Tag Archives: American Repertory Theatre

Feb 14

Unattainable Excellence for Boston: WITNESS UGANDA

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Photo: Gretjen Helene Photography; Adeola Role with Griffin Matthews and Emma Hunton.

Presented by American Repertory Theatre
By Matt Gould and Griffin Matthews
Directed by Diane Paulus
Music Directed by Remy Kurs
Choreography by Darrell Grand Moultrie

Based on true events.

February 4 – March 16, 2014
ASL Interpreted performances: Tues, March 4 at 7:30pm; Sun, March 9 at 2:00pm.
Audio Described performances: Wed, March 5 at 7:30pm; Sat, March 8 at 2:00pm.
Loeb Drama Center
64 Brattle St.
Cambridge, MA 02138
A.R.T. on Facebook
Witness Uganda on Facebook

Review by Kitty Drexel
(Cambridge)In Witness Uganda, Griffin (character inspired by co-creator Griffin Matthews) goes to Uganda on a mission to build a school for needy children. He hopes to make the world a better place and find life purpose. He discovers that American aid workers are not building schools for the community. The Ugandan children are not receiving an education. Together, Griffin, his best friend Ryan and a group of orphans fight to better the lives of Ugandans. Witness Uganda is about the complications of international giving in third world countries, the role community plays on a global scale, and Man’s eternal struggle for purpose. Continue reading →

Sep 20

A Roar as Fierce as its Bite: THE JUNGLE BOOK

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André de Shields (King Louie) and Akash Chopra (Mowgli); Photo: Liz Lauren

Presented by Huntington Theatre Company
Produced in association with Goodman Theatre
Based on the Disney movie of the same name and the stories of Rudyard Kipling
Book and direction by Mary Zimmerman
Music and lyrics by Richard M. Sherman, Robert B. Sherman, Terry Gilkyson, Lorraine Feather, Paul Grabowski

September 7 – October 20, 2013
Avenue of the Arts / BU Theatre
Boston, MA
Huntington Theatre Co on Facebook

Run time: 2 hours and fifteen minutes with one intermission
Recommended: For adults and families with children ages 6+, but if your child is able to sit quietly through a film in a movie theatre, they will be able to enjoy this production.

Review by Kitty Drexel

***Edited because my typos were showing***

(Boston) The Huntington is known for good theatre that takes few risks. While deserving of the awards that they receive, the Huntington’s programming errs on the institutional. The shows are reliable. To any other Boston-area theatre, reliability would mean death.The Jungle Book is such a strong departure from the usual Huntington fare that their decision to host the Boston leg of the musical tour might be construed as a risk. It is not. The Jungle Book would charm the fur off of the back of the grumpiest of theatre cats.

This production is electric; a guaranteed win for the theatre: the costumes are vivid, the actors are extraordinary, and the set is sumptuous, the backing by Disney certainly doesn’t hurt. If you see anything presented by The Huntington this season; see this show. Bring your children and your parents. Bring everyone. This show should not be missed! Continue reading →

Jul 16

Compassion, Uniqueness, Nerve and Talent: HEDWIG AND THE ANGRY INCH

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Photo by Na Eun Park, nabbed from https://www.facebook.com/HedwigOnStage

Produced by Rose Tinted Productions
Presented by Oberon, A.R.T.
By John Cameron Mitchell
Score by Stephen Trask
Directed by Ben Skinner

July 14, 2013
Club Oberon
Cambridge, MA

July 16, 8:30 PM > 10:00
Outside The Box Festival
Boston Common: Spiegeltent at Tremont Street
Boston, MA
Hedwig on Facebook

“Honey, if you can’t love yourself, how the hell you gonna love someone else?…..Can I get an amen?”
– RuPaul
RuPaul’s Drag Race, seasons 1 – Eternity

(Cambridge) It is difficult to come up with something new to say about Hedwig and her angry inch. It’s an amazing show with brilliant music. It’s easy to do well as long as the leading lady gives herself freely to her audience and the art. Even bad performances can be good so long as the performers remain sincere. Rose Tinted Productions’ version of Hedwige and the Angry Inch sits somewhere in the middle – it’s not mediocre but it isn’t revolutionary either. The cast, band and crew are dedicated to Hedwig’s story. That’s more than enough reason to attend. Continue reading →

Apr 19

“Beowulf”: A Badass, Raucous Production

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Kickin'it olde school. Photo by Evgenia Eliseeva

Kickin’it olde school. Photo by Evgenia Eliseeva

 

 

 

 

 

 

 

Presented by American Repertory Theatre
A songplay by Banana Bag and Bodice
Text and lyrics by Jason Craig
Music by Dave Malloy
Directed by Rod Hipskind, Mallory Catlett

Oberon
Cambridge, MA
April 16 – May 5
A.R.T. Facebook Page

Review by Gillian Daniels

(Cambridge) An aggressively weird audio feast, this Beowulf is a musical take on the millennia-old epic-poem. The dialogue performs the syntax gymnastics of Seamus Heaney’s translation while the songs are guttural and set to a frantic, pleasing percussion. Banana Bag and Bodice’s production, though, both honors the source material while dissecting it. Continue reading →

Jan 22

LO-FI LOWDOWN: A Double Bill of Epic Old-timey Proportions

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LO-FI LOWDOWN
COMES TO OBERON FOR ONE NIGHT ONLY

Pictured: Tanya O’Debra Photo credit: Molly Peck

Pictured: Tanya O’Debra, her make-up is flawless. Photo credit: Molly Peck.

ACT ONE: JAZZ NOIR, BY BREMNER DUTHIE
ACT TWO: RADIO STAR, BY TANYA O’DEBRA
JANUARY 27TH @ 7PM
Lo-Fi Lowdown Facebook Page

 Cambridge, MA: The Boston premiere of Lo-Fi Lowdown, a double bill of epic old-timey proportions, comes to Oberon (2 Arrow Street Cambridge, MA) for one night only. This 1940’s themed cabaret/radio show plays on Sunday, January 27th at 7pm. Tickets ($18) are available at the door and online.

Act One: Jazz Noir, by Bremner Duthie
Bremner sings songs from the era of Film Noir. Songs from the dangerous night on the dark side of the street, like a burst of passion on a lazy afternoon, leaving violence in their wake.

Act Two: RADIO STAR, by Tanya O’Debra
Directed by Peter James Cook
Original Music by Andrew Mauriello
Boston native cum NYC comedienne Tanya O’Debra brings her award winning play, Radio Star, to Oberon for her first hometown show.

Jan 06

Breathtaking Chutzpah: PIPPIN

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Photo: Michael Lutch; a tender balancing act.

Photo: Michael Lutch; a tender balancing act.

book Roger O. Hirson
music and lyrics Stephen Schwartz
directed by Diane Paulus
circus creation Gypsy Snider of Les 7 Doigts de la Main
choreography by Chet Walker in the style of Bob Fosse

presented by American Repertory Theatre
Loeb Drama Center
64 Brattle St.
Cambridge, MA 02138
December 5, 2012 to January 20, 2013
ART Facebook Page

Review by Kitty Drexel

(Cambridge) This Cirque du Soleil meets Fosse production of “Pippin” tells the tale of the Everyman, a youthful personification of any adult tentatively beginning the journey toward self-knowledge. Our young hero seeks the meaning of life in all the wrong places: violence, sex, politics, and other follies of inexperience. What the audience soon realizes is that Pippin, son of Charlemagne (the Emperor who not only made Christianity famous but mandatory), for all his proclamations, isn’t special. He is on the same journey that all young adults travel in their search for self – plus or minus some fantastical hardships and an orgy or two. What our hero discovers on this epic ego-trip is that, after he finds and secures a lasting relationship with meaning, he doesn’t know what to do with it. Continue reading →

Oct 18

“Alice in Wonderland” but on More Meth: “The Lily’s Revenge”

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Photo credit: www.GretjenHelene.com; Lily and the Mary’s shaking what their mother, Time, gave them.

Written and Conceived by Taylor Mac
Composed by Rachelle Garniez

presented by American Repertory Theatre
OBERON
2 Arrow Street
Cambridge, MA 02138
October 12, 2012 to October 28, 2012

A.R.T. Facebook Page

The Lily’s Revenge is the epic nursery rhyme turned homo-rific, drag-tastic fairy tale of Lily, an ordinary houseplant, who undertakes to be more than what others make him to be. His is a delicious allegory/metaphor/cautionary tale/simile/hyperbole/paradox that spans 4+ hours of dance, drama and breakage of the 4th wall that warns never to settle for less than what you want. Even if that means shedding the skin of who you think you are to become who you are truly meant to be. Continue reading →

Sep 13

An Ambitious Tragicomedy: MARIE ANTOINETTE

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photo by Joan Marcus

Marie Antoinette by David Adjmi
Directed by Rebecca Taichman

American Repertory Theater, Loeb Drama Center
September 1 – September 29

Reviewed by Kate Longberg-Lew

You are likely already familiar with the tale of Marie Antoinette, the young queen who eventually losses her head at the bequest of her constituency, but you’ve never seen it presented this way. The ART’s production is, in a word, ambitious. This self-described tragicomedy is part Sex in the City, part Moulin Rouge, part modern, part historical, part drama, and part comedy.   Continue reading →

Aug 20

Acoustica Electronica: Dance Theater for Club Kids and Social Butterflies

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AcousticaElectronica: presented by toUch Performance Art

Club Oberon, August 3, 2012 to August 24, 2012, Fridays 10:30pm

toUch Performance Art                          toUch Performance Art Facebook Page

Review by Kitty Drexel

Photo Credit: toUch Performance Art

(Cambridge, MA) Acoustica Electronica (AE) is Dance Theater that blends music spanning 300 years, wrapped in operatic cellophane and wrapped in a pink party-kid ribbon. AE is realized as a club scene exuding the kind of immature sexual desperation usually found in strip joints. It has many elements that make up an excellent performance but together, these elements fall short of the experience AE hopes to create. Continue reading →

Dec 12

Three Pianos: Ambition, Anachronism, and a Fun Party

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Dave Malloy, Alec Duffy, Rick Burkhardt. Photo Ryan Jensen

Three Pianos by Rick Burkhardt, Alec Duffy, and Dave Malloy, American Repertory Theatre, Loeb Drama Center, 12/7/11-1/8/12,  http://www.americanrepertorytheater.org/events/show/three-pianos.

Reviewed by Gillian Daniels

In Three Pianos, Rick Burkhardt, Alec Duffy, and Dave Malloy look to reconcile the historical Schubertiade with more modern, boozy gatherings of friends.

The production believes there’s little difference between the parties that Schubert threw for his friends, prominent artists during the Romantic movement, and the soirees of contemporary audiences.  Particularly entertaining are the actors, in the guise of German guests, deciding who should go on a beer run. Continue reading →