Tag Archives: Apollinaire Theatre Company

Mar 23

Streamed Content to Prevent COVID-19 Brain Drain: A March 2020 List

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Dearest Readers; 

Like you, we at the New England Theatre Geek are starting to go stir-crazy during these times of social distancing #COVFEFE19. Below is a small collection of links to streaming content, classes, and performances to occupy your days.

We wish you all the best! Please wash your damn hands, get enough exercize, Zoom your friends, and stay home as much as you can.  

Let us know if we missed something! Email us at blognetheatregeek@gmail.com or find us on our social media pages.
Twitter: https://twitter.com/netheatregeek
Facebook: https://www.facebook.com/NewEnglandTheatreGeek/

All our love from six feet away,
Kitty, Queen of the New England Theatre Geeks

The List

Apollinaire Theatre – Last week Apollinaire graciously hosted readings via Zoom. The scripts are still up on their main page. 

Boston Center for the Arts (BCA) – The FeministFuturist exhibit is now online. Performances have been suspended. They have a page FULL ofOVID-19 relief opportunities for all artists. Please check it out… But first, FeministFuture! 

The Brattle Theater – The Brattle is streaming their Boston Women’s Film Festival on Instagram, Facebook, and Twitter.

Broadway World – BWW has multiple pages devoted to online content to download or stream. Happy hunting: Classical; Broken Records; Musicals Online; What’s Streaming Today?; So much more.

CompanyOne – C1 is running an online auction. Alas, the JAM in cancelled. 

Company Theatre – online classes – https://www.companytheatre.com/online-classes/

Cloud Cafe – Tune into Cloud Cafe tonight at 6 p.m.! Each night of this performance series will be curated by a different Boston based artist–all of whom have been forced to cancel gigs and tours to protect the community from COVID-19. Each curator will hand-pick members of their community who have been directly impacted by the pandemic to build creative performances that bring people together to heal and find joy.

Flat Earth Theatre Company – The radio play Lovecraft’s Unnamable Tales is free to listen to on YouTube and SoundCloud. We know the unknown is terrifying, but you can at least experience the indescribable virtually, from the comfort of your own attic laboratory full of unheard-of monsters.

HowlRound Events – HowlRound is streaming their events. Please check their site for more info. 

John J King is hosting Johnny Cakes a weekday dance break at 12:45PM ETD. 

Penobscot Theatre Company – PTC will livestream its production of Safety Net through March 29. It runs 90 minutes with no intermission. The playbill is available online. Tickets may be purchased HERE.

Playbill – Playbill has a Daily Distraction page.

Metropolitan Opera – Daily streaming of opera for all – If you can beat the rush and the site doesn’t crash from the opera fervor! 

MIT Arts – MIT is posting home concerts to its Facebook and Twitter account:s starting on March 20. Please check these links: Facebook ad Twitter. Free to watch and listen!

This New York Times article has oodles of opportunities in it: https://www.nytimes.com/2020/03/17/theater/theater-streaming.html

Wilbury Theatre Group –  Thanks to a new collaboration with GoLocalProv, the Wilbury Theatre Group is streaming classes, performances and events on their Facebook and YouTube pages. Their calendar is HERE. 

Young Jean Lee – Playwright Young Jean Lee has posted her 2011 performance of We’re Gonna Die and playwright class on Twitter. 

The New England Theatre Geek will post events, performances and classes as they appear on its Facebook and Twitter pages. Please let me know if we’re missing out by emailing us at blognetheatregeek@gmail.com.  
Twitter: https://twitter.com/netheatregeek
Facebook: https://www.facebook.com/NewEnglandTheatreGeek/

Feb 25

Honor Your Boundaries: “Hir”

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Photo via Facebook: https://www.facebook.com/apollinairetheatre/photos/a.59182456990/10156464525606991/?type=3&theater

Presented by Apollinaire Theatre Company
Written by Taylor Mac
Directed by Brooks Reeves

February 14 – March 8, 2020
Chelsea Theatre Works
Chelsea, MA
Apollinaire on Facebook

Review by Noelani Kamelamela

Chelsea, MA — This month, Apollonaire Theatre Company tackles Hir, Taylor Mac’s comedy of manners fixing  conservative against expansive American views on gender, class and sex.  It is understood, even in the writing, that quite a few of the concepts will cheerfully ride over the heads of the audience.  Advanced gender studies classes may not be enough of an education to appreciate the entire play, but the production unfolds for as more than just the text: with costume, set dressing, emotion, repetition, intonation and even art in the lobby to bolster meaning and heighten context.  At 120 minutes with a single intermission, the time passes quickly, but I do caution people who are sensitive to issues such as domestic violence, elder abuse, teen bullying, and post traumatic stress disorder to perhaps read a synopsis or steel themselves to potentially be triggered. Continue reading →

Jan 02

“Two Mile Hollow,” Or White People, We Need to Talk About Colorism

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Presented by Apollinaire Theatre Company
Written by Leah Nanako Winkler
Directed by Danielle Fauteux Jacques

Dec 21, 2018 – Jan 20, 2019
Chelsea Theatre Works
189 Winnisimmet St
Chelsea, MA 02150
Apollinaire Theatre Company on Facebook

Review by Diana Lu

(Chelsea, MA) Thanksgiving day. Generic WASP family, The Donnelly’s, converges on Two Mile Hollow, a family beach house. Younger son, Joshua, and daughter, Mary, are expecting drama with mother Blythe, but none are expecting older son Christopher to bring his “assistant,” Charlotte, especially not an “assistant”…OF COLOR. On this stormy night, secrets are spilled, social hierarchies are upended, and only one may leave with their self-esteem unscathed. Continue reading →

Apr 13

“Everyman”: What’s God like? You’re God like

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Image discovered on Apollinaire’s Facebook page.

Presented by Apollinaire Theatre Company
By Carol Ann Duffy
Directed by Dale J. Young

April 7 – May 6, 2017
Chelsea Theatre Works
189 Winnisimmet St.
Chelsea, MA 02150
Apollinaire on Facebook

Review by Polly Goss

(Chelsea, MA) Originally a 15th century Morality Play, British Poet Laureate Carol Ann Duffy’s rewriting of Everyman holds the mirror up to our 21st century consumer-driven society…and the view isn’t pretty. Everyman was an ambitious undertaking for the Apollinaire Theatre Company and at points the script demands a larger stage and company than the Chelsea Theatre Works provides. Continue reading →

Jan 11

Quality Beats Out Content in “Brilliant Adventures”

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Michael Underhill as Rob, Sam Terry as Luke. Photo by Danielle Fauteux Jacques

Presented by Apollinaire Theatre Company & United Talent Agency
Written by Alistair McDowall
Directed by Danielle Fauteux Jacques

December 28, 2016-January 21, 2017
Chelsea Theatre Works
189 Winnisimmet St.
Chelsea, MA 02150
Apollinaire Theatre Company on Facebook

Review by Travis Manni

(Chelsea, MA) Every theatre geek knows that good theatre should ask questions and initiate a conversation. It should do something as small as make the audience think of something from a different perspective or as large as make you question everything. These were the expectations I had when sitting down to watch Apollinaire Theatre Company’s production of Brilliant Adventures. Continue reading →

Apr 19

Bedroom Games and War Crimes in Terrifying “Threesome”

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Presented by Apollinaire Theatre Company
by Yussef El Guindi
Directed by Danielle Fauteux Jacques

April 8-May 7, 2016
Chelsea Theatre Works
189 Winnisimmet St., Chelsea.
Apollinaire on Facebook

Review by Gillian Daniels

(Chelsea, MA) Leila (Alison Meirowitz McCarthy) and Rashid (Mauro Canepa) are introduced to the audience in their pajamas as self-styled intellectuals, struggling to be distant from their emotions. They’re Egyptian-Americans who open the play conversing like an editorial on gender politics, feminism, and cultural differences. Then comes in Doug (Geoff Van Wyck), the photographer they have invited into their bedroom for a sexual adventure. He’s blunt, cheerful, and thoroughly naked. He is the chaotic element that opens them up to the insecurities that run deep through their relationship. His attitudes don’t represent some enlightened, Western view as a cure-all to their squeamishness, however. No, Doug has his own insecurities he’s bringing in, too. What begins as an adult comic drama ends as a dark exploration of the political and personal. Continue reading →

Feb 26

Icy Distance in Apollinaire Theatre Company’s GREENLAND

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Photo credit: Apollinaire Theatre Company

Photo credit: Apollinaire Theatre Company

Presented by Apollinaire Theatre Co.
By Nicholas Billon
Directed by Meg Taintor

Feb. 20 – March 15, 2015
189 Winnisimmet Street
Chelsea, MA 02150
Apollinaire on Facebook

Review by Gillian Daniels

(Chelsea, MA) One of the more terrifying aspects of climate change is its irreversibleness.  Once the environment has altered, it’s impossible to get the world back to where it was.  In Nicolas Billon’s 60-minute Greenland, we don’t only contemplate the fragility of the planet but the family unit.  The irreversible change that befalls Tanya (Charlotte Kinder), her uncle Jonathan (Dale J. Young), and her aunt Judith (Christine Power) is smaller than global warming but, in the show, just as brutal. Continue reading →

Jan 12

A Winsome Hot Mess: MIDSUMMER

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Midsummergraphic5inPresented by Apollinaire Theatre Company
By David Greig & Gordon MacIntyre
Directed by Danielle Fauteux Jacques
Music Direction & Sound Design by David Reiffel

December 26th – January 18th, 2014
189 Winnisimmet St
Chelsea, MA
Apollinaire on Facebook

Review by Craig Idlebrook

Perhaps we’ve never puked at the front door of our sister’s wedding or stolen and spent a mobster’s money on one weekend, but the effervescent play MidSummer makes us wish we had.

Because this play lacks anything resembling pretension, David Greig and Gordon MacIntyre’s well-crafted script and Daniele Fauteux Jacques’ pitch-perfect staging makes us recognize the low notes and high notes of our lives in this 95-minute yarn. There is something surprisingly universal about the story of a low-rent con artist and a desperate divorce lawyer who are thrown together for a lost weekend that enables them to find themselves, if only in the telling. Continue reading →

Apr 02

Chekov in a Blender: STUPID FUCKING BIRD

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Photo credit: Apollinaire Theatre

Presented by Apollinaire Theatre Company
By Aaron Posner
Adapted by Chekhov’s The Seagull
Directed by Danielle Fauteux Jacques

March 28th – April 26th, 2014
Chelsea, MA
Apollinaire on Facebook

Review by Craig Idlebrook

(Chelsea) Merriam-Webster offers this definition of “mash-up”:
something created by combining elements from two or more sources: as
a :  a piece of music created by digitally overlaying an instrumental track with a vocal track from a different recording
b :  a movie or video having characters or situations from other sources
c :  a Web service or application that integrates data and functionalities from various online sources

You’ll notice that the good ol’ M-W doesn’t include theater in its definition, which means Apollinaire Theatre’s staging of “Stupid Fucking Bird” kind of groundbreaking.  Take a ponderous Russian classic,  “The Seagull”, make it all meta and silly, and you have this imaginative and unconventional play.  Mash-ups usually are 5 minutes long and viewed on YouTube; this play clocks in at a cool 2 hours and a half with a pair of intermissions. My friends, that’s a mash-up that shows some guts. Continue reading →

Jul 26

Caucasian Chalk Circle: King Solomon’s Revenge?

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Photo Credit: Apollinaire Theatre Co Facebook Page

Presented by Apollinaire Theatre Company
by Bertolt Brecht
Directed by Danielle Fauteux Jacques

Mary O’ Malley Park
Chelsea, MA
July 10th – July 27th, 2013
Apollinaire Theatre Co Facebook Page

Review by Craig Idlebrook and Kate Longberg-Lew

(Chelsea) Having grown up Catholic, I can spy a morality play when I see it.  We used to do some painfully bad skits in church class on the subject of good and evil…think a “very special” episode of Family Ties, without the acting.  It felt good, almost ritualistically cleansing, to present a moral world to an audience.  Continue reading →