Tag Archives: Boston

Mar 13

The National Tour of “Parade” at the Emerson Colonial Theatre

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Max Chernin and the company in the National Tour of PARADE, photo by Joan Marcus.

The New York City Center production presented at the Emerson Colonial Theatre 
Book by Alfred Uhry
Music and lyrics by Jason Robert Brown
Co-conceived by Harold Prince
Directed by Michael Arden
Choreography by Lauren Yalango-Grant & Christopher Cree Grant
Music direction by Charlie Alterman
U.S. Tour Website

March 11 – 23, 2025
Emerson Colonial Theatre
106 Boylston Street
Boston, MA 02116

2 hours and 30 minutes, including one intermission

Review by Kitty Drexel

BOSTON — Uhry and Brown’s Parade is at the Emerson Colonial Theatre through March 23. This heartbreaking musical about Christian nationalist antisemitism and its consequences on decent, law-abiding folk has become a musical theatre classic for the ages. It features strong choreography by Lauren Yalango-Grant & Christopher Cree Grant, decisive music direction by Charlie Alterman, and direction by Michael Arden. Continue reading →

Mar 05

BPT Spring Plays in Repertory: “The Fig Tree, and The Phoenix, and The Desire to be Reborn” & “The Recursion of a Moth”

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Presented by Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA 02215
Parking & Directions

The Fig Tree, and The Phoenix, and The Desire to be Reborn 
February 20 – March 9 on the Snodgrass Stage
By Isabelle Fereshteh Sanatdar Stevens
Directed by Nikta Sabouri
Original Music and Sound Designer: Arshan Gailus
Digital playbill 

The Recursion of a Moth 
February 27 – March 9 on the Snodgrass Stage
By Brandon Zang
Directed by Katie Brook
Digital playbill 

Critique by Kitty Drexel

BOSTON — This Spring, Boston Playwrights’ Theatre presents two new plays as part of its repertory season: Isabelle Fereshteh Sanatdar Stevens’ The Fig Tree, and The Phoenix, and The Desire to be Reborn and Brandon Zang’s The Recursion of a Moth. Fig adapts an Iranian/Zoroastrian creation myth into a fantasy parable. Moth explains time recursion (a physics term for time looping back in itself… I think.) via an expanded family social experiment.  Both trace love across oceans of time.  Continue reading →

Mar 03

Convention is a Trap: “A Man of No Importance”

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Eddie Shields (center) and the company of “A Man of No Importance.” Photo by Nile Scott Studios.

Presented by SpeakEasy Stage
Book by Terrance McNally 
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Based on the film “A Man of No Importance”
Directed by Paul Daigneault
Music directed by Paul S Katz
Choreographed by Ilyse Robbins

Feb. 21 – March 22, 2025
Stanford Calderwood Pavilion
Boston Center for the Arts
539 Tremont St
Boston, MA 02116

Content warning: Themes of homophobia and some strong language. Recommended for Ages 12+.

Critique by Kitty Drexel

BOSTON — Ahrens, Flaherty, and McNally’s A Man of No Importance is based on the film (1994, directed by Suri Krishnamma. Starring Albert Finney.) of the same name which is a play on words based on the Oscar Wilde comedy A Woman of No Importance. Both tackle social status, ethics, and to a lesser degree, gender roles. The musical, like the play, features a central character holding a deep, dark secret that sparks community shame when it is exposed. Fortunately, both the musical and the play have happy endings.

A Man of No Importance opens with lines from Oscar Wilde’s “The Harlot’s House.” The reader, Alfie Byrne (Eddie Shields), is an unmarried bus conductor who loves theatre and poetry on his bus in 1960s Dublin. While dodging his boss Carson (Joe LaRocca), Alfie tells his bus riders this year he will direct the St. Imelda Players community theatre production of Oscar Wilde’s Salomé. It’s a biblical story about St. John the Baptist, Alfie tells them. He conveniently leaves out the salacious parts because, he says, art can’t be salacious.  Continue reading →

Feb 25

You Are Simply Made Perfect: “The Grove”

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The cast of The Huntington’s production of Mfoniso Udofia’s The Grove, directed by Awoye Timpo; photo by Marc J. Franklin.

Play two of the Ufot Family Cycle
Presented by The Huntington
Written By Mfoniso Udofia
Directed by Awoye Timpo

February 7 – March 9, 2025
The Huntington Calderwood
527 Tremont St. 
Boston, MA 02116

Critique by Kitty Drexel

BOSTON — The Grove is a play about being female, queer, and Black in a world that derides persons who persist in those identities. It follows Adiaha Ufot (Abigail C Onwunali returning in a tour de force performance) as she bargains with herself, her Ancestors, and her family to justify her existence. This is the triumphant second play in the Ufot Family Cycle by Mfoniso Udofia which runs at the Calderwood Pavilion in Boston through March 9. 

If you didn’t see Sojourners, the first play in the Ufot Family Cycle, here is a recap video graciously provided by The Huntington.

Attendees won’t need to have seen Sojourners to enjoy The Grove as The Grove stands on its own dramatic, design, and direction excellence, but knowing about Sojourners will help patrons understand the trajectories of the recurring Nigerian-American characters Abasiama (Patrice Johnson Chevannes who leads with quiet bravery) and Disciple’s (Joshua Olumide as the terrifyingly unhinged patriarch). Both have changed since we last met them: Abasiama has found success in STEM after earning her college degree and born three more children. Disciple is an adjunct professor who now displays obsessive narcissistic personality traits: sleep deprivation, financial abuse, gaslighting. Their home is a veritable warzone for their children Adiaha, Toyoima (Aisha Wura Akorede) and Ekong (Amani Kojo). Continue reading →

Feb 23

Serenading Aliens and Lukewarm Coffee as the World Ends: “The Guy Who Didn’t Like Musicals”

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Photo from https://www.facebook.com/yorickensemble

Presented by Yorick Ensemble 
Music and lyrics by Jeff Blim 
Book by Matt & Nick Lang
Directed by Kari Boutcher
Music direction by Elias Condakes 
Choreographer & Violence/Intimacy Director: Sydney T. Grant

February 13–22
Boston Center For the Arts
Boston, MA

Review by Kitty Drexel

BOSTON — It’s been a weird month of politics muddling the waking life of everyday citizens. Yesterday was a weird day of weird happenings which continued with a weird mishap at the Boston Center for the Arts. My ticket confirmation email for Thursday’s performance told me Yorick Ensemble’s The Guy Who Didn’t Like Musicals performance started at 7:30 PM that night. My ticket from the box office said this, too, so I thought I had an extra 40 minutes at 6:53 PM yesterday to mosey over to the theatre. But, the BCA website said The Guy Who Didn’t Like Musicals started at 7 PM. Not knowing which source to trust, I moseyed faster to Tremont St. Scooting through the BCA’s front doors, I overheard a young man on a headset describe us entering and holding for the house. Was I late? It sounded like I was. Fortunately, I wasn’t the only confused attendee; several others entered the Plaza Theatre after me. The show eventually started around 7:15 PM without a clear answer.  Continue reading →

Feb 20

Wham! Comic mischief in “Flora & Ulysses”

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Photo courtesy of Nile Scott Studios.

Presented by Wheelock Family Theatre
Adapted for the stage by John Glore
Based on the book by Kate DiCamillo
Directed by Joshua Rashon Streeter
Composed and Sound Designed by Mackenzie Adamick
Puppet Design by Amanda Gibson
Projection Design by Justin Lahue
Props Design by Saskia Martinez
Scenic Design by Danielle Delafuente
Costume Design by Nia Safarr Banks
Lighting Design by Lawrence A. Ware

Online playbill

February 15 – March 9, 2025
Wheelock Family Theatre
Boston University; Fenway Campus
200 The Riverway
Boston,  MA 02215

Critique by Helen Ganley

BOSTON — Common media often asserts that heroes come in all shapes and sizes, citing a range that stretches from DC’s Doll Man (thirteen inches tall, with an attitude) to Marvel’s Stature (fifty feet and fighting with the Young Avengers). But does this spectrum include a flying, super-strong, philosophy-spouting squirrel? Wheelock Family Theatre’s Flora & Ulysses expands the superhero multiverse beyond traditional humanity, following the story of a comic-obsessed 10-year-old girl and her unlikely superhero protégé as they navigate the trials of suburbia. Continue reading →

Jan 28

Stuck and Bored at the End of the Line: C1’s “Haunted”

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Presented by Company One Theatre produced in partnership with the Boston Public Library with support from the National New Play Network and the Rolling World Premiere Program
Written, directed and choreographed by Tara Moses
Dramaturgy by Quita Sullivan
Fight choreography by Marisa Diamond
Community Advisor: Maria Hendricks

Jan. 24 – Feb. 15, 2025
Rabb Hall at the Boston Public Library, Central Branch
700 Boylston Street
Boston, MA 02116

Critique by Noelani Kamelamela

BOSTON — Comparisons between Tara Moses’ “Haunted”, Antoinette Nwandu’s “Pass Over” and Samuel Beckett’s “Waiting for Godot” are inevitable. So, yes, there are two main characters waiting for something in this play and amusing each other while they pass the time. I admit it. Fine. That’s it, that’s all I’m saying about those connections. 

Below the surface, “Haunted” brings to life two young indigenous ghosts, Ash (Bradley Lewis) and Aaron (Chingwe Padraig Sullivan), who are rooted in one place while it changes around them. They constantly opine and long for freedom. One of their comforts and constants, the well-known hits of the early 2000s, provides emotional escape, but also constant reminders of how stuck and bored they have become. Continue reading →

Dec 03

Lucky Number 7: “The Jinkx and DeLa Holiday Show”

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Photo credit: Jacob Ritts

The Jinkx and DeLa Holiday Show
Presented by Boch Center Wang Theatre
Created & Written by BenDeLaCreme & Jinkx Monsoon
Director: BenDeLaCreme
Choreographer: Chloe Albin
Movement Direction by BenDeLaCreme
Original Compositions by Major Scales
Lyrics: BenDeLaCreme, Jinkx Monsoon, & Major Scales
Music Production: Markaholic & Keith Harrison
Starring: BenDeLaCreme & Jinkx Monsoon
Featuring: Chloe Albin, Mr. Babygirl, Jace Gonzalez, Ruby Mimosa, Derrick Paris, Scott Spraags, and Gus Lanza as “Hunky the Elf”

Dec. 2, 2024
Wang Theatre at Boch Center
270 Tremont Street
Boston, MA 02116

Critique by Kitty Drexel

BOSTON – December marks the start of a very special time for us in Boston. No, it’s not the Baby Jesus’ red and green capitalist wet dream known as Christmas. It’s the month when The Jinkx and DeLa Holiday Show visits Boston to spread cheer (and legs) across the land, sillies. Merry Kwanzanukkahdad and Mele New Year, the holiday season has begun!  Continue reading →

Dec 02

A Toast to Life’s Simple Pleasures: “A Year with Frog and Toad”

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A Year with Frog and Toad. Photo by Nile Scott Studios.

Presented by Wheelock Family Theatre
Based on the books by Arnold Lobel
Music by Robert Reale
Book and lyrics by Willie Reale
Directed by Leigh Barrett
Music direction by David Freeman Coleman
Scenic design by Jenna McFarland Lord
Lighting design by Deb Sullivan
Costume design by Chelsea Kerl
Choreography by Brad Reinking
Featuring: Alan Cid, Kristian Espiritu, Will McGarrahan, Anthony Pires Jr., Tader Shipley

November 30 – December 15, 2024
200 The Riverway, Boston MA 02215
Tickets HERE

Run Time: Approximately 80 minutes without intermission

Review by Maegan Bergeron-Clearwood

BOSTON — The quiet seasonal joys depicted in A Year with Frog and Toad are a far cry from what many are experiencing this 2024 winter. Instead of end-of-year deadlines, unwelcome ads, and existential political dread, these beloved critters’ lives are occupied with kind favors and hot bowls of soup. It’s the kind of simple but evergreen message that’s best told through a children’s story: life’s richest moments are often the most mundane. Continue reading →

Nov 27

Plucky Repertory at BPT: “How to Not Save the World with Mr. Bezos” & “Soft Star”

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Presented by Boston Playwrights’ Theatre 
Produced in collaboration with the Boston University College of Fine Arts School of Theatre.
BPT’s Fall Rep Festival

How to Not Save the World with Mr. Bezos by Maggie Kearnan
Directed by Taylor Stark
Intimacy and violence choreography by Jess Scout Malone
Special effects by Lynn Wilcott
Featuring: Becca A. Lewis, Mark W. Soucy, Robbie Rodriguez

Soft Star by Tina Esper
Directed by Bridget Kathleen O’Leary
Intimacy & Violence Choreographer: Jess Scout Malone
Featuring: Annika Bolton, Mairéad O’Neill, Jesse Kodama, Kamran Bina

November 7-24, 2024 
Boston Playwrights’ Theatre (now with a water fountain!) 
Kate Snodgrass Stage
949 Commonwealth Avenue
Boston, MA 02215

Critique by Kitty Drexel

BOSTON — Boston Playwrights’ Theatre presents two plays as part of its Fall Rep Festival: How to Not Save the World with Mr. Bezos by Maggie Kearnan, a fictional interview with the nonfictional journalist, and Soft Star, a play about secrets between best friends, by Tina Esper. 

While they are running in repertory with each other, these plays will not be critiqued by the same standards. The scripts are at different levels of development: Bezos is nearly if not fully completed; Soft Star requires some tweaking and that’s okay; that’s why BPT exists.   

This critique discusses both plays in the order I viewed them. Both plays ran through Nov. 24 on different days on the Kate Snodgrass Stage at BPT. Their runs have ended but their legacy will live on.   Continue reading →