Dec 07

“It’s Not About My Mother”: It’s About Fleetwood Mac

Photo credit: Nile Hawver

Photo credit: Nile Hawver

 

Presented by Fresh Ink Theatre
By Lizzie Milanovich
Directed by Cassandra Lovering

December 4-12, 2015
The Plaza Black Box Theatre at the Boston Center for the Arts
Fresh Ink Theatre on Facebook

Review by Travis Manni

(Boston, MA) Location, location, location. That was the thought that crossed my mind as I took a seat at the Plaza Black Box Theatre, and just from looking over the set the placement of It’s Not About My Mother was perfect. Not only does the show itself take place in a basement, the theatre is located in a similar setting, which was welcomingly orienting. Continue reading

Nov 30

Uncompromised Cuteness: BAREFOOT IN THE PARK

Tom Shoemaker (Paul Bratter) and Marisa Gold (Corie Bratter); Photograph – Earl Christie Photography

Tom Shoemaker (Paul Bratter) and Marisa Gold (Corie Bratter); Photograph – Earl Christie Photography

Presented by Moonbox Productions
Written by Neil Simon
Directed by Allison Olivia Choat
Original music composed by Dan Rodriguez

Nov. 20 – Dec. 12, 2015
Plaza Theater
Boston Center for the Arts
Boston, MA
Moonbox on Facebook

Review by Kitty Drexel

Ticket sales benefit Summer Search. Please visit their site and learn more.

(Boston, MA) At first blush, Neil Simon’s Barefoot in the Park appears to be a fluffy romcom with about as much depth as the Frog Pond during a late-August drought. Upon closer inspection, it could be perceived as a satire addressing the impossible expectations placed on 1960’s newly-wed couples. I know it’s a stretch. Bear with me for a second. Continue reading

Nov 03

Appropriating the Habits of Rabbits: “Casa Valentina”

Presented by SpeakEasy Stage Company
Written by Harvey Fierstein
Directed by Scott Edminston

Oct. 24 – Nov. Nov. 28, 2015
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MACasa Valentina is about men who relax by appropriating women’s culture,  and feminine identity. This cutting play by Harvey Fierstein examines the subversive transvestite subculture of the mid-1950’s. According to the healthily robust dramaturgy notes by Maureen Dezell, men would don wigs, hose and dresses to enjoy a quaint weekend in the Catskills. These men unwind from their rigid gender roles with a tube of lipstick and a stiff drink amidst the glory of the New York state. Suffice to say, this is not a production for conservative types with traditional notions of what is or is not acceptable behavior for men. Tread wisely. Continue reading

Nov 01

Haunting Memories and Daunting Doubt:”Choice”

© T Charles Erickson Photography

© T Charles Erickson Photography

Presented by Huntington Theatre Company
By Winnie Holzman
Directed by Sheryl Kaller

October 16-November 15, 2015
Calderwood Pavilion at the Boston Center for the Arts
Huntington Theatre Company on Facebook

Review by Travis Manni

(Boston, MA) I was stumbling through the rain this past Wednesday night in an outfit that wasn’t remotely appropriate rain attire. After stepping into the lobby of the Calderwood Pavilion, I couldn’t get the clinging wetness sensation off of me, but the second I walked into the theater, finally able to peel away my jacket, I was hit by a friendly warmth from the stage. Continue reading

Oct 28

That Marjorie is Such A Heel: 5 LESBIANS EATING A QUICHE

Photo care of Heart & Dagger promo materials

Photo care of Heart & Dagger promo materials

Presented by Heart & Dagger Productions
Written by Evan Linder and Andrew Hobgood
With contributions by Sarah Gitenstein, Mary Hollis Inboden, Meg Johns, Thea Lux, Beth Stelling, and Maari Suorsa
Directed by Joey C. Pelletier

Oct. 22 – Oct. 30, 2015
Boston Center for the Arts
Plaza Black Box
Boston, MA
Heart & Dagger on Facebook

Review by Kitty Drexel

Disclaimer: Mrs. Drexel auditioned for 5 Lesbians Eating a Quiche (among other lesbians) and was not cast. She firmly believes that only a selfish ass would allow something like this to taint her review.

(Boston, MA) 5 Lesbians Eating a Quiche imagines an alternative reality in which Sputnik was less a marvel of 1950’s Russian science and more a legitimate, non-propagandist threat to US security during the Cold War. It is 1956 and the members of the Susan B. Anthony Society for the Sisters of Gertrude Stein are holding a quiche appreciation luncheon. Sisters, behold the mighty egg: bringer of life, sustainer of women! The meeting begins joyously with a meeting of forks and ends after armageddon ravages the lands of the United States. The board members might be the only survivors. Yet, with the majestic egg to keep them strong, and their identities clearly defined, they will repopulate the earth. Somehow. Continue reading

Oct 06

The Government Has No Jurisdiction in A Uterus: DRY LAND

Photo credit: Paul Fox

Photo credit: Paul Fox; Detergent should only be used to clean clothing, not a uterus.

Presented by Company One
Written by Ruby Rae Spiegel
Directed by Steven Bogart
Dramaturgy by Jessie Baxter

October 2 – 30, 2015
Plaza Theatre
Boston Center for the Arts
Boston, MA
C1 on Facebook

Review by Kitty Drexel

(Boston, MA) For as long as there have been uteruses, there have been abortions. For almost as long as there have been abortions, there have been people desiring to control the contents of a uterus that isn’t theirs. Everyone, regardless of gender, deserves to know the capability of their body. Everyone with a uterus deserves to choose what is best for that uterus whether that means ending or beginning a pregnancy. A uterus shouldn’t be political. It is privately owned. No one gets to make decisions about my body but me. I support Planned Parenthood because I believe that everyone else deserves that freedom too.   

Company One’s production of Dry Land is about the consequences of abstinence only education, institutionalized ignorance, and socialized body shaming. Amy (Stephanie Recio) is a pregnant teenager. She doesn’t give us any specifics but it’s implied that she had consensual sex with a boy. Unfortunately, Amy lives in Florida. This means a safe, regulated surgical abortion is impossible for her to acquire without a parent’s input because Florida believes a teenager 16 or older is old enough to engage in sexual congress with someone up to seven years their senior but not to make their own decisions regarding the consequences of that sexual activity*. Instead, Amy has engaged Ester (Eva Hughes) to be her confidante in self-administering an at-home abortion. They are acquaintances through the high school swim team. Continue reading

Sep 25

Stop Staring At Me Bob Goulet: THE BOYS IN THE BAND

Photo by Joel Benjamin

Photo by Joel Benjamin

Presented by Zeitgeist Stage Company
By Mart Crowley
Directed by David J. Miller

September 11th – October 3rd, 2015
Plaza Black Box Theater at the
Boston Center for the Arts
Zeitgeist on Facebook

Review by Kitty Drexel

(Boston, MAIn performance, sometimes it is more important to get a pivotal work onstage than it is to do it perfectly. Zeitgeist’s production of The Boys in the Band is flawed. Its flaws are less important than bringing this historically game-changing play to the stage for new generations to contemplate. Just as it is more important to treat the LGBTQ+ community with the respect and dignity we deserve than to be polite. Continue reading

Aug 11

Some Dudes Will Put Their Dicks In Anything: “The Goat or, Who Is Sylvia?”

Photo credit: Paul Cantillon, Lidec Photo

Photo credit: Paul Cantillon, Lidec Photo

Presented by Bad Habit Productions, Inc.
Written by Edward Albee
Directed by Daniel Morris

Aug. 8-23, 2015
The Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
Facebook

Review by Kitty Drexel

Trigger warnings: Rape (the play), F-bombs (the review)

(Boston, MA) WARNING: Spoilers ahead. The effort necessary to tiptoe around the main plot point of The Goat is so cumbersome that I’m not even going to bother trying.

The Goat or Who Is Sylvia? is about rape. It is about reconciling a sinner with their sin. It is about betrayal. It is not about the moralities of romantic love. Continue reading

Jul 09

Team-Work at Play: An Open-Rehearsal Review of COLOSSAL

­­

Photo by Mona Maruyama

Photo by Mona Maruyama

Presented by Company One
An NNPN Rolling World Premier­­
Play by Andrew Hinderaker
Directed by Summer L. Williams

July 17 – August 15, 2015
Roberts Studio Theater at the BCA
527 Tremont St, Boston, MA
Company One on Facebook

Review by Danielle Rosvally

(Boston, MA) Last night, I had the opportunity to watch from the sidelines what promises to shape up into one of the more exciting theatre offerings that Boston has on tap this summer.  Company One hosted an open rehearsal of their summer blockbuster Colossal and the show (from what I saw last night) has great promise! Continue reading

Jun 09

Who Doesn’t Like Penis Stuff? : THREE

Adulthood blows. Enjoy your youth now. Photo Credit: Ron Spalletta

Adulthood blows. Enjoy your youth now. Photo Credit: Ron Spalletta

Presented by Boston Public Works Theatre Company
By Emily Kaye Lazzaro
Directed by A. Nora Long

June 5 – 20, 2015
Boston Center for the Arts
Plaza Black Box
Boston, MA
BPW on Facebook

Review by Kitty Drexel

(Boston, MA) Hollywood characterizes women like they’re mysterious flowers incapable of raunch or, conversely, like unsexy raunch-machines that repel penises. Theatre is kinder to us by generally allowing us our humanity, albeit a fragile one that must be guarded… unless characterizing us as a Strong Female Character who is impervious to nurturing. The unjust stereotypes abound. Why can’t we be complicated people who attempted to appropriately abide the status quo while farting into a void? This is who we are. You know, just like dudes.    Continue reading