Tag Archives: August

Aug 10

“Leftovers” and the Balance Between Wishes and Truths

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Photo by Paul Fox.

Presented by Company One Theatre
Written by Josh Wilder
Directed by Summer L. Williams
Developed by C1 PlayLab

July 21 – August 18, 2018
The Strand Theatre
543 Columbia Road, Boston, MA 02125
The Leftovers on Facebook

Review by Gillian Daniels

(Boston, MA) When a giant dandelion bursts out of the ground in their Philadelphia yard, Kwamaine (the charming Christian Scales) is enchanted while his older brother, Jalil (Kadahj Bennett, who pulls some of the best humorous faces I’ve seen on any given stage), is understandably baffled. Their harassed mother, Raquelle (Lyndsay Allyn Cox), is mostly just annoyed. Writer Josh Wilder and director Summer L. Williams deliver an odd, funny city-based fable that becomes a magic realist quest through systemic poverty, race, The Cosby Show, and the insulating nature of fantasies. Continue reading →

Aug 06

A State of Virginal Ecstasy; Or, Needs More Snakes in Bowls: “Dark Room”

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Ensemble | Photo Credit, Andrew Brilliant

Presented by Bridge Repertory Theater
Written by George Brant
Inspired by the life, death, and photography of Francesca Woodman
Directed by Olivia D’Ambrosio
Associate director and dramaturgy by Alexander Platt
Choreography by Doppelgänger Dance Collective

July 27 – August 16, 2018
In residence at the Multicultural Arts Center
Cambridge, MA
Bridge Rep on Facebook

Review by Kitty Drexel

Disclaimer: I auditioned for this production, and was not cast. It is my opinion that only a jackass would allow rejection, a natural process of auditioning, to taint their review.

(Cambridge, MA) Producer and director, D’Ambrosio gives an important, informative speech before Dark Room to guide audience expectations. She suggests we allow the performance to wash over us. Should we become puzzled by the actions onstage, rather than self-interpret what we see, we should allow the performance to explain itself through continued observance. I’d further posit that audience members do proper research before attending. The chiaroscuro style of Francesca Woodman is emphatically stirring. To fully absorb the performance, it behooves an audience to google Woodman’s art. Continue reading →

Aug 03

“Richard III”: Uncomfortably Mirroring a Summer of Our Discontent

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Faran Tahir (Richard III) and the cast of Richard III (photo by Evgenia Eliseeva)

Presented by the Commonwealth Shakespeare Company
Written by William Shakespeare
Directed by Steven Maler

July 18 – August 5, 2018 
Parkman Bandstand
Tremont Street & Winter Street
Boston, MA 02108
CSC on Facebook

Review by Gillian Daniels

(Boston, MA) The Commonwealth Shakespeare Company brings an arresting production of Richard III to Boston’s Common. The grim story of a happily evil king is enlivened by the performance of Faran Tahir as he swaggers, lies, and simpers his way to a throne that might as well be soaked in blood. The play is grounded in real world anger toward a cartoonish villain who disintegrates into a self-doubting coward. It’s a cathartic watch, one that both moved me and concerned me in the way it compliments and comments on topical news items. Continue reading →

Jul 23

Taking Flight: PETER PAN

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Presented by North Shore Music Theatre
Based on the play by Sir J. M. Barrie
Lyrics by Carolyn Leigh
Music by: Morris “Moose” Charlap
Additional lyrics by Betty Comden & Adolph Green
Additional Music by Jule Styne
Directed by Bob Richard
Choreography by Diane Laurenson
Music direction by Peter Leigh-Nilsen

July 10 – July 22, 2018
NSMT
62 Dunham Road
Beverly, MA 01915
NSMT on Facebook

Review by Kate Lew Idlebrook

(Beverly, MA) Fairies, pirates, flying, and magic, all on an island without parents – Peter Pan, Sir J.M. Barrie’s adventure about the boy who doesn’t want to grow-up and the magical island that is his home
has it all. Capturing this magic on stage can be a challenge, but Carolyn Leigh and Morris
(Mosse) Charlap turn the classic into a wonderful and catchy musical, and the North Shore
Music Theatre’s production of this musical is a strong revival of this classic tale. Continue reading →

Jun 28

Your Ticket is Problematic: LUZIA

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Presented by Cirque du Soleil
Written by Julie Hamelin Finzi and Daniele Finzi Pasca
Directed by Daniele Finzi Pasca
Acrobatic performance designed by Philippe Aubertin
Composed and music directed by Simon Carpentier
Acrobatic choreography by Edesia moreno Barata, Debra Brown, Sylvia Gertrúdix González

June 27 – August 12, 2018
Suffolk Downs
525 William F McClellan Hwy
Boston, MA 02128
Parking available for $20.00
CdS on Facebook

Review by Kitty Drexel

(Boston, MA) Cirque du Soleil’s scheduling of its Luzia American tour is so poorly-timed that it’s nearly offensive. The producers couldn’t have known, could they? On the one hand, there’s the appreciation of Mexico’s song, dance, and natural resources. On the other, there’s the fact that ICE is indefinitely detaining immigrants as well as asylum seekers near the Mexican border. It’s deporting LEGAL residents across the US. It had been separating families because it could. “But why does light entertainment have to be dragged through politics? It’s just a show!” Because the political is personal, my friends. There are immigrants living in Boston who are at risk of deportation as I type. We, as artists and audience members, can’t forget the fascist actions of the the President because it’s convenient. We must be better. Continue reading →

Aug 29

Sing the Sky Her Sailor’s Song: PLANK

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With Liz Adams, Adam Lokken Barrameda, Poornima Kirby and Sydney T Grant. Photo by Joan Mejia.

Presented by Alley Cat Theater
Written by John Grenier-Ferris
Directed by Megan Schy Gleeson
Original music by Peter Warren & Matt Somalis

Aug. 26 – Sept. 16, 2017
Stanford Calderwood Pavilion
Boston Center for the Arts
Deane Hall
Boston, MA
Alley Cat on Facebook

Review by Kitty Drexel

(Boston, MA) Plank is an allegory for life. The ocean can be kind but it is often cruel. Those with fears of open water, or an unmoored life may want to meditate on this before viewing. Continue reading →

Aug 28

Shoulder Shrug, Head Tilt: “Burn All Night”

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Krystina Alabado (Holly), Lincoln Clauss (Bobby), Perry Sherman (Will), and Ken Clark (Zak) shut out the world in Burn All Night. Photo: Evgenia Eliseeva.

Presented by the American Repertory Theatre
Book and lyrics by Andy Mientus
Music by Van Hughes, Nicholas LaGrasta, Brett Moses
Directed by Jenny Koons
Choreographed by Sam Pinkleton
Music supervision & vocal arrangements by Cian McCarthy

Aug. 18 – Sept. 8, 2017
Club Oberon
Cambridge, MA
ART on Facebook

Review by Kitty Drexel

(Cambridge, MA) At first glance, Burn All Night is pretty impressive. It has a fancy pedigree in director Koons and creator Mientus. Teen Commandments wrote the score. For those who enjoy pop, they’re on Spotify and worth a listen. Choreographer Sam Pinkleton also worked on Natasha, Pierre & The Great Comet of 1812. The production was not as impressive as its credits. Continue reading →

Aug 28

Gonzo Greatness: YOUNG FRANKENSTEIN

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Tommy Labanaris (Dr. Frederick Frankenstein) and Brian Padgett (The Monster). Photos © Paul Lyden

Presented by North Shore Music Theatre
Book by Mel Brooks and Thomas Meehan
Music and lyrics by Mel Brooks
Original Direction & Choreography by Susan Stroman
Direction and choreography by Kevin P. Hill
Musical direction by Milton Granger

August 15-27, 2017
62 Dunham Road
Beverly, MA
NSMT on Facebook

Review by Craig Idlebrook

(Beverly, MA) Sometimes, you know you’re in for a great night of theater with the very first line of a play; with Young Frankenstein, playing at the North Shore Music Theatre, you know it before the play even starts. Even the pre-play announcements and opening credits, told by a disembodied voice and projected onto a grey shroud, suck you into the campy, spooky, sexy world that Mel Brooks creates. Continue reading →

Aug 08

“Chess”: When the World is Not Your Oyster

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Photo credit: Julie Henion

Presented by The MIT Gilbert and Sullivan Players
Book by Richard Nelson
Music by Benny Andersson and Bjӧrn Ulvaeus
Lyrics by Tim Rice
Directed by Emma Brown
Music Direction by Elena Sokoloski

August 4 – August 13, 2017
Kresge Little Theater
48 Massachusetts Avenue, Cambridge MA 02139
Chess Facebook Event

Review by Gillian Daniels

(Cambridge, MA) Chess is a grim Cold War fable told around an international obsession with the titular board game. Director Emma Brown and the MIT Gilbert and Sullivan Players bring to life the ‘80’s show with a heavy dose of whimsy, suffusing the production with neon-colored nostalgia. Despite some song reshuffling, lyric changes, and obvious fun had by the cast, there’s little they can do to fix a rushed romance and peculiar pacing, creating a hurky-jerky but intriguing roller coaster of a musical. Continue reading →

Jul 29

These Violent Delights: “Romeo & Juliet”

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Presented by Commonwealth Shakespeare Company
By William Shakespeare
Directed by Allegra Libonati

July 19 – August 6, 2017
Boston Common
Boston, MA
Commonwealth Shakespeare Company on Facebook

Romeo and Juliet is like an old jalopy: if you want it to run, you need to know where to kick it, when to kick it, and how hard to kick it. Unfortunately, I really don’t think that director Allegra Libonati has the formula down (and not for lack of trying). Continue reading →