Jan 13

Office Space on Downers: THE MEMORANDUM

Photo credit: Flat Earth Theatre; a normal day at the office.

Photo credit: Flat Earth Theatre; a normal day at the office.

presented by Flat Earth Theatre

By Václav Havel
Translated by Vera Blackwell
Directed by Victoria Rose Townsend

Arsenal Center for the Arts
Watertown, MA
January 11th – 19th, 2013
Flat Earth Theatre Facebook Page

Review by Craig Idlebrook

If Václav Havel’s life is any indication, it may wise not to let your biography get more interesting than your scripts. The Czech playwright went from a persecuted critic of Communism to his country’s first freely-elected president. His play, The Memorandum, here translated by Vera Blackwell, now often inevitably is viewed through that lens. Continue reading

Oct 21

An Incomplete Sentence: RACE

Photo Credit: New Repertory Theatre; the cast

by David Mamet
Directed by Robert Walsh

presented by the New Repertory Theatre
Arsenal Center for the Arts
Watertown, MA
October 14th – November 4th, 2012

New Rep Facebook Page

Review by Craig Idlebrook

(Watertown) It’s become trickier to discuss racism in the post-2008 election era than it was before. We have elected a black president, many hope to say, and that is enough.

Leave it to troublemaking playwright David Mamet to clear his throat amid the quiet in 2009 with his biting and succinct dramatic comedy, Race, now being performed by the New Repertory Theatre in Watertown. His play refuses to rest on recent racial gains, instead showing the trouble beneath the surface, the kind
that otherwise is obscured unless a police officer arrests a Harvard professor or a neighborhood watchman shoots an unarmed teen. Mamet’s script sparks necessary dialogue about an uncomfortable subject, but the flawed storyline of the play, combined with uneven execution by New Rep’s cast, misses the opportunity to create deeper understanding of inherent social inequality. Continue reading

Oct 15

Some Freedoms are More Free than Others: “Parade”

Photo credit: F.U.D.G.E. Theatre Company, the cast with director Joey DeMita kickin’ it.

book by Alfred Uhry and music and lyrics by Jason Robert Brown

Directed by Joey DeMita
Music Directed by Steven Bergman

The F.U.D.G.E. Theatre Company
Oct 12- Oct 20, 2012
The Arsenal Center for the Arts Black Box
321 Arsenal Street
Watertown, Massachusetts

F.U.D.G.E. Theatre Company Facebook Page

Review by Kitty Drexel

(Watertown) A True Story: Mr. Leo Frank was infamously the prime suspect in the murder trial of a young National Pencil Company factory worker, Mary Phagan in 1913. Jim Conley, the factory janitor, was also held as a suspect. Frank was sentenced to death; Conley was sentenced to work on a chain gang. Later, Frank’s sentence was commuted in 1915 to life in prison. Local public outrage inspired a lynch mob to kidnap Frank, drive him back to Marietta, Georgia, where the murder took place, and hang him. Parade spans the trial and 2 year imprisonment of Frank. Continue reading

Sep 16

Brilliance and Bravery in New Rep’s “The Kite Runner”

The Kite Runner adapted for the stage by Matthew Spangler.
Novel by the same name by author Khaled Hosseini.
Directed by Elaine Vaan Hogue.

Photo by Andrew Brilliant/ Brilliant Pictures.

Photo by Andrew Brilliant/ Brilliant Pictures.

Performances, September 9-30, 2012
New Repertory Theater
Charles Mosesian Theater
Arsenal Center for the Arts
321 Arsenal Street, Watertown, MA 02472

New Repertory Theater Facebook Page

Review by Kitty Drexel

(Watertown) New Rep’s The Kite Runner is adapted for the stage by Matthew Spangler from the novel by the same name by author Khaled Hosseini. Director, Elaine Vaan Hogue, interprets her subject with fresh perspective in our post-9/11 world with compassion and ingenuity. Continue reading

Aug 11

An Ode to Mama

The Third Story by Charles Busch, directed by Adam Zahler and featuring Rick Park as “Queenie.”

Photo Credit: Evgenia Eliseeva

Titanic Theatre Company, August 9-18, 2012, The Arsenal Center for the Arts Black Box                 The Titanic Theatre Company Homepage

The Titanic Theatre Company Facebook Page

Reviewed by Kitty M Drexel

(Watertown, MA) The Third Story is Charles Busch’s devotional to Mothers and their Mama’s Boys everywhere. Screenwriter Peg lures her son Drew back into the business via a narrative of Gangster Noir, B-movie Sci-Fi, Russian fairytale and the kind of motherly affection psychologists use to warm their couches. Peg’s excuse is McCarthyism but her vehicle is a journey through the psyche of a co-dependent man emotionally unprepared to leave the nest. Continue reading

Aug 01

Earnestness, Perfected: Joseph and the Amazing Technicolor Dreamcoat

Photo Credit: F.U.D.G.E. Theatre Company

Joseph and the Amazing Technicolor Dreamcoat, music by Andrew Lloyd Webber, book and lyrics by Tim Rice,

F.U.D.G.E Theatre Company,
Black Box Theatre at the Arsenal Center for the Arts
7/27/12 – 8/4/12,

http://www.facebook.com/pages/The-FUDGE-Theatre-Company-Inc/77922709870

Review by Craig Idlebrook

(Watertown, MA) I grew up believing Andrew Lloyd Webber and Tim Rice represented the theatrical establishment to overthrow. They wrote the stuff that mediocre crooners sang on cheesy records sold to bored housewives. They cursedly created the material for the medley that my 7th grade choir was forced to sing, filled with needless trills and fills. Continue reading

May 07

Horrific Comfort Food: LITTLE SHOP OF HORRORS

l. to r. Bill Mootos, Ceit McCaleb Zweil, Lovely Hoffman, and Jennifer Fogarty in Little Shop of Horrors. Photo by Andrew Brilliant / Brilliant Pictures.

Little Shop of Horrors, book and lyrics by Howard Ashman, music by Alan Menken, New Repertory Theatre, Charles Mosesian Theater at the Arsenal Center for the Arts, 4/29/12-5/27/12, http://www.newrep.org/little_shop.php.

Reviewed by Kate Lonberg-Lew

(Watertown, MA) Sometimes you are having a bad day. Sometimes you are in such a bad mood that escapism is the only way to manage.  It was in such a state that I entered the New Rep’s production of Little Shop of Horrors at the Arsenal Center for the Arts. I tell you this so that you will know exactly how steep a hill the cast had to climb in order for me to emerge smiling; which I did. Continue reading

Apr 08

The Walking Dead: LONG DAY’S JOURNEY INTO NIGHT

Long Day’s Journey Into Night by Eugene O’Neill, New Repertory Theatre, Charles Mosesian Theater at the Arsenal Center for the Arts, 4/1/12-4/22/12, http://newrep.org/long_days.php.

Reviewed by Craig Idlebrook

(Watertown, MA) Inconvenient truths sometimes come from the mouth of the mad, from those with the least to lose.  From the most hopeless in the New Repertory Theatre’s unflinching drama Long Day’s Journey into Night, we receive the troubling message that you can’t outrun the past.  If the past is not dealt with, it can rise from the grave and overtake the present and the future.   Along with this, we also learn that perhaps you should ask your doctor about possible side effects before taking any new medication. Continue reading

Mar 04

Not Buying It: BAKERSFIELD MIST

Photo Credit: Andrew Brilliant / Brilliant Pictures

Bakersfield Mist by Stephen Sachs, New Repertory Theatre, Arsenal Center for the Arts, 2/26/12-3/18/12, http://newrep.org/bakersfield_mist.php.

Reviewed by Craig Idlebrook

(Watertown, MA) 

Audiences, like art critics, want to believe, but the New Repertory Theatre production of Bakersfield Mist doesn’t give theatergoers a chance.  Instead, the audience must suspend disbelief the moment we spot a central character’s obviously-fake tattoo.  For a play intent on debating what is real, Bakersfield Mist provides a poor facsimile of real life.

The play centers on a plausible and chewy scenario:  A trailer-park loser, Maude (Paula Langton), has summoned a renowned art critic, Lionel (Ken Cheeseman), to authenticate a Jackson Pollack painting bought at a thrift shop.  Some $50 million to $100 million is riding on Lionel’s opinion.  The answer, the play suggests, is much messier than checking “yes” or “no”, and both Maude and Lionel must wrestle with their pasts and their notions of art to view the painting. Continue reading

Nov 06

Spring Awakening: Must See Anachronistic Musical of Teenage Repression

Spring Awakening, music by Duncan Sheik, book and lyrics by Steven Sater, The F.U.D.G,E Theatre Company, Black Box Theater at the Arsenal Center for the Arts, 11/4/11-11/12/11, http://www.fudgetheatre.com/.  Adult Themes and Language.

Reviewed by Gillian Daniels

 

(Watertown, MA)  Spring Awakening is not a show I would recommend; instead, it is a show I would require audiences to see.  Despite the early-20th century backdrop of Germany, the pop-rock musical is a thinly veiled indictment of contemporary repression of teenage sexuality.  Members of the cast occasionally wear anachronistic clothing: goggles, fingerless gloves, and sneakers.  If not for the pervasive nature of the Internet in our modern times and the sometimes salacious information it provides, the play would be perfectly suited for a contemporary adaptation in Middle America.

Instead, we follow our main character, Melchior Gabor, passionately played by Jared Walsh, as he deals with the puberty, lust, and lack of information plaguing his age group.  The adults in his community, varied roles all played fantastically by Linda Goetz and Jim Fitzpatrick, refuse to give their children and charges any information that would make their transitions into adulthood easier.  Continue reading