the day of the performance. Common symptoms include fever or chills, cough, shortness of breath or difficulty breathing, muscle or body aches, new loss of taste or smell. 

PARTICIPATING THEATRES:
Actors’ Shakespeare Project*
American Repertory Theater (ART)
Boston Playwrights’ Theatre*
Central Square Theater*
The Front Porch Arts Collective
The Gamm Theatre*
Gloucester Stage Company*
Greater Boston Stage Company*
The Huntington Theatre Company 
Martha’s Vineyard Playhouse*
Merrimack Repertory Theatre
Moonbox Productions
SpeakEasy Stage Company*
Wellesley Repertory Theatre*
 *Member of New England Area Theaters (NEAT), an association of midsize theatres

Feb 24

Don’t Feed the Troll: “Deal Me Out”

Photo by Stratton McCrady; Rachel Belleman, Matthew Bretschneider, Hannah Beebe, Dev Blair, Caleb Cedrone

Presented by Boston Playwrights’ Theatre
Written by MJ Halberstadt
Directed by Shana Gozansky
Dramaturgy by Ally Sass

February 13 to March 1, 2020
Boston Playwrights’ Theatre
949 Commonwealth Ave, Boston, MA 02215
BPT on Facebook
Critique by Kitty Drexel

Boston, MA — We all know that one toxic person who refuses to go away: they show up everywhere, you grew up together, they were hired when the company first started, etc. No one in your circle wants to get singled out by kicking them to the curb. Instead, everyone brines in their own contempt because confronting Toxic Tilly might upset the barely tolerable status quo. Boston Playwrights’ Theatre’s Deal Me Out directly addresses the harm they do. Continue reading

Oct 01

Your Fave is Fanfiction: “The Book Club Play”

Becca A. Lewis, Sean Patrick Gibbons, Greg Maraio (with Pepto Bismol), Rachel Cognata; photo by Stratton McCrady.

Presented by Boston Playwrights’ Theatre
By Karen Zacarias
Directed by Shana Gozansky
Dramaturgy by Caity-Shea Violette

Sept. 26 – Oct. 13, 2019
Boston Playwrights’ Theatre 
Boston, MA
BPT on Facebook

“We need to make books cool again. If you go home with somebody and they don’t have books, don’t fuck them.”
John Waters

Critique by Kitty Drexel

(Boston, MA) The pop culture obsessions of today are the classics of tomorrow: 50 Shades of Grey is Twilight fanfiction; the Twilight Saga is influenced by Wuthering Heights; Wuthering Heights was controversial in its day for its critical examination of religious hypocrisy, and class inequality within the gothic fiction genre. If the cultural narrative in response to a book shows us who we are as a society, then The Book Club Play at Boston Playwrights’ Theatre shows us that book snobs are insecure secret-hiders.  Continue reading

May 06

One World, Many Stories: “The Earthroom”

Photo by Paul Fox.

Presented by Fresh Ink Theatre
Written by Marge Buckley
Directed by Rebecca Bradshaw
Fight choreography by Omar Robinson
Dramaturgy by Sarah Schnebly

May 3-18, 2019
Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA 02215
Fresh Ink on Facebook

Critique by Kitty Drexel

Disclaimer: I auditioned for this production, and was not cast. It is my opinion that only a jackass would allow rejection, a natural process of auditioning, to taint their review.

(Boston, MA) Playwright Marge Buckley has a unique aptitude to balance quirky comedy with human truths. Her science fiction play The Earth Room merges family dynamics with interplanetary conquest with urban planning. It all bounces off the larger issue of mental health avoidance. Human beings may colonize Mars; they may even invent the holodeck, but they will still be inherently guided by human nature.   Continue reading

Dec 10

Identities on a Spectrum: “Winter People”

Photograph By Kalman Zabarsky; there wasn’t a cast photo available. Mondragon was left out of the reel altogether. Strange.  

Presented by Boston Playwrights’ Theatre
By Laura Neill
Directed by Avital Shira
Fight choreography by Jessica Scout Malone
Dramaturgy by Cayenne Douglass and Jordyn Stoessel

December 6-16, 2018
BPT
949 Commonwealth Avenue
Boston, MA 02215
BPT on Facebook

Critique by Kitty Drexel

(Boston, MA) Winter People and playwright Laura Neill aren’t taking any of your establishment bullshit. This play challenges how we view play production. It takes great risk with even greater success. It is well written and should be viewed by as many developing and established artists as possible. It breaks rules and shows us why these traditional rules are should be broken. Continue reading

Oct 19

Casseroles of Ashes: “The Tragic Ecstasy of Girlhood”

Danielle Palmer, Amanda Figueroa, Stephanie Castillo (foreground, clockwise from left), Tatiana Chavez (background). Photograph By Kalman Zabarsky

Presented by Boston Playwrights’ Theatre
By Kira Rockwell
Directed by Leila Ghaemi

Oct. 11 – 21, 2018
BPT
949 Commonwealth Ave
Boston, MA
BPT on Facebook

Critique by Kitty Drexel

(Boston, MA) Any social worker can tell you that the foster system is broken. Wards of the State are just as vulnerable as foster kids, but at the very least they get to socialize with each other in a relatively consistent environment. The Tragic Ecstasy of Girlhood takes a look at family dynamics within State government enforced boundaries and the impossible odds girls face as they grow into womanhood. It’s a miracle any of us come into adulthood with our sanity intact. Continue reading

Apr 17

Real Hopes and Real Dreams: “The Rosenbergs (An Opera)”

Church and Gibson; Kalman Zabarsky, Photographer

Presented by Boston Playwrights’ Theatre
Score by Joachim Holbek
Libretto by Rhea Leman
Music direction by Cristi Catt
Stage direction by Dmitry Troyanovsky
Dramaturgy by Magda Romanska

April 12 – 22, 2018
BPT
Boston, MA
BPT on Facebook

April 27-29, 2018
Brandeis University
Spingold Theater
415 South Street
Waltham, MA 02453

Review by Kitty Drexel

(Boston, MAEthel and Julius Rosenberg were accused of delivering crucial information on the creation of the atomic bomb to the USSR in 1953. This case, considered one of the most infamous spy cases in US history, validated HUAC and contributed to the country-wide paranoia known as the Red Scare. Such attacks on communist affiliates is similar to the current presidential administration’s attacks on socialism. The Rosenbergs (An Opera) considers the couple accused of treasonous espionage. It proves that the American government and the people it claims to serve have changed very little in the last 65 years. Continue reading

Oct 10

Meditations on Incorporation: “Lost Tempo”

Photograph credit: Kalman Zabarsky

Presented by Boston Playwrights’ Theatre
By Cliff Odle
Directed by Diego Arciniegas

October 5 – 22, 2017
BPT
949 Commonwealth Avenue
Boston, MA 02215
BPT on Facebook

Review by Kitty Drexel

(Boston, MA) Addiction will kill everything you love and then it will kill you. In the 1950’s and 60’s drug dependency, not unlike depression, was considered a moral failing. The US govt. chose to ignore the plight of its people. Today, the opioid epidemic rages around us, silently killing thousands of Americans every day. The occupants of the White House would prefer to pretend we’re living in the 50’s. While the President is very proud to have invented and solved the “opioid crisis emergency” in one afternoon with a press release, updates are nonexistent. In fact the Feds haven’t updated their site since June. Cliff Odle’s Lost Tempo tells us more about the consequences of opioid abuse in 100 minutes than Trump’s administration has in two months.   Continue reading

May 10

“La Llorona”: Myth, Music, and Motherhood

Photo by Paul Fox

Presented by Fresh Ink Theatre
By Cecelia Raker
Directed by Stephanie LeBolt
Music Composition by Geraldine Barney

May 5-20, 2017
Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA 02215
Fresh Ink Theatre on Facebook and Twitter

Review by Travis Manni

(Boston, MA) Mythologies can become difficult to trace and define as stories change from generation to generation. In a Fresh Ink Theatre premier production, playwright Cecelia Raker attempts to give life to the myth of a mourning mother in the multi-genre, multicultural play La Llorona. Continue reading

Feb 21

“The Honey Trap” Sweet Like Honey, Sting Like a Bee

Maureen Keiller, Barlow Adamson. Photograph credit: Kalman Zabarsky

Presented by Boston Playwrights’ Theatre & Boston University College of Fine Arts School of Theatre
Written by Leo McGann
Directed by Adam Kassim

February 16-26, 2017
949 Commonwealth Avenue
Boston, MA
Boston Playwrights’ Theatre on Facebook
Boston University New Play Initiative

Review by Travis Manni

(Boston, MA) According to the old cliché, you can catch more flies with honey than with vinegar. The truth of this is debatable, but it’s true that, when luring something, or someone, to its doom, it’s much simpler to do it in a soft, sweet way. On multiple levels, this was the crux of how Leo McGann’s The Honey Trap told a story of history, guilt, and revenge. Continue reading