Tag Archives: Alejandro Simoes

Sep 21

Kindness Can’t Kill Systemic Disease: “Between Riverside and Crazy”

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Oswaldo and Pops at breakfast. Photo by Nile Scott Studios

Presented by SpeakEasy Stage Company
By Stephen Adly Guirgis
Directed by Tiffany Nichole Greene
Fight choreography by Greg Maraio
Dialect coaching by Kelly Sabini

Sept. 14 – Oct. 13, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

“I may look how i look. That don’t mean I am how I look.”  – Lulu

(Boston, MA) Fuck the police. Fuck them for killing Black people at unprecedented rates. Fuck them for killing gay/queer/trans people because they can. Fuck them for raping women while in uniform. Fuck them for #bluelivesmatter. Fuck the police and their scare tactics, faulty de-escalation training, and their playing to the sympathies of ignorant white people. No one should die of a routine anything because a trigger happy cop couldn’t keep their shit together. Fuck them for making small changes and expecting big credit. Fuck the police and the lame white horse they rode in on. Fuck the goddamn police. Continue reading →

Mar 08

The Simple Beauty of “Grand Concourse”

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Photo by Glenn Perry Photography; full stage with cast.

Presented by SpeakEasy Stage Company
By Heidi Schreck
Directed by Bridget Kathleen O’Leary

March 3-April 1, 2017
539 Tremont Street
Boston, MA 02116
SpeakEasy Stage Company on Facebook

Review by Travis Manni

(Boston, MA) While I try not to make a habit of going to see religious shows, there’s something about the themes of religion that is compelling. They bring people together and allow them to question anything from faith and love to forgiveness and existence. And while playwright Heidi Schreck’s Grand Concourse manages to tackle all of these, what’s captivating about the show is that it does so without forcing religious concepts. Continue reading →

Jun 01

No Parrots Were Harmed in the Making of This Production: LIGHT UP THE SKY

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The cast of Light Up the Sky. Photo: Mark S. Howard.

The cast (in their finery) of Light Up the Sky. Photo: Mark S. Howard.

Presented by Lyric Stage Co. of Boston
By Moss Hart
Directed by Scott Edmiston
Music direction by Will McGarrahan

May 15 – June 13, 2015
Boston, MA
Lyric on Facebook

Review by Kitty Drexel

(Boston, MA) If one scratches the surface of theatre history, information on Moss Hart and his great effect comes spilling forth like a Texan hitting oil in his backyard. He was beloved by most, if not all, for his contributions. He worked with greats such as George S. Kaufman, Kurt Weill, and Ira Gershwin. He co-wrote countless musical reviews (I’d Rather Be Right), directed some hits (Camelot), and wrote several award winning screenplays (A Star Is Born). He was a gentleman, a scholar and pretty great guy. Continue reading →

Jan 30

That Which Makes Us Different Makes Us Beautiful: BREATH & IMAGINATION

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Elijah Rock, Nehal Joshi and Harriet D. Foy Photo credit: Mike Ritter

Elijah Rock, Nehal Joshi and Harriet D. Foy
Photo credit: Mike Ritter

Presented by ArtsEmerson
Created/written by Daniel Beaty
Directed by David Dower
Music directed/accompanied/arranged/additional music by Jonathan Mastro

Jan 27 – Feb 08, 2015
Paramount Center Mainstage
Boston, MA
ArtsEmerson on Facebook
Roland Hayes (School of Music) on Facebook, Wiki

Review by Kitty Drexel

(Boston, MA) Black lives matter: Racism is alive and thriving everywhere. “But it’s 2015,” people will cry. Right, it’s 2015 and racism is still alive and thriving in Boston. To prove a point: check out which art makes the most money. For an institution greatly concerned with artistic expression, remaining significant in an ever modernizing world, and pushing boundaries, opera tends to steer clear of non-White people. Opera includes POCs in its casting but its stories are mostly about White people. Roland Hayes, first Black man to sing a concert at Symphony Hall would be an excellent subject for an opera.  Thank the great goodness that there’s Breath & Imagination to educate the masses. Continue reading →

Mar 25

Drama Gives the Power to Civilize Convicts in “Our Country’s Good”

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With Jennifer OConnor, Mac Young and Lynn R Guerra; Photos by Chris McKenzie

Presented by Whistler in the Dark Theatre

by Timberlake Wertenbaker
directed by Meg Taintor

March 15-April 6th
The Charlestown Working Theater
Charlestown, MA 02129
Whistler in the Dark Theatre Facebook Page

Review by Gillian Daniels

(Charlestown) Timberlake Wertenbaker’s Our Country’s Good is not about the importance of plays but the importance of fiction—dreams, ambitions, and fantasies—to the downtrodden.  The convicts sent to the Australian penal colonies in 1788 have been dehumanized chiefly by circumstance.  The play the officers have the felons put on gives them the dignity they could not find in lives led as thieves and prostitutes in England.  The whole thing is an impressive meditation on how art fiercely alters perspective even if The Charlestown Working Theater’s production suffers peculiar pacing and lingering pauses. Continue reading →

Sep 24

Redemption in the Motherf**cker with the Hat

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Photo Credit: SpeakEasy Stage Company

by Stephen Adly Guirgis
Directed by David R. Gammons

presented by Speakeasy Stage Company
539 Tremont Street, Boston, Massachusetts 02116
SpeakEasy Stage Company Facebook Page
September 14 – October 13, 2012

Review by Gillian Daniels

(Boston) Speakeasy Stage’s The Motherf**ker with the Hat is a dark comedy that never quite tips over into bleak. Its main characters are addicts, recovering and otherwise, but they either have a sense of humor about it or have learned to accept their shortcomings. Fresh out of jail, Jackie (Jaime Carrillo) tries to break the tight circuit of repeating behaviors that has him locked into a pattern of loving, drinking, and messing up. Continue reading →

Mar 11

Making a Point with a 2 x 4: RECENT TRAGIC EVENTS

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Recent Tragic Events by Craig Wright, Whistler in the Dark, The Factory Theatre, 3/9/12-3/24/12, http://www.whistlerinthedark.com/productions/recenttragicevents.html.

Reviewed by Craig Idlebrook

(Boston, MA) The subject of free will vs. determinism is a fun one to debate, a question that has been the bane of my ex-father-in-law’s existence for decades.  It also has been well-covered in theatre and movies, including in the play Rosencrantz and Guildenstern are Dead.  As this multi-leveled play proves, a play that argues a point must balance storytelling with its agenda to be successful.

Unfortunately, the fine storytelling and performances of Whistler in the Dark’s Recent Tragic Events is marred by gimmicks to drive home the idea that our lives are predestined.  The gimmickry, from a sock puppet stand-in for Joyce Carol Oates to some shenanigans that mess with the borders of the play, would be doubly frustrating if it weren’t for the delivery of one of the best acting performances of the year by lead actor Aimee Rose Ranger. Continue reading →